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Author: Mark Richardson
Publisher: Bloomsbury Publishing USA
ISBN: 0826429017
Category : Music
Languages : en
Pages : 123
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Book Description
Zaireeka is the anti-headphone and the anti-mp3. It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.
Author: Mark Richardson
Publisher: Bloomsbury Publishing USA
ISBN: 0826429017
Category : Music
Languages : en
Pages : 123
Get Book Here
Book Description
Zaireeka is the anti-headphone and the anti-mp3. It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.
Author: Henry H. Owings
Publisher: Last Gasp
ISBN: 0867196572
Category : Humor
Languages : en
Pages : 220
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Book Description
Brought about by the staff of Chunklet Magazine, a paragon of satire for the holy cows of underground music and culture. Since the early 90s, Chunklet has mercilessly lampooned the music industry and is one of the most beloved reads for the hippest bands and music aficionados. The highly graphic style combines the work of political cartoonist Ted Rall with many talented young artists from the Cartoon network.
Author: Jim DeRogatis
Publisher: Crown
ISBN: 0767921402
Category : Music
Languages : en
Pages : 274
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Book Description
An engrossing and intimate portrait of the Oklahoma-based psychedelic pop band the Flaming Lips, cult heroes to millions of indie-rock fans. In July 2002, the Flaming Lips released an ambitious album called Yoshimi Battles the Pink Robots, which merged elements of orchestral pop, electronic dance music, and old-fashioned psychedelic rock with lyrical themes that were simultaneously poignant and philosophical and supremely silly. The album sold a million copies worldwide, introduced the Flaming Lips to a mass audience, and made them one of the best-known cult bands in rock history. Staring at Sound is the tale of the Flaming Lips’s fascinating career (which, in reality, began in 1983) and the many colorful personalities in their orbit, especially Wayne Coyne, their charismatic and visionary founder. Based on hundreds of hours of interviews with the band, it follows the Flaming Lips through the thriving indie-rock underground of the 1980s and the alternative-rock movement of the early ’90s, during which they found fans in such rock legends as Paul McCartney, the Rolling Stones, Robert Plant, and Devo, and respected peers in such acts as the White Stripes, Radiohead, and Beck. It concludes with exclusive coverage of the creation of the group’s latest album, At War with the Mystics.
Author: Andrew Earles
Publisher: Voyageur Press (MN)
ISBN: 0760346488
Category : History
Languages : en
Pages : 403
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Book Description
"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--
Author: Steve Carr
Publisher:
ISBN: 9781913663384
Category :
Languages : en
Pages : 190
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Book Description
Author: Franziska Schroder
Publisher: Cambridge Scholars Publishing
ISBN: 1443816264
Category : Computers
Languages : en
Pages : 195
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Book Description
This volume emerged out of the discussions during the 2009 edition of the Two Thousand + symposia series at the Sonic Arts Research Centre, Belfast. In 2009 the symposium focused on user-generated content and it is the refined and reworked writings that have been included in this volume. The texts in this book cover the development of design strategies for addressing rich media environments that incorporate user-generated, locative content. Chapters cover areas such as choreography/dance, virtual worlds, music performance, network music and computer games.
Author: Irwin Chusid
Publisher: Chicago Review Press
ISBN: 156976493X
Category : Music
Languages : en
Pages : 306
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Book Description
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
Author: Michael Blair
Publisher: Bloomsbury Publishing USA
ISBN: 1501321145
Category : Music
Languages : en
Pages : 174
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Book Description
Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album's cover, disappeared. Even though Colossal Youth received positive reviews and sold surprisingly well, Young Marble Giants quickly slid into the margins of rock 'n' roll history-relegated to cult status among post-punk and indie rock fans. Their lasting appeal owes itself to the band's singular approach and response to punk rock. Instead of employing overt political ideology and abrasive sounds to rebel against the status quo, Young Marble Giants filled their songs with restraint, ambiguity, and silence. The trio opened up their music to new sounds and ideas that redefined punk's rules of rebellion. Where did their rebellious ideas and impulses come from? By tracing Colossal Youth's artistic origins from Ancient Greece to the 20th-century avant-garde, Michael Blair and Joe Bucciero uncover the intricacies of Young Marble Giants' idiosyncratic take on music in the post-punk age. Emerging from the gaps in between the notes are new ways of hearing the history of punk, the political and economic turbulence of the late 1970s, and the world that surrounds us right now.
Author: Walter Biggins
Publisher: Bloomsbury Publishing USA
ISBN: 1501321358
Category : Music
Languages : en
Pages : 158
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Book Description
In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Hüsker Dü, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Mould's perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Mould's Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genre's maturation. Workbook serves its title in two ways-as a map for musicians to follow into a new mode, and as a journal of Mould's struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversations-through letters and emails to each other, and through correspondence with Mould and Workbook's musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of “alternative rock” at the moment of its inception, just before it took over the radio.
Author: Andrew Barker
Publisher: Bloomsbury Publishing USA
ISBN: 1501321285
Category : Music
Languages : en
Pages : 150
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Book Description
As immediately believable as they were cartoonish, as much an inner city cipher as a suburban boys gang, the foursome that made up the Pharcyde were the most relatable MCs to ever pass the mic. On their debut and magnum opus Bizarre Ride II the Pharcyde, they created a record almost overstuffed with possibility, the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile. And like the product of any adolescent, Bizarre Ride wears its contrarianism and contradictions on its sleeve. It's a party album about shyness and unrequited love. A swirl of jubilant L.A. psychedelia recorded in the midst of the Rodney King trial. A blast of black consciousness that still makes room to poke fun at Public Enemy and reference the Pixies. A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls. While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.
