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Author: Ramesh Chandra Sharma
Publisher: Asian Civilisations Museum
ISBN: 9789971917777
Category : Architecture
Languages : en
Pages : 0
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Book Description
Alamkara is a Sanskrit word for ornamentation or decoration. This book examines ornamentation in the context of Indian objects made for use in domestic, courtly, and religious settings. Three essays and a catalogue section develop this notion. From the exhibition: The first ever blockbuster exhibition of Indian antiquities was the result of a memorandum of understanding on culture between the governments of Singapore and India. This exhibition was setup with 330 loan artefacts from the National Museum, New Delhi at the former National Museum building (now Singapore History Museum on Stamford Road). It saw 120,000 visitors entering the portals of the museum within a record time. The exhibition was accompanied by attractive crafts, food and performances which saw community participation and support. The exhibition was thematically arranged, covering 5000 years of Indian art woven around a recurrent theme of decoration, Alamkara. The first section introduced the civilisation from Indus-Sarasvati cultures through sculptural development to fully developed temple forms with sculptures displayed in their design context. The idea of ornament was developed further to explain its aesthetic and artistic meaning and ramifications in various media. A whole section on ornamentation showcased jewellery, textiles and costumes for men, women and children along with contextual paintings to elaborate their historicity. The artefacts were further divided into more lifestyle-based themes such as from pot to plate, adorning the self, the pursuit of pleasure, the heroic ideal, kings, courtiers and craftsmen, mortal women celestial lovers and streams of devotion. These sections elaborated using a collection of artefacts based on their function and usage, the ideas of food, adornment, games and leisure activities, lovers and the world of women and religions practiced on the Indian subcontinent. The star piece of the religion section was a relic of Buddha, excavated from a site called Piprawah. These relics were honorably displayed on a platform which visitors could circumambulate. A large pillared hall evoking the Ellora buddhist caves from 7th-9th century in western India was the model for the religion gallery display. A large court interior was also evoked using tent panels, quilts, cushions and umbrellas with decorative huqqas and silverware.
Author: Ramesh Chandra Sharma
Publisher: Asian Civilisations Museum
ISBN: 9789971917777
Category : Architecture
Languages : en
Pages : 0
Get Book Here
Book Description
Alamkara is a Sanskrit word for ornamentation or decoration. This book examines ornamentation in the context of Indian objects made for use in domestic, courtly, and religious settings. Three essays and a catalogue section develop this notion. From the exhibition: The first ever blockbuster exhibition of Indian antiquities was the result of a memorandum of understanding on culture between the governments of Singapore and India. This exhibition was setup with 330 loan artefacts from the National Museum, New Delhi at the former National Museum building (now Singapore History Museum on Stamford Road). It saw 120,000 visitors entering the portals of the museum within a record time. The exhibition was accompanied by attractive crafts, food and performances which saw community participation and support. The exhibition was thematically arranged, covering 5000 years of Indian art woven around a recurrent theme of decoration, Alamkara. The first section introduced the civilisation from Indus-Sarasvati cultures through sculptural development to fully developed temple forms with sculptures displayed in their design context. The idea of ornament was developed further to explain its aesthetic and artistic meaning and ramifications in various media. A whole section on ornamentation showcased jewellery, textiles and costumes for men, women and children along with contextual paintings to elaborate their historicity. The artefacts were further divided into more lifestyle-based themes such as from pot to plate, adorning the self, the pursuit of pleasure, the heroic ideal, kings, courtiers and craftsmen, mortal women celestial lovers and streams of devotion. These sections elaborated using a collection of artefacts based on their function and usage, the ideas of food, adornment, games and leisure activities, lovers and the world of women and religions practiced on the Indian subcontinent. The star piece of the religion section was a relic of Buddha, excavated from a site called Piprawah. These relics were honorably displayed on a platform which visitors could circumambulate. A large pillared hall evoking the Ellora buddhist caves from 7th-9th century in western India was the model for the religion gallery display. A large court interior was also evoked using tent panels, quilts, cushions and umbrellas with decorative huqqas and silverware.
Author: Mario Bussagli
Publisher:
ISBN:
Category : Architecture, Indic
Languages : en
Pages : 334
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Book Description
Author: Mortimer Wheeler
Publisher:
ISBN:
Category : Mogul Empire
Languages : en
Pages : 184
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Book Description
Conpiled For The Purpose Of Presenting To Readers A Brief Sketch Of Imposing Material Heritage Of Pakistan Prior To The Death Of Aurangzeb In 1707. Part I West Pakistan Has 16 Chapters. Part Ii East Pakistan Has 7 Chapters-Followed By Retrospect And Prospect. Appendices. Morethan 20 Plates. Around 19 Figures.
Author: Ajit Mookerjee
Publisher: Courier Corporation
ISBN: 0486319997
Category : Art
Languages : en
Pages : 209
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Book Description
Incredibly rich treasury of authentic royalty-free designs adapted from artifacts of the Harappa culture, coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, Buddhist temples, textiles from Gujarat, Punjab, other regions, masks and tribal arts, much more. Immediately usable material or great resource for design inspiration. Introduction. Notes.
Author: Partha Mitter
Publisher: Oxford University Press, USA
ISBN: 9780192842213
Category : Art
Languages : en
Pages : 295
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Book Description
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
Author: Shanti Swarup
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 412
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Book Description
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 849
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Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Author: Sushma Bahl
Publisher: Roli Books
ISBN: 9788174368539
Category : Art
Languages : en
Pages : 0
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Book Description
This visually stunning book is a rare example of a volume that offers a panoramic view of Indian art from the pre-historic times to contemporary period.
Author: James C. Harle
Publisher: Yale University Press
ISBN: 9780300062175
Category : Art
Languages : en
Pages : 616
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Book Description
Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.
Author: Ajit Mookerjee
Publisher: Tuttle Publishing
ISBN: 146291263X
Category : Art
Languages : en
Pages : 268
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Book Description
This revised and enlarged edition of The Arts of India has over 150 impressive gravure and full-color illustrations. These include various important objects and monuments not usually seen in general surveys to supplement the many essential art milestones that this book features. It is also unique in beginning its visual survey with relics of India's stone age and in concluding the book with works from the nation's great folk tradition and selected paintings by modern artists. Here is a book with captions and a text that are highly readable blends of scholarly information and informal comment by an Indian art expert. This grants the reader special insights into the concepts that lie behind art so different from that of the West. Author Mookerjee has judiciously selected photographs which present the vast panorama of Indian art from its earliest beginnings. Examples of Indian folk arts and some works by 20th-century Indian artists round out this rich historic survey of over 5,000 years of continuous creativity—a collection of paintings, reliefs, statues, and architectural monuments from this sprawling sub-continent now divided into the lands of India, Pakistan, Ceylon, Burma and Afghanistan.
