Author: John Warner
Publisher: Johns Hopkins University Press
ISBN: 1421437988
Category : Education
Languages : en
Pages : 285
Book Description
An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
Why They Can't Write
Author: John Warner
Publisher: Johns Hopkins University Press
ISBN: 1421437988
Category : Education
Languages : en
Pages : 285
Book Description
An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
Publisher: Johns Hopkins University Press
ISBN: 1421437988
Category : Education
Languages : en
Pages : 285
Book Description
An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
Thomas Adès in Five Essays
Author: Drew Massey
Publisher: Oxford University Press
ISBN: 019937497X
Category : Music
Languages : en
Pages : 209
Book Description
The British composer, conductor, and pianist Thomas Adès has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched. Once seen as the heir to Benjamin Britten, both in his importance to British music and his reputation as the enfant terrible of the concert world, Adès is a fascinating figure of contemporary composition. Reaching for the music behind the celebrity, author Drew Massey deftly tackles the challenges of writing about a living figure with such far-reaching impact by focusing on representative moments in his compositional career and critical reception. In this series of five interlocking essays, Massey provides an illuminating look at the formal characteristics of Adès's music, considers his work from the perspective of a contemporary listener, and places it within the larger context of developments in twentieth-century British music. He not only traces the diverse historical forms and traditions that Adès taps into but also reflects on where he is steering the future of composition and performance. An analysis of the key transitions in the artist's critical reception completes this book as the most comprehensive study of this pivotal figure of contemporary classical music in the English language to this day.
Publisher: Oxford University Press
ISBN: 019937497X
Category : Music
Languages : en
Pages : 209
Book Description
The British composer, conductor, and pianist Thomas Adès has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched. Once seen as the heir to Benjamin Britten, both in his importance to British music and his reputation as the enfant terrible of the concert world, Adès is a fascinating figure of contemporary composition. Reaching for the music behind the celebrity, author Drew Massey deftly tackles the challenges of writing about a living figure with such far-reaching impact by focusing on representative moments in his compositional career and critical reception. In this series of five interlocking essays, Massey provides an illuminating look at the formal characteristics of Adès's music, considers his work from the perspective of a contemporary listener, and places it within the larger context of developments in twentieth-century British music. He not only traces the diverse historical forms and traditions that Adès taps into but also reflects on where he is steering the future of composition and performance. An analysis of the key transitions in the artist's critical reception completes this book as the most comprehensive study of this pivotal figure of contemporary classical music in the English language to this day.
Thomas Adès in Five Essays
Author: Drew Massey
Publisher:
ISBN: 0199374961
Category : Music
Languages : en
Pages : 209
Book Description
Reaching for the music behind the celebrated composer, conductor, and pianist Thomas Adès, author Drew Massey offers an indispensable work for scholars and general readers alike.
Publisher:
ISBN: 0199374961
Category : Music
Languages : en
Pages : 209
Book Description
Reaching for the music behind the celebrated composer, conductor, and pianist Thomas Adès, author Drew Massey offers an indispensable work for scholars and general readers alike.
Revealment and Concealment
Author: Hayyim Nahman Bialik
Publisher: Ibis Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 156
Book Description
Cultural Writing. REVEALMENT AND CONCEALMENT is ... a series of profound and highly influential essays on Hebrew and Jewish culture ... collected in a new and handsomely produced English edition -- Jonathan Wilson, The Times Literary Supplement. This important collection gathers together five essays by Haim Nahman Bialik (1873-1934), by all accounts the greatest modern Hebrew poet, and a writer who has long defied translation. A key figure in the renaissance of Hebrew Culture at the end of the nineteenth and the beginning of the twentieth century. Translated by Zali Gurevitch who teaches at the Hebrew University and is the author of six books of poetry.
Publisher: Ibis Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 156
Book Description
Cultural Writing. REVEALMENT AND CONCEALMENT is ... a series of profound and highly influential essays on Hebrew and Jewish culture ... collected in a new and handsomely produced English edition -- Jonathan Wilson, The Times Literary Supplement. This important collection gathers together five essays by Haim Nahman Bialik (1873-1934), by all accounts the greatest modern Hebrew poet, and a writer who has long defied translation. A key figure in the renaissance of Hebrew Culture at the end of the nineteenth and the beginning of the twentieth century. Translated by Zali Gurevitch who teaches at the Hebrew University and is the author of six books of poetry.
On Tennis
Author: David Foster Wallace
Publisher: Little, Brown
ISBN: 0316284823
Category : Sports & Recreation
Languages : en
Pages : 106
Book Description
From the author of Infinite Jest and Consider the Lobster: a collection of five brilliant essays on tennis, from the author's own experience as a junior player to his celebrated profile of Roger Federer at the peak of his powers. A "long-time rabid fan of tennis," and a regionally ranked tennis player in his youth, David Foster Wallace wrote about the game like no one else. On Tennis presents David Foster Wallace's five essays on the sport, published between 1990 and 2006, and hailed as some of the greatest and most innovative sports writing of our time. This lively and entertaining collection begins with Wallace's own experience as a prodigious tennis player ("Derivative Sport in Tornado Alley"). He also challenges the sports memoir genre ("How Tracy Austen Broke My Heart"), takes us to the US Open ("Democracy and Commerce at the U.S. Open"), and profiles of two of the world's greatest tennis players ("Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff About Choice, Freedom, Limitation, Joy, Grotesquerie, and Human Completeness" and "Federer Both Flesh and Not"). With infectious enthusiasm and enormous heart, Wallace's writing shows us the beauty, complexity, and brilliance of the game he loved best.
Publisher: Little, Brown
ISBN: 0316284823
Category : Sports & Recreation
Languages : en
Pages : 106
Book Description
From the author of Infinite Jest and Consider the Lobster: a collection of five brilliant essays on tennis, from the author's own experience as a junior player to his celebrated profile of Roger Federer at the peak of his powers. A "long-time rabid fan of tennis," and a regionally ranked tennis player in his youth, David Foster Wallace wrote about the game like no one else. On Tennis presents David Foster Wallace's five essays on the sport, published between 1990 and 2006, and hailed as some of the greatest and most innovative sports writing of our time. This lively and entertaining collection begins with Wallace's own experience as a prodigious tennis player ("Derivative Sport in Tornado Alley"). He also challenges the sports memoir genre ("How Tracy Austen Broke My Heart"), takes us to the US Open ("Democracy and Commerce at the U.S. Open"), and profiles of two of the world's greatest tennis players ("Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff About Choice, Freedom, Limitation, Joy, Grotesquerie, and Human Completeness" and "Federer Both Flesh and Not"). With infectious enthusiasm and enormous heart, Wallace's writing shows us the beauty, complexity, and brilliance of the game he loved best.
Hints on Toleration: in five essays ... By Philagatharches
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Five Ways of Being a Painting and Other Essays
Author: William Max Nelson
Publisher: New York Review of Books
ISBN: 1910749214
Category : Literary Collections
Languages : en
Pages : 140
Book Description
A collection of essays by the winner and the five finalists of the prestigious Notting Hill Editions Essay Prize 2017 Covering an array of subjects, from the meaning of art to supermarket shopping, these pieces were chosen for their originality, literary style, and above all, their ability to persuade. The judges awarded the first prize to “Five Ways of Being a Painting” by William Max Nelson for “its curious mix of the philosophical and the personal, the argumentative and the ruminative, that makes it a real essay.” The biennial Notting Hill Editions Essay Prize is open to all essays written in English of between 2,000 and 8,000 words, on any subject. The first prize is £20,000 and five runners up each receive £1,000, making it the richest non-fiction prize in the world. The judges of the 2017 prize were: Kirsty Gunn, essayist and novelist; Daniel Mendelsohn, essayist, memoirist and critic; Sameer Rahim, Arts & Books Editor of Prospect; and Rosalind Porter, Deputy Editor of Granta Magazine. The winner of the inaugural prize was Michael Ignatieff, with his essay on Raphael Lemkin and genocide; the 2015 prize was won by the African American author David Bradley with his essay on the use of the word “nigger.” Essays by runners-up Laura Esther Wolfson, Garret Keizer, Karen Holmberg, Patrick McGuinness, Dasha Shkurpela are included.
Publisher: New York Review of Books
ISBN: 1910749214
Category : Literary Collections
Languages : en
Pages : 140
Book Description
A collection of essays by the winner and the five finalists of the prestigious Notting Hill Editions Essay Prize 2017 Covering an array of subjects, from the meaning of art to supermarket shopping, these pieces were chosen for their originality, literary style, and above all, their ability to persuade. The judges awarded the first prize to “Five Ways of Being a Painting” by William Max Nelson for “its curious mix of the philosophical and the personal, the argumentative and the ruminative, that makes it a real essay.” The biennial Notting Hill Editions Essay Prize is open to all essays written in English of between 2,000 and 8,000 words, on any subject. The first prize is £20,000 and five runners up each receive £1,000, making it the richest non-fiction prize in the world. The judges of the 2017 prize were: Kirsty Gunn, essayist and novelist; Daniel Mendelsohn, essayist, memoirist and critic; Sameer Rahim, Arts & Books Editor of Prospect; and Rosalind Porter, Deputy Editor of Granta Magazine. The winner of the inaugural prize was Michael Ignatieff, with his essay on Raphael Lemkin and genocide; the 2015 prize was won by the African American author David Bradley with his essay on the use of the word “nigger.” Essays by runners-up Laura Esther Wolfson, Garret Keizer, Karen Holmberg, Patrick McGuinness, Dasha Shkurpela are included.
Why I Write
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Take Five: Four Favorite Essays Plus One Never-Been-Seen Essay
Author: Augusten Burroughs
Publisher: St. Martin's Press
ISBN: 1429958545
Category : Biography & Autobiography
Languages : en
Pages : 78
Book Description
From the number-one bestselling author of Running with Scissors and Dry comes TAKE FIVE, a mini collection of true stories that give voice to the thoughts that we all have but dare not mention—stories that shine a flashlight into both dark and hilarious places. TAKE FIVE includes the following four favorite previously-published essays plus one brand-new, never-been-published essay by Augusten Burroughs: --MINT THRESHOLD --UNCLEAR SAILING --COMMERICAL BREAK --DEBBIE'S REQUIREMENTS --SWAN SONG (new!)
Publisher: St. Martin's Press
ISBN: 1429958545
Category : Biography & Autobiography
Languages : en
Pages : 78
Book Description
From the number-one bestselling author of Running with Scissors and Dry comes TAKE FIVE, a mini collection of true stories that give voice to the thoughts that we all have but dare not mention—stories that shine a flashlight into both dark and hilarious places. TAKE FIVE includes the following four favorite previously-published essays plus one brand-new, never-been-published essay by Augusten Burroughs: --MINT THRESHOLD --UNCLEAR SAILING --COMMERICAL BREAK --DEBBIE'S REQUIREMENTS --SWAN SONG (new!)
About Writing
Author: Samuel R. Delany
Publisher: Wesleyan University Press
ISBN: 0819574244
Category : Language Arts & Disciplines
Languages : en
Pages : 433
Book Description
From the four-time Nebula Award–winning novelist and literary critic, essential reading for the creative writer. Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere. “Delany has certainly spent more time thinking about the process of generating narratives—and subsequently getting the fruits of his lucubrations down on paper?than any other writer in the genre. . . . Delany’s latest volume in this vein (About Writing) might be his best yet... Truly, as the jacket copy boasts, this book is the next best thing to taking one of Delany’s courses. . . . [R]eaders will find many answers here to the mysteries of getting words down on a page.” —Paul DiFilippo, Asimov’s Science Fiction “Useful and thoughtful advice for aspiring (and practicing apprentice) authors. About Writing is autobiography, criticism, and a guidebook to good writing all in one.” —Robert Elliot Fox, Professor of English, Southern Illinois University at Carbondale “Should go on the short list of required reading for every would-be writer.” —New York Times Book Review (on Of Doubts and Dreams in About Writing)
Publisher: Wesleyan University Press
ISBN: 0819574244
Category : Language Arts & Disciplines
Languages : en
Pages : 433
Book Description
From the four-time Nebula Award–winning novelist and literary critic, essential reading for the creative writer. Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere. “Delany has certainly spent more time thinking about the process of generating narratives—and subsequently getting the fruits of his lucubrations down on paper?than any other writer in the genre. . . . Delany’s latest volume in this vein (About Writing) might be his best yet... Truly, as the jacket copy boasts, this book is the next best thing to taking one of Delany’s courses. . . . [R]eaders will find many answers here to the mysteries of getting words down on a page.” —Paul DiFilippo, Asimov’s Science Fiction “Useful and thoughtful advice for aspiring (and practicing apprentice) authors. About Writing is autobiography, criticism, and a guidebook to good writing all in one.” —Robert Elliot Fox, Professor of English, Southern Illinois University at Carbondale “Should go on the short list of required reading for every would-be writer.” —New York Times Book Review (on Of Doubts and Dreams in About Writing)