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Author: Gergana Apostolova
Publisher: Trafford Publishing
ISBN: 1466955570
Category : Fiction
Languages : en
Pages : 136
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Book Description
This is a book of ten separate tales which contain smaller tales and are interconnected in the manner of Scheherazade's stories, but disclose the intimate relationship of humanity and nature. The tales are based on the first-person-singular involvement of the reader who is the potential teller after experiencing the events from the tales. Some of the tales are definitely in the feminine, some are in the masculine, but most of them go deeper into the roots of our individuality where gender is only humanity. The action is set in both the real and the absurd adventure of our minds: growing to know ourselves while cutting through our fears, memories, daydreams and role-play games, likes and dislikes, evaluations and senses. That is why the action of the tales is like a relaxed revisiting of a picturesque dreamy land; it is like dream weaving in a motion picture where the colors of a rolling scenery are combined with real smells, sounds and the unbound ability to move through space and time and understand the language of every natural object whether a rock or an alien or a tree. The tales are told in an amorphous set of texts which is like the part of a single-person's mind life. This is the form of a proto-novel whose plot and subplots are not bound in a line of development but resemble a tree where each tale is like a golden apple, ready to fall into the hand of a willing reader after having sucked the juices of the mother-stem. The texts are to be used in adaptations: retold in the first person singular by grown-ups to kids or vise versa; transformed into game settings, into film versions, into drawing books, or into simplified texts to be finished by learners.
Author: Gergana Apostolova
Publisher: Trafford Publishing
ISBN: 1425123058
Category : Fiction
Languages : en
Pages : 136
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Book Description
Interactive eco fantasies of rich color, scent and emotion: involving wild and daring adventures of the mind. Unbound by convention - proto-novel. Tales to be retold in any form.
Author: Alexis Easley
Publisher: Routledge
ISBN: 1351936409
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century
Author: Noah Wardrip-Fruin
Publisher: MIT Press
ISBN: 9780262232326
Category : Computers
Languages : en
Pages : 360
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Book Description
The relationship between story and game, and related questions of electronic writing and play, examined through a series of discussions among new media creators and theorists.
Author: Lori Jamison Rog
Publisher: Pembroke Publishers Limited
ISBN: 1551388162
Category : Education
Languages : en
Pages : 169
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Book Description
Discover a balanced approach to writing workshop that is organized around writing genres and uses specific writing skills to help students write creative, effective fiction and nonfiction.
Author: Richard Bauman
Publisher: Cambridge University Press
ISBN: 9780521311113
Category : Language Arts & Disciplines
Languages : en
Pages : 152
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Book Description
An analysis of Texan oral narratives that focuses on the significance of their social context. Although the tales are all from Texas, they are considered representative of oral storytelling traditions in their relationships between story, performance and event.
Author: Stephanie A. V. G. Kamath
Publisher: DS Brewer
ISBN: 1843843137
Category : History
Languages : en
Pages : 228
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Book Description
An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages. The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose thenarrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston.
Author: Martha Nichols
Publisher: Routledge
ISBN: 1000475034
Category : Language Arts & Disciplines
Languages : en
Pages : 187
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Book Description
A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content. Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalism—passion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of "voice lessons" with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journalists, including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon, and James Baldwin. Together, the book provides a fresh look at the craft of nonfiction, offering much-needed advice on writing with style, authority, and a unique point of view. Written with a knowledge of the rapidly changing digital media environment, First-Person Journalism is a key text for journalism and media students interested in personal nonfiction, as well as for early-career nonfiction writers looking to develop this narrative form.
Author: Alicia Rasley
Publisher: Penguin
ISBN: 1599633558
Category : Language Arts & Disciplines
Languages : en
Pages : 235
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Book Description
Every Character Has a Voice Point of view isn't just an element of storytelling–when chosen carefully and employed consistently in a work of fiction, it is the foundation of a captivating story. It's the character voice you can hear as clearly as your own. It's the unique worldview that intrigues readers–persuading them to empathize with your characters and invest in their tale. It's the masterful concealing and revealing of detail that keeps pages turning and plots fresh. It's the hidden agenda that makes narrators complicated and compelling. It's also something most writers struggle to understand. In The Power of Point of View, RITA Award-winning author Alicia Rasley first teaches you the fundamentals of point of view (POV)–who is speaking, why, and what options work best within the conventions of your chosen genre. Then, she takes you deeper to explain how POV functions as a crucial piece of your story–something that ultimately shapes and drives character, plot, and every other component of your fiction. Through comprehensive instruction and engaging exercises, you'll learn how to: • choose a point of view that enhances your characters and plots and encourages reader involvement • navigate the levels of a character's point of view, from objective viewing to action to emotion • craft unusual perspectives, including children, animal narrators, and villains A story changes depending on who's telling it, and The Power of Point of View will help you determine which of your characters can make your story come to life.
Author: Tim Waggoner
Publisher: Raw Dog Screaming Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 229
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Book Description
In Let Me Tell You a Story, Tim Waggoner continues what he started in the Bram Stoker Award-winning Writing in the Dark (2020) and Writing in the Dark: The Workbook (2022), both of which focus on the art of composing successful horror fiction. This latest guidebook takes a different approach, foregrounding Waggoner’s prolific, decades-long career as a professional author. Partly autobiographical, partly tutorial and diagnostic, each chapter features one of Waggoner’s stories followed by reflection on the historical context of publication, insightful commentary, and exercises for writers who are just learning their craft as well as those who have already made a name for themselves. As always, Waggoner’s experience, wit, and know-how shine through as he discusses and re-evaluates material from 1990 to 2018. Let Me Tell You a Story is a vital contribution to his evolving nonfictional oeuvre.
Author: Sara Gilbert
Publisher: Capstone
ISBN: 0756538556
Category : Feature writing
Languages : en
Pages : 34
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Book Description
This book will help you learn how to find ideas and then find supporting evidence to write clearly about those ideas. It contains brainstorming and training activities to sharpen your writing skills. Tips and advice from news writers and examples from their own work will also help you.
