First New York Exhibition of Karl Gerstner's Work at Staempfli Gallery February 2 to February 20, 1965

First New York Exhibition of Karl Gerstner's Work at Staempfli Gallery February 2 to February 20, 1965 PDF Author: Karl Gerstner
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

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First New York Exhibition of Karl Gerstner's Work at Staempfli Gallery February 2 to February 20, 1965

First New York Exhibition of Karl Gerstner's Work at Staempfli Gallery February 2 to February 20, 1965 PDF Author: Karl Gerstner
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

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First Exhibition of Karl Gerstner's Work

First Exhibition of Karl Gerstner's Work PDF Author: Staempfli Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

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Karl Gerstner--first London Exhibition

Karl Gerstner--first London Exhibition PDF Author: Karl Gerstner
Publisher: Marlborough Publications
ISBN:
Category : Art
Languages : en
Pages : 68

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Marlborough: Karl Gerstner

Marlborough: Karl Gerstner PDF Author: Marlborough Fine Art (London)
Publisher:
ISBN: 9780900955785
Category : Art, Swiss
Languages : en
Pages : 55

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Karl Gerstner

Karl Gerstner PDF Author: Karl Gerstner
Publisher:
ISBN:
Category :
Languages : en
Pages : 6

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Designing Programmes

Designing Programmes PDF Author: Karl Gerstner
Publisher: Lars Muller Publishers
ISBN: 9783037780930
Category : Graphic arts
Languages : en
Pages : 0

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Book Description
Karl Gerstner s work is a milestone in the history of design. One of his most important works is Designing Programmes, which is presented here in a new edition of the original 1964 publication. In four essays, the author provides a basic introduction to his design methodology. Instead of set recipes, the method suggests a model for design in the early days of the computer era. The intellectual models it proposes, however, continue to be useful today. What it does not purvey is cut-and-dried, true-or-false solutions or absolutes of any kind - instead, it develops fundamental principles in an innovative and future-oriented way. The book is especially topical and exciting in the context of current developments in computational design, which seem to hold out the possibility of programmed design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. 200 illustrations

The Fleming Files

The Fleming Files PDF Author: Martha Fleming
Publisher: The Porcupine's Quill
ISBN: 0889849552
Category : Design
Languages : en
Pages : 207

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Book Description
The Fleming Files: Allan Fleming's Life and Works delves into the wide-ranging body of work produced by Canadian graphic designer Allan Fleming. His designs, familiar not only to typophiles, have become part of the Canadian landscape, from the iconic CN Rail logo to stamps for Canada Post. This edition, which containes over 55 photographs, illustrates the personal and professional life of one of Canada's most influential graphic designers.

Multiplied

Multiplied PDF Author: Mildred Lane Kemper Art Museum
Publisher: Mildred Lane Kemper Art Museum
ISBN: 9780936316475
Category : Art, Modern
Languages : en
Pages : 0

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"The catalog presents the entirety of Edition MAT's three collections--from 1959, 1964, and 1965--with three scholarly essays and biographical entries on each of the participating artists that illuminate this unique constellation of practitioners ... An appendix of historical documents, many translated here for the first time, includes artist interviews and manifestos, offering rare insight into the aesthetic agendas of this innovative program"--From publisher's website, viewed March 12, 2020.

Karl Gerstner

Karl Gerstner PDF Author: Karl Gerstner
Publisher:
ISBN: 9783893224784
Category :
Languages : en
Pages :

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Roth Time

Roth Time PDF Author: Dirk Dobke
Publisher: The Museum of Modern Art
ISBN: 9780870700354
Category : Architecture
Languages : en
Pages : 312

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Book Description
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.