National Endowment for the Arts V. Finley (1998). PDF Download
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Author: Karen Finley
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 664
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Book Description
Author: Karen Finley
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 664
Get Book Here
Book Description
Author: Karen Finley
Publisher:
ISBN: 9781944869953
Category : Poetry
Languages : en
Pages : 176
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Book Description
A celebrated performance artist's mesmerizing riffs on sex in American politics. Based on her widely praised performance pieceUnicorn Gratitude Mystery ("Wickedly funny," as described byThe New York Times), Karen Finley'sGrabbing Pussy explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein. Standing in the tradition of Allen Ginsberg'sHowl, Finley's words jolt the reader into new insights about the ways the darkly private can drive the public realm in dizzying twists and turns. The aggression of intimacy, the disparity of gender, and the vital importance of hair are all encompassed in Finley's exhilarating canter.
Author: Judith H. Balfe
Publisher: University of Illinois Press
ISBN: 9780252063107
Category : Art
Languages : en
Pages : 356
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Book Description
Author: Maggie Nelson
Publisher: National Geographic Books
ISBN: 0393343146
Category : History
Languages : en
Pages : 0
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Book Description
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.
Author: Karen Finley
Publisher: The Feminist Press at CUNY
ISBN: 1558616721
Category : Art
Languages : en
Pages : 212
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Book Description
"Ms. Finley hasn't lost the power to disturb."—Ben Brantley, The New York Times No other performing artist has captured the psychological complexity of this decade as Karen Finley has. In her inimitable style, she has embodied some of the most troubling figures to cast a long shadow on the public imagination, and has envisioned a kind of catharsis within each drama: Liza Minnelli responds to the September 11 attacks; Terri Schiavo explains why Americans love a woman in a coma; Martha Stewart dumps George W. Bush during their tryst on the eve of the Republican National Convention; Silda Spitzer tells the former governor why “I’m sorry” just isn’t enough; and the ghost of Jackie O cries, “Please stop looking at me!" The Reality Shows is a revelation of a decade by one of our greatest interpreters of popular and political culture.
Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812248732
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
In an exploration of antitheatrical incidents from the seventeenth to the twentieth century, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
Author: Karen Finley
Publisher: City Lights Books
ISBN: 9780872866911
Category : ART
Languages : en
Pages : 0
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Book Description
Expanded anniversary edition of this 1990 classic by America's most provocative performance artist, as outrageous, insightful and relevant as ever.
Author: D. Emily Hicks
Publisher: Stylus Publishing, LLC
ISBN: 1975504410
Category : Education
Languages : en
Pages : 245
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Book Description
An Introduction to Complexity Pedagogy: Using Critical Theory, Critical Pedagogy and Complexity in Performance and Literature offers readers an introduction to the basic concepts of complexity science and how they might be applied in the teaching of composition, creative writing, performance, and literature. The book builds on Critical Theory (defined as Frankfurt Theory) and border theory, serving as a critique of neoliberalism in higher education and the teaching of critical thinking as a set of skills. Individual chapters are devoted to the following artists and writers: • the Choctaw people • author LeAnne Howe • Chicana lesbian author Gloria Anzaldua • performance artist Karen Finley • the performance duo Bob Flanagan and Sheree Rose The strength of this book is that it concentrates on the teaching of interrelated topics: borders (including the border between the able/disabled), complexity, mixed ancestry, ability/disability, texts, and performance, using the Mexico-U.S. border as the working example of a complexity system. The work of the five aforementioned artists and authors are used to focus on political resistance within the context of decolonialism, but there are also references to mixed ancestry populations (including Redbones) and disability issues. This complexity frame of reference allows the reader to see and understand both the artists’ narratives and viewpoints in the dynamic relations of shorter and longer time frames. No prior knowledge of complexity science is required and ample examples of complexity-related topics-- from coral reefs to zebra stripes--are provided. The focus is on students in state universities and community college transfer students, especially first generation students and students of color, with policy implications pointing to a critique of both elite small liberal arts colleges (SLACs) and research institutions. An Introduction to Complexity Pedagogy: Using Critical Theory, Critical Pedagogy and Complexity in Performance and Literature is the perfect text for assignment in a variety of classrooms, including courses in Complexity Science, Composition and Rhetoric, Performance Arts, Cultural Studies, Critical Theory, Ethnic Studies, and many others. Perfect for courses such as: Introduction to Creative Writing | Advanced Composition | Introduction to Border Art | Introduction to Complexity in the Arts and the Humanities | Introduction to Multicultural Literature | Introduction to Chicanx and Native American Literature | Introduction to Performance Art and Social Justice | Special Topics: Complexity, the Environment, Literature and the Arts | Special Topics: Disability Studies and Performance | Special Topics: Critical Family Histories, Mixed Ancestry and Pedagogy
Author: Alison Young
Publisher: Psychology Press
ISBN: 041530184X
Category : Art and morals
Languages : en
Pages : 205
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Book Description
This book extends the cultural turn in legal and criminological studies by interrogating our responses to the image. It provides a space to think through problems of ethics, social authority and the legal imagination.
Author: Andrew Hartman
Publisher: University of Chicago Press
ISBN: 022662207X
Category : History
Languages : en
Pages : 368
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Book Description
The “unrivaled” history of America’s divided politics, now in a fully updated edition that examines the rise of Trump—and what comes next (New Republic). When it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of how they came to define American politics at the close of the twentieth century. But it also garnered attention for Hartman’s declaration that the culture wars were over—and that the left had won. In the wake of Trump’s rise, driven by an aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled . . . . Incisive portraits of individual players in the culture wars dramas . . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.” —New Republic
