Fine XVIII Century American Furniture ... Collected by the Late Mrs. J. Amory Haskell ... Part 6, Public Auction Sale February 13, 14, 15, 16 and 17 ... PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Fine XVIII Century American Furniture ... Collected by the Late Mrs. J. Amory Haskell ... Part 6, Public Auction Sale February 13, 14, 15, 16 and 17 ... PDF full book. Access full book title Fine XVIII Century American Furniture ... Collected by the Late Mrs. J. Amory Haskell ... Part 6, Public Auction Sale February 13, 14, 15, 16 and 17 ... by Parke-Bernet Galleries. Download full books in PDF and EPUB format.
Author: Parke-Bernet Galleries
Publisher:
ISBN:
Category : Furniture, American
Languages : en
Pages : 304
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Book Description
Author: Parke-Bernet Galleries
Publisher:
ISBN:
Category : Furniture, American
Languages : en
Pages : 304
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Book Description
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 624
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
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Book Description
Author:
Publisher:
ISBN:
Category : Americana
Languages : en
Pages :
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Book Description
Author: R.R. Bowker Company
Publisher: R. R. Bowker
ISBN:
Category : Art
Languages : en
Pages : 810
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 812
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Book Description
Including an international directory of museum permanent collection catalogs.
Author: Parke-Bernet Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Peter M. Kenny
Publisher: Metropolitan Museum of Art
ISBN: 1588394425
Category : Cabinetmakers
Languages : en
Pages : 314
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Book Description
"Duncan Phyfe (1770-1854), known during his lifetime as the "United States Rage," to this day remains America's best-known cabinetmaker. Establishing his reputation as a purveyor of luxury by designing high-quality furniture for New York's moneyed elite, Phyfe would come to count among his clients some of the nation's wealthiest and most storied families. This richly illustrated volume covers the full chronological sweep of the craftsman's distinguished career, from his earliest furniture-- which bears the influence of his 18th-century British predecessors Thomas Sheraton and Thomas Hope--to his late simplified designs in the Grecian Plain. More than sixty works by Phyfe and his workshop are highlighted, including rarely seen pieces from private collections and several newly discovered documented works. Additionally, essays by leading scholars bring to light new information on Phyfe's life, his workshop production, and his roster of illustrious patrons. What unfolds is the story of Phyfe's remarkable transformation from a young immigrant craftsman to an accomplished master cabinetmaker and an American icon."--Publisher's website.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
