Fine Prints of the Year [Vol. 8-1930]. PDF Download
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![Fine Prints of the Year [Vol. 8-1930]. PDF](https://books.google.com/books/content/images/frontcover/ZoAqtAEACAAJ?fife=w150-h200)
Author: M. C. Salaman
Publisher:
ISBN:
Category :
Languages : en
Pages :
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![Fine Prints of the Year [Vol. 8-1930]. PDF](https://books.google.com/books/content/images/frontcover/ZoAqtAEACAAJ?fife=w80-h100)
Author: M. C. Salaman
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Sidney Bressler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838633609
Category : Impressionism (Art)
Languages : en
Pages : 280
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![Fine Prints of the Year [1930] PDF](https://books.google.com/books/content/images/frontcover/gRpgzwEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 0
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![The later works, 1925 - 1953. 10. 1934 : [art as experience] PDF](https://books.google.com/books/content/images/frontcover/PI1LFwvly84C?fife=w80-h100)
Author: John Dewey
Publisher: SIU Press
ISBN: 9780809328208
Category : Education
Languages : en
Pages : 498
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Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 516
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Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 290
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN:
Category : Ceramics
Languages : en
Pages : 50
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Author: Yvonne Howell
Publisher: Bloomsbury Publishing
ISBN: 1350232866
Category : History
Languages : en
Pages : 201
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The idea that morally, mentally, and physically superior 'new men' might replace the currently existing mankind has periodically seized the imagination of intellectuals, leaders, and reformers throughout history. This volume offers a multidisciplinary investigation into how the 'new man' was made in Russia and the early Soviet Union in the first third of the 20th century. The traditional narrative of the Soviet 'new man' as a creature forged by propaganda is challenged by the strikingly new and varied case studies presented here. The book focuses on the interplay between the rapidly developing experimental life sciences, such as biology, medicine, and psychology, and countless cultural products, ranging from film and fiction, dolls and museum exhibits to pedagogical projects, sculptures, and exemplary agricultural fairs. With contributions from scholars based in the United States, Canada, the UK, Germany and Russia, the picture that emerges is emphatically more complex, contradictory, and suggestive of strong parallels with other 'new man' visions in Europe and elsewhere. In contrast to previous interpretations that focused largely on the apparent disconnect between utopian 'new man' rhetoric and the harsh realities of everyday life in the Soviet Union, this volume brings to light the surprising historical trajectories of 'new man' visions, their often obscure origins, acclaimed and forgotten champions, unexpected and complicated results, and mutual interrelations. In short, the volume is a timely examination of a recurring theme in modern history, when dramatic advancements in science and technology conjoin with anxieties about the future to fuel dreams of a new and improved mankind.
Author: United States National Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 994
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Author: Judith Keller
Publisher: Getty Publications
ISBN: 0892363177
Category : Photography
Languages : en
Pages : 436
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Book Description
Walker Evans is widely recognized as one of the greatest American photographers of the twentieth century, and the J. Paul Getty Museum owns one of the most comprehensive collections of his work, including more of his vintage prints than any other museum in the world. This lavishly illustrated volume brings together for the first time all of the Museum’s Walker Evans holdings. Included here are familiar images—such as Evans’s photographs of tenant farmers and their families, made in the 1930s and later published in Let Us Now Praise Famous Men—and images that are much less familiar—such as the photographs Evans made in the 1940s of the winter quarters of the Ringling Brothers circus, or his very late Polaroids, made in the 1970s. In addition, many previously unpublished Evans photographs, and variant croppings of classic images, appear here for the first time. Author Judith Keller has written a lively, informative text that places these photographs in the larger context of Evans’s life and career and the culture—especially the popular culture—of the time. In so doing, she has produced an indispensible volume for anyone interested in the history of photography or American culture in the twentieth century. Also included is the most comprehensive bibliography on Walker Evans published to date.
