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Author: Società italiana per lo studio del pensiero medievale. Convegno di studi
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 548
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Book Description
Author: Società italiana per lo studio del pensiero medievale. Convegno di studi
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 548
Get Book Here
Book Description
Author: Marco Sgarbi
Publisher: BRILL
ISBN: 9004264299
Category : History
Languages : en
Pages : 256
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Book Description
From the twelfth to the seventeenth century, Aristotle’s writings lay at the foundation of Western culture, providing a body of knowledge and a set of analytical tools applicable to all areas of human investigation. Scholars of the Renaissance have emphasized the remarkable longevity and versatility of Aristotelianism, but they have mainly focused on the Latin tradition. Scarce, if any, attention has gone to vernacular works. Nonetheless, several important Renaissance figures wished to make Aristotle’s works accessible and available outside the narrow circle of professional philosophers and university professors to a broad set of readers. The thesis underpinning this book is that Italian vernacular Aristotelianism, especially in the field of logic, made fundamental contributions to the thought of the period, anticipating many of the features of early modern philosophy and contributing to a new conception of knowledge.
Author: John Marenbon
Publisher: Oxford University Press
ISBN: 0190246979
Category : History
Languages : en
Pages : 768
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Book Description
This Handbook shows the links between medieval and contemporary philosophy. Topic-based essays on all areas of philosophy explore this relationship and introduce the main themes of medieval philosophy. They are preceded by the fullest chronological survey now available of the different traditions: Latin and Greek, Islamic and Jewish.
Author: Lola Badia
Publisher: Boydell & Brewer
ISBN: 1855663015
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion. Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin. Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona. Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona. Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110436973
Category : Social Science
Languages : en
Pages : 552
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Book Description
Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.
Author: Marco Sgarbi
Publisher: Springer Nature
ISBN: 3319141694
Category : Philosophy
Languages : en
Pages : 3618
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Book Description
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
Author: Matteo Pace
Publisher: Springer Nature
ISBN: 3031692535
Category :
Languages : en
Pages : 233
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Book Description
Author: Sarah R. Kyle
Publisher: Routledge
ISBN: 1351997785
Category : History
Languages : en
Pages : 455
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Book Description
This book is the first study to consider the extraordinary manuscript now known as the Carrara Herbal (British Library, Egerton 2020) within the complex network of medical, artistic and intellectual traditions from which it emerged. The manuscript contains an illustrated, vernacular copy of the thirteenth-century pharmacopeia by Ibn Sarābī, an Arabic-speaking Christian physician working in al-Andalus known in the West as Serapion the Younger. By 1290, Serapion’s treatise was available in Latin translation and circulated widely in medical schools across the Italian peninsula. Commissioned in the late fourteenth century by the prince of Padua, Francesco II ‘il Novello’ da Carrara (r. 1390–1405), the Carrara Herbal attests to the growing presence of Arabic medicine both inside and outside of the University. Its contents speak to the Carrara family’s historic role as patrons and protectors of the Studium, yet its form – a luxury book in Paduan dialect adorned with family heraldry and stylistically diverse representations of plants – locates it in court culture. In particular, the manuscript’s form connects Serapion’s treatise to patterns of book collection and rhetorics of self-making encouraged by humanists and practiced by Francesco’s ancestors. Beginning with Petrarch (1304–74) and continuing with Pier Paolo Vergerio (ca. 1369–1444), humanists held privileged positions in the Carrara court, and humanist culture vied with the University’s successes for leading roles in Carrara self-promotion. With the other illustrated books in the prince’s collection, the Herbal negotiated these traditional arenas of family patronage and brought them into confluence, promoting Francesco as an ideal ‘physician prince’ capable of ensuring the moral and physical health of Padua. Considered in this way, the Carrara Herbal is the product of an intersection between the Pan-Mediterranean transmission of medical knowledge and the rise of humanism in the Italian courts, an intersection typically attributed to the later Renaissance.
Author: Lisa Devriese
Publisher: Leuven University Press
ISBN: 9462702926
Category : History
Languages : en
Pages : 234
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Book Description
Physiognomy, the history of racial classifications, and the interplay between natural philosophy, medicine, and ethics The idea of the body as a mirror of the soul has fascinated mankind throughout history. Being able to see through an individual, and drawing conclusions on their character solely based on a selection of external features, is the subject of physiognomy, and has a long tradition running well into recent times. However, the pre-modern, especially medieval background of this discipline has remained underexplored. The selected case studies in this volume each contribute to a better understanding of the history of physiognomy from antiquity to the Renaissance, and offer discussions on unedited treatises and on the application, development, and reception of this field of knowledge, as well as on visual sources inspired by physiognomic theory. Contributors: Enikő Békés (Hungarian Academy of Sciences), Joël Biard (University of Tours), Lisa Devriese (KU Leuven), Maria Fernanda Ferrini (University of Macerata), Christophe Grellard (École Pratique des Hautes Études), Luís Campos Ribeiro (University of Lisbon), Maria Michela Sassi (University of Pisa), Oleg Voskoboynikov (Higher School of Economics Moscow), Steven J. Williams (New Mexico Highlands University), Joseph Ziegler (University of Haifa), Gabriella Zuccolin (University of Pavia)
Author: Justin Steinberg
Publisher: University of Chicago Press
ISBN: 022607112X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
In Dante and the Limits of the Law, Justin Steinberg offers the first comprehensive study of the legal structure essential to Dante’s Divine Comedy. Steinberg reveals how Dante imagines an afterlife dominated by sophisticated laws, hierarchical jurisdictions, and rationalized punishments and rewards. He makes the compelling case that Dante deliberately exploits this highly structured legal system to explore the phenomenon of exceptions to it, crucially introducing Dante to current debates about literature’s relation to law, exceptionality, and sovereignty. Examining how Dante probes the limits of the law in this juridical otherworld, Steinberg argues that exceptions were vital to the medieval legal order and that Dante’s otherworld represents an ideal “system of exception.” In the real world, Dante saw this system as increasingly threatened by the dual crises of church and empire: the abuses and overreaching of the popes and the absence of an effective Holy Roman Emperor. Steinberg shows that Dante’s imagination of the afterlife seeks to address this gap between the universal validity of Roman law and the lack of a sovereign power to enforce it. Exploring the institutional role of disgrace, the entwined phenomena of judicial discretion and artistic freedom, medieval ideas about privilege and immunity, and the place of judgment in the poem, this cogently argued book brings to life Dante’s sense of justice.
