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Author: Tim Boon
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Britain has long been recognised for its proud contribution to documentary cinema, yet its tradition of scientific and medical documentaries remains poorly documented. This is the first in-depth history of the genre.
Author: Tim Boon
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Britain has long been recognised for its proud contribution to documentary cinema, yet its tradition of scientific and medical documentaries remains poorly documented. This is the first in-depth history of the genre.
Author: Andrew Maynard
Publisher: Mango Media Inc.
ISBN: 1633539067
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
“Deftly shows how a seemingly frivolous film genre can guide us in shaping tomorrow’s world.” —Seth Shostak, senior astronomer, SETI Institute Artificial intelligence, gene manipulation, cloning, and interplanetary travel are all ideas that seemed like fairy tales but a few years ago. And now their possibilities are very much here. But are we ready to handle these advances? This book, by a physicist and expert on responsible technology development, reveals how science fiction movies can help us think about and prepare for the social consequences of technologies we don’t yet have, but that are coming faster than we imagine. Films from the Future looks at twelve movies that take us on a journey through the worlds of biological and genetic manipulation, human enhancement, cyber technologies, and nanotechnology. Readers will gain a broader understanding of the complex relationship between science and society. The movies mix old and new, and the familiar and unfamiliar, to provide a unique, entertaining, and ultimately transformative take on the power of emerging technologies, and the responsibilities they come with.
Author: Jonathan Vankin
Publisher: Chicago Review Press
ISBN: 9781556525599
Category : Historical films
Languages : en
Pages : 0
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Book Description
Reveals how Hollywood alters history for movies, examines the facts behind some well-known films, and shows alterations to the "true story" such as concocted love affairs, character motivations, and trumped-up movie endings.
Author: Museum of Modern Art (New York, N.Y.). Film Library
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Author: Vinzenz Hediger
Publisher: Amsterdam University Press
ISBN: 9089640134
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.
Author: United States. Drug Enforcement Administration
Publisher:
ISBN:
Category : Drug abuse
Languages : en
Pages : 72
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 32
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Book Description
Author: David Scott Diffrient
Publisher: Edinburgh University Press
ISBN: 0748695680
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr
Author: David MacDougall
Publisher: Princeton University Press
ISBN: 9780691012346
Category : Performing Arts
Languages : en
Pages : 334
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Book Description
David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Author: William Baer
Publisher: Bloomsbury Publishing USA
ISBN: 0313348995
Category : Social Science
Languages : en
Pages : 295
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Book Description
Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters—the original artists—have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.
