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Author: Kathryn Kalinak
Publisher: Univ of Wisconsin Press
ISBN: 029913363X
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Author: Kathryn Kalinak
Publisher: Univ of Wisconsin Press
ISBN: 029913363X
Category : Performing Arts
Languages : en
Pages : 267
Get Book Here
Book Description
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Author: David A. Bell
Publisher:
ISBN: 9781879505209
Category : Motion picture music
Languages : en
Pages : 0
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Book Description
Addresses film makers concerning film scoring basics.
Author: Janet K. Halfyard
Publisher: Scarecrow Press
ISBN: 1461667054
Category : Music
Languages : en
Pages : 191
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Book Description
Danny Elfman is recognized as one of the most successful, interesting, and innovative figures in recent film music composition. He came to the fore in the late 1980s in connection with his collaboration with Tim Burton on his films including Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), and Sleepy Hollow (1999). In addition to this, Elfman has composed music for more than 40 other films, including Somersby (1993), Dolores Claibourne (1995), Good Will Hunting (1997), Men in Black (1997), and Spiderman (2002). Beetlejuice was the first mainstream commercial success of the collaboration, but Batman was the film which marked Tim Burton's arrival as a major figure in Hollywood film direction, and equally established Danny Elfman as a film score composer, particularly in relation to action and fantasy genres. The score for Batman won a Grammy in 1989 and is an outstanding example of his collaboration with Burton as well as admirably demonstrating his particular talents and distinctive compositional voice. In particular, it displays the characteristic "darkness" of his orchestration in this genre and the means he uses to create a full length film score from what is often a relatively small amount of musical material, in this case the famous Batman theme. This book examines Elfman's scoring technique and provides a detailed analysis and commentary on the Batman score. The film is discussed in the context of its comic-book origins and the fantasy-action genre, setting it and its score against the late 1970s and early 1980s equivalents such as Star Wars and Superman, and revealing how Burton and Elfman between them changed the cinematic idea of what a superhero is. The book also explores Elfman's musical background, his place within the film music industry and the controversy that sprang up following the release of B
Author: Vasco Hexel
Publisher: Rowman & Littlefield
ISBN: 1442266732
Category : Music
Languages : en
Pages : 235
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Book Description
Christopher Nolan’s caped crusader trilogy—Batman Begins, The Dark Knight, and The Dark Knight Rises—is considered by many to be one of the finest translations of comic book characters to the big screen. The second film in the series, The Dark Knight, was both a critical and commercial success, featuring an Oscar-winning performance by Heath Ledger as the Joker. The score—by Academy Award winner Hans Zimmer and eight-time Oscar nominee James Newton Howard—also received accolades, including a Grammy. Intricately interwoven with the sound design—and incorporating Mel Wesson’s ground-breaking ambient music design, —Zimmer’s and Howard’s music gives the film an added layer of ominous tones that makes palpable the menace facing Gotham City. In Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide, Vasco Hexel delves into the composers’ backgrounds to reveal the many facets of meaning in the highs and lows of the score. This book also highlights the working methods of Zimmer and Howard and how they collaborated with each other and the filmmaking team to create such a memorable soundtrack. By drawing on unprecedented access to some of the key creators of the film, the author provides unique insights into the score’s composition. Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide will be of interest to cinema and music scholars, as well as fans of both composers.
Author: Henry Mancini
Publisher: Alfred Music Publishing
ISBN: 9780757922664
Category : Music
Languages : en
Pages : 140
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Book Description
This text, designed as a tool for the college classroom, gives the reader insight into the creative process used by master film composer Henry Mancini. Edited by Roy Phillippe, the book provides 16 musical examples and includes a CD with recordings from the original soundtrack. The text provides detailed analysis of the ideology and technique behind Mancini's creation of music to be paired with the film's storyline and its images. A must for any aspiring film composer, film music buff, or Mancini fan!
Author: Roger Hickman
Publisher: Scarecrow Press
ISBN: 1461669685
Category : Music
Languages : en
Pages : 177
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Book Description
In 1925, MGM produced a screen version of Lew Wallace's best-selling novel, Ben-Hur: A Tale of the Christ, which became a classic of silent cinema. Nearly 25 years later, the biblical epic was remade by William Wyler and received an unprecedented 11 Academy Awards, including one for Miklós Rózsa's music. Indeed, the score for Ben-Hur is one of the greatest achievements in Hollywood film music. In this book, Roger Hickman focuses on the confluence of traditions, trends, and innovations that shaped Rózsa's score. Hickman provides an overview of Rózsa's music into the 1960s, looks at the composer's musical influences and the development of his distinctive style, and examines how Rózsa applied these compositional techniques to film scoring. The author then explores the Ben-Hur phenomenon and traces the development of the story and its musical traditions from the original novel into the 21st century. Hickman also examines the conventions of epic films and ties these influences together with a detailed analysis of the score. Miklós Rózsa's Ben-Hur pays tribute to not only one of the great film scores but also to one of Hollywood's most influential composers.
Author: Doug Adams
Publisher: Alfred Publishing Company
ISBN: 9780739071571
Category : Music
Languages : en
Pages : 401
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Book Description
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.
Author: Franco Sciannameo
Publisher: Scarecrow Press
ISBN: 0810877112
Category : Music
Languages : en
Pages : 212
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Book Description
This volumes reintroduces critics, film musicologists, cinemagoers, and fans of Francis Ford Coppola's cinema and Nino Rota's music to the events that led to the realization of the three films that make up The Godfather Trilogy, commenting on their significance both musically and culturally. Released in 1972, 1974, and 1990 respectively, Coppola's three-part saga is one of the greatest artistic accomplishments (and financial successes) in the history of Hollywood cinema.
Author: Tony Thomas
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 364
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Book Description
Reviews the pertinent work of 25 composers, with an essay by each, a portrait, and a listing of their film score titles and film studios, arranged by data.
Author: Berthold Hoeckner
Publisher: University of Chicago Press
ISBN: 022664975X
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
