Film "No-shows" postscriptums PDF Download
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Author: Paul Melchior
Publisher: Pascal Maurice éditeur / Singuliers magazine
ISBN:
Category : Art
Languages : en
Pages : 423
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Book Description
Complements of 30 sequences for the movie "No-Shows No-Film for Ukraine", 24 English postscripts (30 French) extracts from the book "Hermit in showbiz" (also in addition to "Russian scams during Ukraine war : on a dating website") ; English Supplement to n° 19 "Singuliers" magazine – ISSN 0992-2881.
Author: Paul Melchior
Publisher: Pascal Maurice éditeur / Singuliers magazine
ISBN:
Category : Art
Languages : en
Pages : 423
Get Book Here
Book Description
Complements of 30 sequences for the movie "No-Shows No-Film for Ukraine", 24 English postscripts (30 French) extracts from the book "Hermit in showbiz" (also in addition to "Russian scams during Ukraine war : on a dating website") ; English Supplement to n° 19 "Singuliers" magazine – ISSN 0992-2881.
Author: Paul Melchior
Publisher: Pascal Maurice éditeur / Singuliers magazine
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 419
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Book Description
24 postscripts for the addendum to the 1st edition of the book "Russian scams during Ukraine war on a dating website" entitled "Death of pseudo Ukrainian (Russian scammers during war)" complement of sequences from "No-Shows No-Film for Ukraine" ; full version in this Supplement to n° 19 "Singuliers" magazine – ISSN 0992-2881.
Author: Jean Claude Guillebaud
Publisher: Algora Publishing
ISBN: 1892941058
Category : Philosophy
Languages : en
Pages : 372
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Book Description
This provocative book stands our sixties' liberation on its head, taking an inventory of its unintended side-effects.--Le Nouvel Quotidien. (Philosophy)
Author: Frère Ermite
Publisher: Pascal Maurice éditeur / Singuliers magazine
ISBN:
Category : Art
Languages : en
Pages : 36
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Book Description
An ebook from "Hermit's confessions (film "No-Shows" postscriptums)", n° 19 "Singuliers" magazine – ISSN 0992-2881.
Author: Peter Hodgson Collin
Publisher: Peter Collin Publishing
ISBN:
Category : Design
Languages : en
Pages : 292
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Book Description
A dictionary of the basic vocabulary used in the printing and publishing industries, covering printing machines, paper, ink, binding, typesetting (letterpress and computerized), typefaces, desk-top publishing, editing, proofreading, layout, commercial publishing and bookselling, and much more.
Author: Library of Congress
Publisher:
ISBN:
Category : Filmstrips
Languages : en
Pages : 992
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Book Description
A cumulative list of works represented by Library of Congress printed cards.
Author: Allied Chambers
Publisher: Allied Publishers
ISBN: 9788186062258
Category :
Languages : en
Pages : 2054
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Book Description
Author: S. Panse
Publisher: Springer
ISBN: 1137014180
Category : Social Science
Languages : en
Pages : 467
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Book Description
A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.
Author:
Publisher:
ISBN: 9788186062364
Category : English language
Languages : en
Pages : 1476
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Book Description
Author: Ivone Margulies
Publisher: Oxford University Press
ISBN: 0190496843
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
In Person: Reenactment in Postwar and Contemporary Cinema delineates a new performative genre based on replay and self-awareness. The book argues that in-person reenactment, an actual person reenacting her past on camera, departs radically from other modes of mimetic reconstruction. In Person theorizes this figure's protean temporality and revisionist capabilities and it considers its import in terms of social representativity and exemplarity. Close readings of select, historicized examples define an alternate, confessional-performative vein to understand the self-reflexive nature of postwar and post-holocaust testimonial cinemas. The book contextualizes Zavattini's proposal that in neorealism everyone should act his own story in a sort of anti-individualist, public display (Love in the City and We the Women). It checks the convergence between verité experiments, a heightened self-critique in France and the reception of psychodrama in France (Chronicle of a summer and The Human Pyramid) in the late fifties. And, through Bazin, it reflects on the quandaries of celebrity biopics: how the circularity of the star's iconography is checked by her corporeal limits (Sophia her Own Story and the docudrama Torero!). In Person traces a shift from the exemplary and transformative ethos of fifties reenactment towards the un-redemptive stance of contemporary reenactment films such as Lanzmann's Shoah, Zhang Yuan's Sons, Andrea Tonacci's Hills of Chaos. It defines continuities between verite testimony (Chronicle, and Moi un Noir) and later para-juridical films such as the Karski Report and Rithy Panh's S21, the Khmer Rouge Killing Machine suggesting the power of co-presence and in person actualization for an ethics of viewership.
