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Author: Tom Lisanti
Publisher: McFarland
ISBN: 9780786411948
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.
Author: Tom Lisanti
Publisher: McFarland
ISBN: 9780786411948
Category : Performing Arts
Languages : en
Pages : 356
Get Book Here
Book Description
Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.
Author: Judith M. Redding
Publisher: Seal Press (CA)
ISBN: 9781878067975
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Film Fatales offers a fascinating glimpse into the lives and work of women filmmakers. Profiled here are over thirty pioneering directors, producers, and distributors who have changed the face of contemporary film by delivering new and distinctly female images and sensibilities for the screen.
Author: Mary Ann Doane
Publisher: Routledge
ISBN: 1136639047
Category : Social Science
Languages : en
Pages : 324
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Book Description
In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, "Femmes Fatales" addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the "femme fatale" in cinema illustrate confrontations between feminism, film theory and psychoanalysis. This book should be of interest to students and lecturers in women's studies, communications studies and film theory.
Author: Tony Turtu
Publisher: Booksales
ISBN: 9781933112039
Category : Femmes fatales in motion pictures
Languages : en
Pages : 0
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Book Description
Sensational and unapologetic, B movie bad girls of the big screen starred in sexy suspense thrillers during film's golden age. A celebration of the wicked, the wayward, and the wanton, Bad Girls: Film Fatales, Sirens, and Molls remembers the actresses who gave those celluloid sinners their oomph. Blinded by desire, crazed with jealousy, and ripe with sin, these luscious, lascivious ladies broke the female stereotype as they antagonized with a vengeance, hiding guns in their garters and knives in their hair. Working with scant scripts, they relied on their beauty, bodies, and female prowess to carve their own niche in the man's world of moviemaking. Prized for their campy quality and over-acting, these bad girls redefined the Hollywood girl-next-door ideal and paved the walk of fame for villainous vixens to come. Encompassing film noir femme fatales, brassy blondes, juvenile delinquents, and their foreign 'sisters, ' we will shine a spotlight (or would an interrogation lamp be more fitting?) on several genres of filmmaking where these man traps flourished
Author: Robert B. Pippin
Publisher: University of Virginia Press
ISBN: 0813931894
Category : Performing Arts
Languages : en
Pages : 136
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Book Description
This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.
Author: Julie Grossman
Publisher: Rutgers University Press
ISBN: 0813598249
Category : Art
Languages : en
Pages : 175
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Book Description
"The femme Fatale takes a long view on the figure of the femme fatale, exploring her style, language, and stories from silent cinema to contemporary television. Author Julie Grossman provides a history of some of this dynamic figure's eruptions in film, TV, and culture generally, exploring the notions of female ambition, frustration, and intelligence that undergird the power and fascination of the femme fatale across time and media. We see how the fatal woman often mediates contradictory views on women's lives and their desire to gain fulfillment in a hostile or otherwise challenging environment. Embodied by some of the most charismatic female performers in Hollywood history, from Theda Bara and Barbara Stanwyck to Hedy Lamarr, Reese Witherspoon, and Jodie Comer and Sandra Oh, the femme fatale remains an active source of pleasure and subversion. Femmes Fatales pays particular attention to performance not only as a prominent feature of these works' production-established in part through references to studio press books and popular reviews--but also as a theme within the narrative (in, for example, the idea of the deceitful, untrustworthy, or "performing" woman). Focusing on expressive moments and scenes in texts that are celebrated and also those that are lesser known, this volume attends to the variety, trauma, wit, and transgressions of the femme fatale, emphasizing how this figure continually provokes us to reflect on rigid conventions and social roles. Femmes Fatales generates questions and analysis that speak to why stories about gender and criminality featuring tough and smart women are so endlessly thrilling"--
Author:
Publisher: U of Minnesota Press
ISBN: 9781452904252
Category : Feminist films
Languages : en
Pages : 362
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Book Description
Author: J. Grossman
Publisher: Springer
ISBN: 0230274986
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
Author: James Ursini
Publisher: Limelight Editions
ISBN: 0879107243
Category : Performing Arts
Languages : en
Pages : 601
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Book Description
(Limelight). From the femme fatale of the early cinema to her post-feminist rebirth, this lavishly illustrated book and comprehensive guide traces the history of these dangerously alluring, manipulative, and desperate lethal ladies. Femme Fatale surveys the history of the femme fatale in world cinema, with more than 300 photographs testifying to the power of these mysterious women. The book begins with the silent period and its vamps, like Theda Bara, Pola Negri, Clara Bow, and Bebe Daniels, then moves on to the Pre-Code sound period of American films, which, showing liberated attitudes toward sex and women, featured actresses like Jean Harlow, Marlene Dietrich, and Greta Garbo. The story continues with the noir 1940s, when the femme fatale became truly lethal including actresses like Ava Gardner, Rita Hayworth, and Barbara Stanwyck. In the repressive 1950s, the international femme fatale took the fore Brigitte Bardot, Maria Felix, Elizabeth Taylor, Anita Ekberg, etc. Finally, the authors turn to the revolutionary post-feminist modern period, with an array of lethal ladies from all over the world, like Pam Grier, Salma Hayek, Gong Li, Angelina Jolie, and Sharon Stone.
Author: Helen Hanson
Publisher: Springer
ISBN: 0230282016
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
