Film as Social Practice PDF Download
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Author: Graeme Turner
Publisher: Routledge
ISBN: 0415375134
Category : History
Languages : en
Pages : 274
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Book Description
Publisher description
Author: Graeme Turner
Publisher: Routledge
ISBN: 0415375134
Category : History
Languages : en
Pages : 274
Get Book Here
Book Description
Publisher description
Author: Graeme Turner
Publisher: Routledge
ISBN: 1134607156
Category : Social Science
Languages : en
Pages : 241
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Book Description
Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
Author: Graeme Turner
Publisher: Routledge
ISBN: 1134607148
Category : Social Science
Languages : en
Pages : 244
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Book Description
Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
Author: xtine burrough
Publisher: Routledge
ISBN: 1000546144
Category : Art
Languages : en
Pages : 355
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Book Description
With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy’s Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
Author: Graeme Turner
Publisher: Psychology Press
ISBN: 0415252814
Category : Motion pictures
Languages : en
Pages : 550
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Book Description
This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
Author: Robert Clyde Allen
Publisher:
ISBN: 9780201111507
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author: Poshek Fu
Publisher: Cambridge University Press
ISBN: 9780521776028
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.
Author: Joseph Zornado
Publisher: Taylor & Francis
ISBN: 1040092977
Category : Social Science
Languages : en
Pages : 178
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Book Description
Surveying disaster films from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don’t Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The Disaster Film as Social Practice examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of “restorative” and “reflective” disaster narratives. An analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats, and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies.
Author: Robert Stam
Publisher: Wiley-Blackwell
ISBN: 9780631230557
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
Literature and Film is a cornucopia of vibrant essays that chart the history and confluence of literature and film. It explores in detail a wide and international spectrum of novels and adaptations, bringing together the very latest scholarship in the field.
Author: Jake Yuzna
Publisher: powerHouse Books
ISBN: 1576876594
Category : Art
Languages : en
Pages : 338
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Book Description
New York comes alive after dark. For years the thriving nightlife has drawn curious outsiders to the city while uniting its residents in a utopian bacchanal that transcends racial, sexual, and class boundaries. As a catalyst for otherwise impossibly intimate intermingling in what is America's cultural capital, nightlife in NYC has always been fertile ground for creative expression and exploration, birthing countless movements in music, fashion, and art. Yet it is only in the past decade that major cultural institutions have begun to recognize that nightlife promoters are artists, and the parties-the environments, performance, fashion, and experiences created-works of art. Surveying the evolving nature of nightlife in New York City, THE FUN: The Social Practice of Nightlife in NYC is a first-of-its-kind publication, documenting the new forms of nightlife practitioners to emerge since the turn of the millennium. Through profiles of over 30 artists, including the royalty of Manhattan nightlife like Susanne Bartsch and Ladyfag; hybrid forms like Xtapussy and FCKNLZ; the continuation of minimal wave and goth communities through Pendu Disco; and the vibrant queer scenes of JUDY, Frankie Sharp, and My Chiffon is Wet, THE FUN: The Social Practice of Nightlife in NYC documents the rich contemporary cultural activity keeping NYC as weird and innovative as decades past. Accompanying these profiles are essays by a range of voices in the nightlife, including artists Rob Roth and Genesis P-Orridge, curators and critics Claire Bishop and Jake Yuzna, as well as journalist Michael Musto providing both historical context and contemporary understanding of nightlife as a vital artistic practice that has been marginalized by the arts sector for hundreds of years. THE FUN: The Social Practice of Nightlife in NYC traces the history of nightlife as it has evolved, from the explosion of large and small discos throughout the 1970s like Studio 54, which paved the way for 80s megaclubs; the candy-colored club kid movement of Michael Alig and the Limelight in the early 90s; the parallel expansion of the boundary shattering merger of drag, performance, and music in downtown venues such as the Pyramid Club and Mother; the rise of Brooklyn as a new focal point in the 2000s with the emergence of Luxx, Secret Project Robot, Silent Barn and other hybrid arts/music/nightlife venues; and on into the many vibrant forms found today. THE FUN: The Social Practice of Nightlife in NYC celebrates the immense originality and impact of this unique artistic practice, one that is created once social norms are left at the door and debauchery ensues in the wickedly creative corners of NYC that only appear once the sun has set.
