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Author: Bruce Murray
Publisher: University of Texas Press
ISBN: 0292788037
Category : Performing Arts
Languages : en
Pages : 440
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Book Description
The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.
Author: Bruce Murray
Publisher: University of Texas Press
ISBN: 0292788037
Category : Performing Arts
Languages : en
Pages : 440
Get Book Here
Book Description
The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.
Author: Peter Jelavich
Publisher: Univ of California Press
ISBN: 0520259971
Category : History
Languages : en
Pages : 320
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Book Description
Jelavich examines Alfred Döblin's 1929 novel 'Berlin Alexanderplatz', which questioned the autonomy & coherence of the human personality in the modern metropolis, & traces the discrepancies that radically altered the work when it was adapted for radio & as a motion picture.
Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373
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Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.
Author: Anton Kaes
Publisher: Univ of California Press
ISBN: 9780520067745
Category : History
Languages : en
Pages : 836
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Book Description
Reproduces (translated into English) contemporary documents or writings with an introduction to each section.
Author: Eric D. Weitz
Publisher: Princeton University Press
ISBN: 0691183058
Category : History
Languages : en
Pages : 496
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Book Description
"Weimar Centennial edition with a new preface by the author."--Title page.
Author: Istvan Deak
Publisher: Univ of California Press
ISBN: 0520310284
Category : History
Languages : en
Pages : 374
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Book Description
The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: Timothy Scott Brown
Publisher: Berghahn Books
ISBN: 1845459083
Category : History
Languages : en
Pages : 226
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Book Description
Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the “National Bolshevik” scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.
Author: Hauke Friederichs
Publisher: Profile Books
ISBN: 1782834591
Category : History
Languages : en
Pages :
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Book Description
November 1932. With the German economy in ruins and street battles raging between political factions, the Weimar Republic is in its death throes. Its elderly president Paul von Hindenburg floats above the fray, inscrutably haunting the halls of the Reichstag. In the shadows, would-be saviours of the nation vie for control. The great rivals are the chancellors Franz von Papen and Kurt von Schleicher. Both are tarnished by the republic's all-too-evident failures. Each man believes he can steal a march on the other by harnessing the increasingly popular National Socialists - while reining in their most alarming elements, naturally. Adolf Hitler has ideas of his own. But if he can't impose discipline on his own rebellious foot-soldiers, what chance does he have of seizing power?
Author: Linda Schulte-Sasse
Publisher: Duke University Press
ISBN: 9780822318248
Category : History
Languages : en
Pages : 372
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Book Description
On Nazi cinema
Author: Dirk Schumann
Publisher: Berghahn Books
ISBN: 0857453149
Category : History
Languages : en
Pages : 398
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Book Description
In noting that political violence was the product of choices made by political actors rather than the result of irresistible forces ...Schumann issues a pertinent warning while making a first-rate contribution to the scholarly literature on the Weimar Republic. Central European History A well-documented and skillfully argued book. German Studies Review In his exceptional regional study of the Prussian province of Saxony, Schumann offers a richly detailed analysis of political violence in the Weimar Republic...This is a wordy but methodical and ultimately convincing work of scholarship. Choice Schumann ... calls into question some assumptions, provides interesting nuances, and helps to refine our understanding of the nature of political violence in Weimar Germany. Journal of Modern History ... provides a well-documented, solid narrative and challenging analysis of Weimar's political violence... American Historical Review This] definitive work, rich in source material and analysis, dispels stereotypes of political violence in the Weimar Republic. Historische Zeitschrift The Prussian province of Saxony-where the Communist uprising of March 1921 took place and two Combat Leagues (Wehrverb nde) were founded (the right-wing Stahlhelm and the Social Democratic Reichsbanner) - is widely recognized as a politically important region in this period of German history. Using a case study of this socially diverse province, this book provides a comprehensive analysis of political violence in Weimar Germany with particular emphasis on the political culture from which it emerged. It refutes both the claim that the Bolshevik revolution was the prime cause of violence, and the argument that the First World War's all-encompassing "brutalization" doomed post-1918 German political life from the very beginning. The study thus contributes to a view of the Weimar Republic as a state in severe crisis but with alternatives to the Nazi takeover. Dirk Schumann is Professor of History at Georg-August University, G ttingen. He is the co-editor of Life After Death (2003), Violence and Society after the First World War (first issue of Journal of Modern European History 2003]), Between Mass Death and Individual Loss (2007). Most recently, he has edited Raising Citizens in the "Century of the Child" The United States and German Central Europe in Comparative Perspective (2010).
