Author: Kylo-Patrick R. Hart
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
Film and Television Stardom examines film and television stars as a collectively complex, intriguing social phenomenon from the early twentieth century to the present day. Its range of topics includes (but is certainly not limited to) the emergence and historical development of the star system, silent-film stardom, stardom and media spectatorship, stardom and consumption, stardom and the paparazzi, reality-television â oestars, â stars in the news, and studies of individual stars. In addition to providing numerous new insights and approaches to exploring the phenomenon of film stardom (past and present), its various chapters significantly expand the comparatively nascent body of academic writing that has been devoted to investigating the historical and theoretical aspects of television stardom by focusing on both traditional television programming genres and the more recent phenomenon of reality-television programming. The numerous stars addressed in this book (including Roseanne Barr, Gertrude Berg, Ingrid Bergman, Cher, Sacha Baron Cohen, Bette Davis, Jodie Foster, Jerry Lewis, Carmen Miranda, Anita Page, Jessica Simpson, and James Stewart) are analyzed in relation to noteworthy performances in a variety of well-known films (including The Accused, The Broadway Melody, Cinderfella, Citizen Kane, Dark Victory, The Man from Laramie, Persona, and Singinâ (TM) in the Rain) and television programs (including Da Ali G Show, The Apprentice, The Goldbergs, Roseanne, and Survivor).
Film and Television Stardom
Author: Kylo-Patrick R. Hart
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
Film and Television Stardom examines film and television stars as a collectively complex, intriguing social phenomenon from the early twentieth century to the present day. Its range of topics includes (but is certainly not limited to) the emergence and historical development of the star system, silent-film stardom, stardom and media spectatorship, stardom and consumption, stardom and the paparazzi, reality-television â oestars, â stars in the news, and studies of individual stars. In addition to providing numerous new insights and approaches to exploring the phenomenon of film stardom (past and present), its various chapters significantly expand the comparatively nascent body of academic writing that has been devoted to investigating the historical and theoretical aspects of television stardom by focusing on both traditional television programming genres and the more recent phenomenon of reality-television programming. The numerous stars addressed in this book (including Roseanne Barr, Gertrude Berg, Ingrid Bergman, Cher, Sacha Baron Cohen, Bette Davis, Jodie Foster, Jerry Lewis, Carmen Miranda, Anita Page, Jessica Simpson, and James Stewart) are analyzed in relation to noteworthy performances in a variety of well-known films (including The Accused, The Broadway Melody, Cinderfella, Citizen Kane, Dark Victory, The Man from Laramie, Persona, and Singinâ (TM) in the Rain) and television programs (including Da Ali G Show, The Apprentice, The Goldbergs, Roseanne, and Survivor).
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
Film and Television Stardom examines film and television stars as a collectively complex, intriguing social phenomenon from the early twentieth century to the present day. Its range of topics includes (but is certainly not limited to) the emergence and historical development of the star system, silent-film stardom, stardom and media spectatorship, stardom and consumption, stardom and the paparazzi, reality-television â oestars, â stars in the news, and studies of individual stars. In addition to providing numerous new insights and approaches to exploring the phenomenon of film stardom (past and present), its various chapters significantly expand the comparatively nascent body of academic writing that has been devoted to investigating the historical and theoretical aspects of television stardom by focusing on both traditional television programming genres and the more recent phenomenon of reality-television programming. The numerous stars addressed in this book (including Roseanne Barr, Gertrude Berg, Ingrid Bergman, Cher, Sacha Baron Cohen, Bette Davis, Jodie Foster, Jerry Lewis, Carmen Miranda, Anita Page, Jessica Simpson, and James Stewart) are analyzed in relation to noteworthy performances in a variety of well-known films (including The Accused, The Broadway Melody, Cinderfella, Citizen Kane, Dark Victory, The Man from Laramie, Persona, and Singinâ (TM) in the Rain) and television programs (including Da Ali G Show, The Apprentice, The Goldbergs, Roseanne, and Survivor).
Stardom in Cinema, Television and the Web
Author: Vanni Codeluppi
Publisher: Cambridge Scholars Publishing
ISBN: 1527566846
Category : Social Science
Languages : en
Pages : 158
Book Description
In the last 50 years, the social importance of stars has steadily grown, to the point that stars have now become key role models who strongly influence people’s behaviours. This book considers the connections between the three main media (cinema, television and the web) and each of the three phases into which the history of stardom can be divided. The first phase can largely be credited with the creation and codification of contemporary stardom, while the second is linked to the spread of television, which weakened the Hollywood stardom model and gradually transformed the figure of the star, making it more intimate and familiar. In the last of these phases, we have many ‘outsiders’ (personalities from a variety of professional domains and experiences) who are able to achieve considerable social visibility thanks to their skilful use of the web.
Publisher: Cambridge Scholars Publishing
ISBN: 1527566846
Category : Social Science
Languages : en
Pages : 158
Book Description
In the last 50 years, the social importance of stars has steadily grown, to the point that stars have now become key role models who strongly influence people’s behaviours. This book considers the connections between the three main media (cinema, television and the web) and each of the three phases into which the history of stardom can be divided. The first phase can largely be credited with the creation and codification of contemporary stardom, while the second is linked to the spread of television, which weakened the Hollywood stardom model and gradually transformed the figure of the star, making it more intimate and familiar. In the last of these phases, we have many ‘outsiders’ (personalities from a variety of professional domains and experiences) who are able to achieve considerable social visibility thanks to their skilful use of the web.
The Stardom Film
Author: Karen McNally
Publisher: Columbia University Press
ISBN: 0231851146
Category : Performing Arts
Languages : en
Pages : 79
Book Description
Since the earliest days of the movie industry, Hollywood has mythologized itself through stories of stardom. A female protagonist escapes the confines of rural America in search of freedom in a western dream factory; an ambitious, conceited movie idol falls from grace and discovers what it means to embody true stardom; or a fading star confronts Hollywood’s obsession with youth by embarking on a determined mission to reclaim her lost fame. In its various forms, the stardom film is crucial to understanding how Hollywood has shaped its own identity, as well as its claim on America’s collective imagination. In the first book to focus exclusively on these modern fairy tales, Karen McNally traces the history of this genre from silent cinema to contemporary film and television to show its significance to both Hollywood and broader American culture. Drawing on extensive archival research, she provides close readings of a wide range of films, from Souls for Sale (1923) to A Star is Born (1937 and 1954) and Judy (2019), moving between fictional narratives, biopics, and those that occupy a space in between. McNally considers the genre’s core set of tropes, its construction of stardom around idealized white femininity, and its reflections on the blurred boundaries between myth, image, and reality. The Stardom Film offers an original understanding of one of Hollywood’s most enduring genres and why the allure of fame continues to fascinate us.
Publisher: Columbia University Press
ISBN: 0231851146
Category : Performing Arts
Languages : en
Pages : 79
Book Description
Since the earliest days of the movie industry, Hollywood has mythologized itself through stories of stardom. A female protagonist escapes the confines of rural America in search of freedom in a western dream factory; an ambitious, conceited movie idol falls from grace and discovers what it means to embody true stardom; or a fading star confronts Hollywood’s obsession with youth by embarking on a determined mission to reclaim her lost fame. In its various forms, the stardom film is crucial to understanding how Hollywood has shaped its own identity, as well as its claim on America’s collective imagination. In the first book to focus exclusively on these modern fairy tales, Karen McNally traces the history of this genre from silent cinema to contemporary film and television to show its significance to both Hollywood and broader American culture. Drawing on extensive archival research, she provides close readings of a wide range of films, from Souls for Sale (1923) to A Star is Born (1937 and 1954) and Judy (2019), moving between fictional narratives, biopics, and those that occupy a space in between. McNally considers the genre’s core set of tropes, its construction of stardom around idealized white femininity, and its reflections on the blurred boundaries between myth, image, and reality. The Stardom Film offers an original understanding of one of Hollywood’s most enduring genres and why the allure of fame continues to fascinate us.
Latina/o Stars in U.S. Eyes
Author: Mary Beltrán
Publisher: University of Illinois Press
ISBN: 0252076516
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
A penetrating analysis of the construction of Latina/o stardom in U.S. film, television, and celebrity culture since the 1920s
Publisher: University of Illinois Press
ISBN: 0252076516
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
A penetrating analysis of the construction of Latina/o stardom in U.S. film, television, and celebrity culture since the 1920s
Fame Amid the Ruins
Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1789200024
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
Publisher: Berghahn Books
ISBN: 1789200024
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
Cult Film Stardom
Author: K. Egan
Publisher: Springer
ISBN: 113729177X
Category : Performing Arts
Languages : en
Pages : 294
Book Description
The term 'cult film star' has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.
Publisher: Springer
ISBN: 113729177X
Category : Performing Arts
Languages : en
Pages : 294
Book Description
The term 'cult film star' has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.
Peter Lorre: Face Maker
Author: Sarah Thomas
Publisher: Berghahn Books
ISBN: 0857454420
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.
Publisher: Berghahn Books
ISBN: 0857454420
Category : Performing Arts
Languages : en
Pages : 222
Book Description
Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.
Television Personalities
Author: James Bennett
Publisher: Taylor & Francis
ISBN: 9780415481885
Category : Fame
Languages : en
Pages : 0
Book Description
T̀elevision Personalities is going to be one of the defining texts in the fields of television, and celebrity studies. It is an outstanding piece of scholarship that is beautifully, accessibly written.' Sean Redmond, Editor of Celebrity Studies Journal.
Publisher: Taylor & Francis
ISBN: 9780415481885
Category : Fame
Languages : en
Pages : 0
Book Description
T̀elevision Personalities is going to be one of the defining texts in the fields of television, and celebrity studies. It is an outstanding piece of scholarship that is beautifully, accessibly written.' Sean Redmond, Editor of Celebrity Studies Journal.
Mussolini's Dream Factory
Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1782382453
Category : Performing Arts
Languages : en
Pages : 336
Book Description
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Publisher: Berghahn Books
ISBN: 1782382453
Category : Performing Arts
Languages : en
Pages : 336
Book Description
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Film Stardom, Myth and Classicism
Author: M. Williams
Publisher: Springer
ISBN: 1137291494
Category : Social Science
Languages : en
Pages : 258
Book Description
Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.
Publisher: Springer
ISBN: 1137291494
Category : Social Science
Languages : en
Pages : 258
Book Description
Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.