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Author: Gail Louise Geiger
Publisher:
ISBN:
Category : Mural painting and decoration, Italian
Languages : en
Pages : 970
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Book Description
Author: Gail Louise Geiger
Publisher:
ISBN:
Category : Mural painting and decoration, Italian
Languages : en
Pages : 970
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Book Description
Author: Paula Nuttall
Publisher: BRILL
ISBN: 9004434615
Category : Art
Languages : en
Pages : 407
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Book Description
Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.
Author: Filippino Lippi
Publisher: Metropolitan Museum of Art
ISBN: 0810965097
Category : Drawing
Languages : en
Pages : 420
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Book Description
Energetic, incisive, spontaneous, and expressive, the drawings of Filippino Lippi (1457/58-1504) are among the most original and creative of the Italian Renaissance.
Author: John Russell Sale
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 600
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Book Description
Author: Jonathan K. Nelson
Publisher: Reaktion Books
ISBN: 178914602X
Category : Art
Languages : en
Pages : 249
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Book Description
Offering particular insight into Filippino Lippi’s artistic problem-solving, an innovative look at the Renaissance master. The first focused study of Filippino Lippi in a generation, and the first in English in over eighty years, this book presents a new understanding of the Renaissance master-artist. Celebrated as “ingenious” by Vasari in 1550, Filippino was highly praised and influential, then fell out of favor and was forgotten for centuries. He was rediscovered by the poet Swinburne, who in 1868 celebrated the painter’s “inventive enjoyment and indefatigable fancy.” In a similar spirit, this volume explores Filippino’s creativity in solving artistic problems. If a Roman cardinal requested a classically inspired work or a Florentine humanist wanted to dazzle observers with his antiquarian interests, Filippino had the sensitivity to understand these diverse needs and express them with highly original solutions.
Author: John Shannon Hendrix
Publisher: Routledge
ISBN: 1317066405
Category : Art
Languages : en
Pages : 258
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Book Description
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Author: T. Corey Brennan
Publisher: Oxford University Press
ISBN: 0197644880
Category : Fasces
Languages : en
Pages : 305
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Book Description
"For an astounding two millennia-from the Etruscans of the seventh century BCE, then through the Romans under all their forms of government, indeed down to the last Byzantine dynasty-political authorities used the device known as the 'fasces' to induce respect as well as fear. This was a bundle of wooden rods and a single-bladed axe bound with leather straps-in essence, a mobile kit for punishment. In the Renaissance, some writers and artists found it irresistable to associate the fasces with an old (and unrelated) didactic tale from Aesop illustrating how sticks are stronger once bundled. And so, over the course of the sixteenth through the early twentieth centuries, the Roman emblem came to represent not just expected concepts such as power, punishment, and justice, but now also strength, unity, and liberty against tyranny. The "Fascist" movement of Benito Mussolini, which seized power in Italy in October 1922, purported to revive the Roman emblem in its original form. But it retained aspects of the modern reimagining of the fasces, and introduced still further novelties, such as glorification of the 'lictors', the lowly attendants who carried the fasces in antiquity. Since World War II, the fasces has seen widespread but uneven eradication, in the context of a public that has grown progressively unconversant with the symbol. It is precisely the fasces' long history and relative present-day unfamiliarity that has given an opening to right-wing extremists searching for a symbol that is potent, but not widely provocative at first glance"--
Author: Marilyn Aronberg Lavin
Publisher: University of Chicago Press
ISBN: 9780226469560
Category : Art
Languages : en
Pages : 446
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Book Description
Looking at more than two hundred Italian medieval and Renaissance mural cycles, Lavin examines—with the aid of computer technology—the "rearranged" chronologies of familiar religious stories found therein. "Like many masterpieces, Lavin's book builds upon a simple idea . . . it is possible to do a computer analysis of . . . visual narratives. . . . This is the first computer-based study of the visual arts of which I am aware that illustrates how those technologies can utterly transform the study of old master art. An extremely important book, one likely to become the most influential recent study of art of this period, The Place of Narrative is also a beautiful artifact."—David Carrier, Leonardo "Covering over a millennium and dealing with the whole of Italy, Lavin makes pioneering use of new methodology employing a computer database . . . [and] novel terminology to describe the disposition of scenes of church and chapel walls. . . . We should recognize this as a book of high seriousness which reaches out into new areas and which will fruitfully stimulate much thought on a neglected subject of very considerable significance."—Julian Gardner, Burlington Magazine
Author: Charles Freeman
Publisher: Vintage
ISBN: 0307428273
Category : History
Languages : en
Pages : 478
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Book Description
A radical and powerful reappraisal of the impact of Constantine’s adoption of Christianity on the later Roman world, and on the subsequent development both of Christianity and of Western civilization. When the Emperor Contstantine converted to Christianity in 368 AD, he changed the course of European history in ways that continue to have repercussions to the present day. Adopting those aspects of the religion that suited his purposes, he turned Rome on a course from the relatively open, tolerant and pluralistic civilization of the Hellenistic world, towards a culture that was based on the rule of fixed authority, whether that of the Bible, or the writings of Ptolemy in astronomy and of Galen and Hippocrates in medicine. Only a thousand years later, with the advent of the Renaissance and the emergence of modern science, did Europe begin to free itself from the effects of Constantine's decision, yet the effects of his establishment of Christianity as a state religion remain with us, in many respects, today. Brilliantly wide-ranging and ambitious, this is a major work of history.
Author: Lilian H. Zirpolo
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720283
Category : Art
Languages : en
Pages : 264
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Book Description
In 1624 Pope Urban VIII appointed Marcello Sacchetti depositary general and secret treasurer of the Apostolic Chamber, and Giulio Sacchetti bishop of Gravina. Urban later gave Marcello the lease on the alum mines of Tolfa and raised Giulio to the cardinalate. To assert their new power, the Sacchetti began commissioning works of art. Marcello discovered and promoted leading Baroque masters, such as Pietro da Cortona and Nicolas Poussin, while Giulio purchased works from previous generations. In the eighteenth century, Pope Benedict XIV bought the collection and housed it in the Capitoline Museum, where it is now a substantial portion of the collection. By focusing on the relationship between the artists in service and the Sacchetti, this study expands our knowledge of the artists and the complexity of the processes of agency in the fulfillment of commissions. In so doing, it underlines how the Sacchetti used art to proclaim a certain public image and to promote Cardinal Giulio as a candidate to the papal throne.
