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Author: Wyndham Lewis
Publisher: Bloomsbury Publishing
ISBN: 0857722743
Category : Travel
Languages : en
Pages : 234
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Book Description
Through the eyes of a creative genius, Journey into Barbary is both an inimitable portrait of Morocco and one of the first truly modern accounts of a country that had for so long remained an enigma to generations of travellers. In the spring and summer of 1931, Wyndham Lewis travelled to the westernmost part of the Berber heartland in Morocco, known traditionally as 'Barbary'. Wanting to avoid what he called 'the Baedekered blight' of Anglo-American tourism, he set out for the majestic High Atlas mountains with pens and watercolours to record, in words and images, the rich traditional culture and changing face of the wild, isolated Berber tribes who carved a harsh life out of Morocco's remotest regions. The result is a blend of two arts, the literary skill of a detached and humorous observer, mixed with the drawings of one of the 20th century's most exciting and original artists.
Author: Wyndham Lewis
Publisher: Bloomsbury Publishing
ISBN: 0857722743
Category : Travel
Languages : en
Pages : 234
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Book Description
Through the eyes of a creative genius, Journey into Barbary is both an inimitable portrait of Morocco and one of the first truly modern accounts of a country that had for so long remained an enigma to generations of travellers. In the spring and summer of 1931, Wyndham Lewis travelled to the westernmost part of the Berber heartland in Morocco, known traditionally as 'Barbary'. Wanting to avoid what he called 'the Baedekered blight' of Anglo-American tourism, he set out for the majestic High Atlas mountains with pens and watercolours to record, in words and images, the rich traditional culture and changing face of the wild, isolated Berber tribes who carved a harsh life out of Morocco's remotest regions. The result is a blend of two arts, the literary skill of a detached and humorous observer, mixed with the drawings of one of the 20th century's most exciting and original artists.
Author: Wyndham Lewis
Publisher:
ISBN:
Category : Morocco
Languages : en
Pages : 332
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Book Description
Author: D. G. Bridson
Publisher: A&C Black
ISBN: 1472510496
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Wyndham Lewis, as writer and painter, was one of the great creative geniuses of this century and also one of the most neglected. A large part of the cause of that neglect has been the enduring distrust of Lewis's political thinking, which has been greatly misunderstood and misrepresented. A leading intellectual in an age of intellectuals, Lewis was outspoken in praise and criticism, and, swimming against the mood of the times, became wrongly identified with the Fascist cause. Yet the truth is that there is no convenient political label to pin on Wyndham Lewis, for he was too much of an individualist ever to espouse a cause. D. G. Bridson, a close friend of Wyndham Lewis in the latter part of his life, has examined critically the evolution of Lewis's ideas over some thirty years of writing. The Filibuster is an attempt to convey the changing, overall pattern of his political thinking, to clear away the misunderstandings and allow us to assess Lewis more truly both as a man and an artist, in the historical context of his times, the turbulent years between 1920 and 1950.
Author: David G. Farley
Publisher: University of Missouri Press
ISBN: 0826272282
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
As the study of travel writing has grown in recent years, scholars have largely ignored the literature of modernist writers. Modernist Travel Writing: Intellectuals Abroad, by David Farley, addresses this gap by examining the ways in which a number of writers employed the techniques and stylistic innovations of modernism in their travel narratives to variously engage the political, social, and cultural milieu of the years between the world wars. Modernist Travel Writing argues that the travel book is a crucial genre for understanding the development of modernism in the years between the wars, despite the established view that travel writing during the interwar period was largely an escapist genre—one in which writers hearkened back to the realism of nineteenth-century literature in order to avoid interwar anxiety. Farley analyzes works that exist on the margins of modernism, generically and geographically, works that have yet to receive the critical attention they deserve, partly due to their classification as travel narratives and partly because of their complex modernist styles. The book begins by examining the ways that travel and the emergent travel regulations in the wake of the First World War helped shape Ezra Pound’s Cantos. From there, it goes on to examine E. E. Cummings’s frustrated attempts to navigate the “unworld” of Soviet Russia in his book Eimi,Wyndham Lewis’s satiric journey through colonial Morocco in Filibusters in Barbary,and Rebecca West’s urgent efforts to make sense of the fractious Balkan states in Black Lamb and Grey Falcon. These modernist writers traveled to countries that experienced most directly the tumult of revolution, the effects of empire, and the upheaval of war during the years between World War I and World War II. Farley’s study focuses on the question of what constitutes “evidence” for Pound, Lewis, Cummings, and West as they establish their authority as eyewitnesses, translate what they see for an audience back home, and attempt to make sense of a transformed and transforming modern world. Modernist Travel Writing makes an original contribution to the study of literary modernism while taking a distinctive look at a unique subset within the growing field of travel writing studies. David Farley’s work will be of interest to students and teachers in both of these fields as well as to early-twentieth-century literary historians and general enthusiasts of modernist studies.
Author: Nandini Das
Publisher: Cambridge University Press
ISBN: 110861681X
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.
Author: Tim Youngs
Publisher: Liverpool University Press
ISBN: 1781385521
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
A critical exploration of travel, animals and shape-changing in fin de siècle literature.
Author: Various Authors
Publisher: Taylor & Francis
ISBN: 1000808009
Category : Literary Criticism
Languages : en
Pages : 1484
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Book Description
The 3 volumes in this set, originally published between 1963 and 1980 include the first biography of Wyndham Lewis (1882 - 1957) by the award winning biographer, Jeffrey Meyers, and 2 volumes edited by personal friends of Wyndham Lewis which give a unique insight into the man, his output and his concern with the conflict between the artist-intellectual and the rest of society. Lewis is arguably one of the major intellectual figures of the 20th Century. Equally talented as a writer and painter, Lewis was innovative and controversial and well-known as the driving force behind Vorticism, the avant-garde movement that flourished in London before the First World War. A versatile painter, Lewis’ literary output was prodigous and he mastered a variety of genres – novels, poetry, philosophy, sociology, travel writing, literary and art critic. A leading revolutionary in British painting and a writer of creative genius, Wyndham Lewis also knew personally Augustus John, Ford Madox Ford, James Joyce, Ezra Pound and T. S. Eliot, who called Lewis ‘the most fascinating personality of our time’.
Author: Paul Edwards
Publisher: Oxford University Press
ISBN: 0198785836
Category : Literary Criticism
Languages : en
Pages : 587
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Book Description
The Collected Works of Wyndham Lewis brings together for the first time all of the published writings of Wyndham Lewis (1882-1957), a major contributor to literary modernism and one of the most important British painters of the first half of the twentieth century. This is the first comprehensive edition of Time and Western Man, with explanatory notes, previously unpublished drafts, a history of composition, and an account of its critical reception. Originally published in 1927, Time and Western Man is one of Lewis's most important books, and a pioneering work of cultural criticism. It contains scathing criticism of his fellow modernist writers, Ezra Pound, James Joyce, and Gertrude Stein. The second part of the book analyses and attacks the philosophy of 'Time', focusing especially on Henri Bergson, A. N. Whitehead, Samuel Alexander, and Oswald Spengler. Many of Lewis's most penetrating arguments are in the drafts that are printed in this edition for the first time.
Author: Benerson Little
Publisher: Simon and Schuster
ISBN: 1510713042
Category : History
Languages : en
Pages : 449
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Book Description
For thousands of years, pirates have terrorized the ocean voyager and the coastal inhabitant, plundered ship and shore, and wrought havoc on the lives and livelihoods of rich and poor alike. Around these desperate men has grown a body of myths and legends—fascinating tales that today strongly influence our notions of pirates and piracy. Most of these myths derive from the pirates of the “Golden Age,” from roughly 1655 to 1725. This was the age of the Spanish Main, of Henry Morgan and Blackbeard, of Bartholomew Sharp and Bartholomew Roberts. The history of pirate myth is rich in action, at sea and ashore. However, the truth is far more interesting. In The Golden Age of Piracy, expert pirate historian Benerson Little debunks more than a dozen pirate myths that derive from this era—from the flying of the Jolly Roger to the burying of treasure, from walking the plank to the staging of epic sea battles—and shows that the truth is far more fascinating and disturbing than the romanticized legends. Among Little’s revelations are that pirates of the Golden Age never made their captives walk the plank and that they, instead, were subject to horrendous torture, such as being burned or hung by their arms. Likewise, epic sea battles involving pirates were fairly rare because most prey surrendered immediately. The stories are real and are drawn heavily from primary sources. Complementing them are colorful images of flags, ships, and buccaneers based on eyewitness accounts. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: Mark Perrino
Publisher: MHRA
ISBN: 9780901286529
Category : Foreign Language Study
Languages : en
Pages : 184
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Book Description
This study reconsiders Wyndham Lewis's adversarial role in the modernist movement through a close reading of his prodigious satire of 1920s cultural politics. It presents a new interpretation of The Apes of God as a Menippean satire, with attention to its style, characterization, allegory, and historiography, and to Lewis's polemics of the period. Previous studies have emphasised Lewis's external method of visual narration and the personal attacks on the London art world. This one also treats the rhetorical and parodic elements in his mechanistic caricatures of literary impressionism and its proponents, besides the theory of participation and the player behind his schizoid image of the modern subject. The study reinterprets the apprenticeship plot as a carnivalesque discrowning based on the primitive themes of the shaman and the scapegoat. It explores the ways in which the discursive broadcasts - on the social exploitation of a subjectivist aesthetic, publicity as imposture, cultural levelling - are dramatized in the sado-masochistic bond between impresario and naif and in the contradiction of carnival institutionalized. Lewis is shown using his rivals' mythic method to implicate the avant-garde itself in nascent mass culture. The study includes an analysis of the scandal surrounding Lewis's private edition of The Apes and the defence of non-moral satire presented in his subsequent pamphlet Satire and Fiction. Drawing upon unpublished manuscripts and correspondence, it demonstrates how Lewis's own devious publicity campaign re-enacted the crux of the novel and epitomized his conflicts with his contemporaries.
