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Author: Derek Matravers
Publisher: Routledge
ISBN: 1317591321
Category : Philosophy
Languages : en
Pages : 213
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Book Description
In 1797 Friedrich Schlegel wrote that "philosophy of art usually lacks one of two things: either the philosophy, or the art." This collection of essays contains both the philosophy and the art. It brings together an international team of leading philosophers to address diverse philosophical issues raised by recent works of art. Each essay engages with a specific artwork and explores the connection between the image and the philosophical content. Thirteen contemporary philosophers demonstrate how philosophy can aid interpretation of the work of ten contemporary artists, including: Jesse Prinz on John Currin Barry C. Smith and Edward Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de Freston Raymond Geuss on Adrian Ghenie and Chantal Joffe Hallvard Lillehammer on Paul Noble M. M. McCabe and Alexis Papazoglou on Ged Quinn Noël Carroll on Paula Rego Simon Blackburn and Jerrold Levinson on George Shaw Sondra Bacharach on Yue Minjun. The discussion ranges over ethical, political, psychological and religious concepts, such as irony, disgust, apathy, inequality, physiognomy and wonder, to historical experiences of war, Marx-inspired political movements and Thatcherism, and standard problems in the philosophy of art, such as expression, style, depiction and ontology of art, as well as major topics in art history, such as vanitas painting, photography, pornography, and Dadaism. Many of the contributors are distinguished in areas of philosophy other than aesthetics and are writing about art for the first time. All show how productive the engagement can be between philosophy, more generally, and art.
Author: Derek Matravers
Publisher: Routledge
ISBN: 1317591321
Category : Philosophy
Languages : en
Pages : 213
Get Book Here
Book Description
In 1797 Friedrich Schlegel wrote that "philosophy of art usually lacks one of two things: either the philosophy, or the art." This collection of essays contains both the philosophy and the art. It brings together an international team of leading philosophers to address diverse philosophical issues raised by recent works of art. Each essay engages with a specific artwork and explores the connection between the image and the philosophical content. Thirteen contemporary philosophers demonstrate how philosophy can aid interpretation of the work of ten contemporary artists, including: Jesse Prinz on John Currin Barry C. Smith and Edward Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de Freston Raymond Geuss on Adrian Ghenie and Chantal Joffe Hallvard Lillehammer on Paul Noble M. M. McCabe and Alexis Papazoglou on Ged Quinn Noël Carroll on Paula Rego Simon Blackburn and Jerrold Levinson on George Shaw Sondra Bacharach on Yue Minjun. The discussion ranges over ethical, political, psychological and religious concepts, such as irony, disgust, apathy, inequality, physiognomy and wonder, to historical experiences of war, Marx-inspired political movements and Thatcherism, and standard problems in the philosophy of art, such as expression, style, depiction and ontology of art, as well as major topics in art history, such as vanitas painting, photography, pornography, and Dadaism. Many of the contributors are distinguished in areas of philosophy other than aesthetics and are writing about art for the first time. All show how productive the engagement can be between philosophy, more generally, and art.
Author: Robert Zeller
Publisher: The Monacelli Press, LLC
ISBN: 1580934528
Category : Art
Languages : en
Pages : 305
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Book Description
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.
Author: John Henry Vanderpoel
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 184
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Book Description
Author: Jia Lu
Publisher: Palace Editions
ISBN: 9781601090287
Category : Chinese in art
Languages : en
Pages : 0
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Book Description
An accomplished painter by any standard – having exhibited extensively on four continents – Jia Lu’s work captures physical beauty in gorgeous color and with striking realism. Now, Lu’s work is showcased in this collection of over 125 full-color reproductions of her stunning oil paintings, sketches, and studies. Lu’s evocative portraits achieve their fullest power in this breathtaking compendium, which serves as both a reward to the senses and a view of a talent in full flight.
Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
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Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author: Margaret McCann
Publisher: National Geographic Books
ISBN: 0847843750
Category : Art
Languages : en
Pages : 0
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Book Description
INDIEFAB Book of the Year Awards -- 2014 GOLD Winner for Art This book is a celebration of figurative art, essential to those interested in both traditional techniques and the latest developments in the art of the figure. An expansive survey of contemporary figurative art, The Figure showcases work by acclaimed artists including Jenny Saville, Eric Fischl, and Will Cotton alongside emerging talents. Artists’ texts and essays by distinguished critics, writers, and thinkers chart the evolution of figurative techniques, from the atelier to the use of photography, Photoshop, and 3D-modeling programs. Centered on the renowned New York Academy of Art—where many of the featured artists are alumni or instructors—this collection reflects the institution’s mission to instill the rigorous training of past generations within the lively dialogue of the present day. Championed by artists, scholars, and patrons of the arts, including Andy Warhol, since its founding in 1982, the Academy continues to serve as a creative and intellectual center at the vanguard of representational art. With a wealth of imagery displaying some of the finest examples of the genre in all mediums, this richly illustrated volume attests to the enduring appeal of the art of the human figure.
Author: Nam H Nguyen
Publisher: Nam H Nguyen
ISBN:
Category :
Languages : en
Pages : 2725
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Book Description
is a great resource anywhere you go; it is an easy tool that has just the words completed description you want and need! The entire dictionary is an alphabetical list of English words with their full description plus special Alphabet, Irregular Verbs and Parts of speech. It will be perfect and very useful for everyone who needs a handy, reliable resource for home, school, office, organization, students, college, government officials, diplomats, academics, professionals, business people, company, travel, interpreting, reference and learning English. The meaning of words you will learn will help you in any situations in the palm of your hand. 어디서나 훌륭한 리소스입니다. 당신이 원하고 필요로하는 설명을 완성한 단어를 가진 쉬운 도구입니다! 전체 사전은 알파벳과 불규칙 동사 및 음성의 부분을 포함하여 전체 설명과 함께 영어 단어의 사전 순 목록입니다. 집, 학교, 사무실, 조직, 학생, 대학, 공무원, 외교관, 학자, 전문가, 기업가, 회사, 여행, 통역, 참고 및 학습을 위해 편리하고 신뢰할 수있는 리소스가 필요한 모든 사람들에게 완벽하고 매우 유용합니다. 영어. 당신이 배울 단어의 의미는 손바닥의 어떤 상황에서도 당신을 도울 것입니다.
Author: Brent Eviston
Publisher: Rocky Nook, Inc.
ISBN:
Category : Art
Languages : en
Pages : 299
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Book Description
The human figure is the most rewarding but the most challenging subject to draw. In this book, award-winning drawing instructor Brent Eviston demystifies the process and teaches practical skills that anyone can learn. Starting with simple shapes, the reader will then learn how to accurately draw a figure in three dimensions and depict flesh, muscle, and bone as well as how to shade using dramatic light and shadow. This practical guide will teach you the most accessible and effective methods for drawing the figure. Filled with beautiful and instructive drawings of every phase of the figure drawing process, this book builds upon Brent’s popular approach to teaching pioneered in his popular Art and Science of Drawing book and courses.
Author: Charles Wankel
Publisher: Emerald Group Publishing
ISBN: 1781902372
Category : Education
Languages : en
Pages : 357
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Book Description
Uses case studies, surveys, and literature reviews to critically examine how these technologies are being used to improve writing and publishing skills, and literacy create engaging communities of practice, and as experiential learning tools. This volume discusses frameworks for deploying and assessing the effectiveness of these technologies.
Author: Nikolaus Dietrich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311046957X
Category : Art
Languages : en
Pages : 434
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Book Description
How does ‘decoration’ work? What are the relations between ‘figurative’ and ‘ornamental’ modes? And how do such modern western distinctions relate to other critical traditions? While these questions have been much debated among art historians, our book offers an ancient visual cultural perspective. On the one hand, we argue, Greek and Roman materials have proved instrumental in shaping modern assumptions. On the other hand, those ideologies are fundamentally removed from ancient ideas: an ancient perspective can therefore shed light on larger aesthetic debates about what images are – or indeed what they should be. This anthology of specially commissioned essays explores a variety of case studies (both literary and art historical alike): it discusses materials from across the ancient Mediterranean, and from Geometric art all the way through to late antiquity; the book also tackles questions of ‘figure’ and ‘ornament’ in relation to different media – including painting, free-standing statues, relief sculpture, mosaics and architecture. A particular feature of the volume lies in bringing together different national academic traditions, building a bridge between formalist approaches and broader cultural historical perspectives.
