Author: Ananda Kentish Coomaraswamy
Publisher: World Wisdom, Inc
ISBN: 1933316349
Category : Art
Languages : en
Pages : 282
Book Description
This new edition of Coomaraswamy's classic book, considered his most important work on the philosophy of art, includes all of the revisions Coomaraswamy had wanted to add to the original edition.
Figures of Speech Or Figures of Thought?
Author: Ananda Kentish Coomaraswamy
Publisher: World Wisdom, Inc
ISBN: 1933316349
Category : Art
Languages : en
Pages : 282
Book Description
This new edition of Coomaraswamy's classic book, considered his most important work on the philosophy of art, includes all of the revisions Coomaraswamy had wanted to add to the original edition.
Publisher: World Wisdom, Inc
ISBN: 1933316349
Category : Art
Languages : en
Pages : 282
Book Description
This new edition of Coomaraswamy's classic book, considered his most important work on the philosophy of art, includes all of the revisions Coomaraswamy had wanted to add to the original edition.
Figures of Speech, Or Figures of Thought
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
It Figures!
Author: Marvin Terban
Publisher: Houghton Mifflin Harcourt
ISBN: 0547346271
Category : Juvenile Nonfiction
Languages : en
Pages : 67
Book Description
“Enjoyable and informative . . . Using this humorously presented book, children will truly improve their styles of writing” (School Library Journal). Writing “The road was bumpy” is okay . . . but isn’t it more fun to say “It felt like we were riding on square tires”? This lively guide shows kids how to make their writing more dramatic, more memorable, or just plain funnier—whether they’re writing for school or for creative expression. It explains six techniques: Similes Metaphors Onomatopoeia Alliteration Hyperbole Personification . . . and provides guidelines for their use, plenty of examples, and entertaining illustrations.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547346271
Category : Juvenile Nonfiction
Languages : en
Pages : 67
Book Description
“Enjoyable and informative . . . Using this humorously presented book, children will truly improve their styles of writing” (School Library Journal). Writing “The road was bumpy” is okay . . . but isn’t it more fun to say “It felt like we were riding on square tires”? This lively guide shows kids how to make their writing more dramatic, more memorable, or just plain funnier—whether they’re writing for school or for creative expression. It explains six techniques: Similes Metaphors Onomatopoeia Alliteration Hyperbole Personification . . . and provides guidelines for their use, plenty of examples, and entertaining illustrations.
Figurative Meaning Construction in Thought and Language
Author: Annalisa Baicchi
Publisher: John Benjamins Publishing Company
ISBN: 9027261024
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
This volume brings together twelve usage-based studies conducted by leading researchers in language and cognition that explore core issues of figurativeness from the Cognitive Linguistics perspective. The individual chapters reveal the central function of figurativeness in thought and its impact on language. Cognition relies on knowledge-structuring tools in the construction of meaning both mentally and linguistically. Collectively, the chapters delve into an array of topics that are crucial to future research in figurative meaning construction, especially on questions of identification and structure of figures, the figurative motivation of constructions, the impact of figurativeness on pragmatic and multimodal communication, and the correlation between figures and cognitive models.
Publisher: John Benjamins Publishing Company
ISBN: 9027261024
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
This volume brings together twelve usage-based studies conducted by leading researchers in language and cognition that explore core issues of figurativeness from the Cognitive Linguistics perspective. The individual chapters reveal the central function of figurativeness in thought and its impact on language. Cognition relies on knowledge-structuring tools in the construction of meaning both mentally and linguistically. Collectively, the chapters delve into an array of topics that are crucial to future research in figurative meaning construction, especially on questions of identification and structure of figures, the figurative motivation of constructions, the impact of figurativeness on pragmatic and multimodal communication, and the correlation between figures and cognitive models.
Figures of Speech
Author: Arthur Quinn
Publisher: Psychology Press
ISBN: 1880393026
Category : Language Arts & Disciplines
Languages : en
Pages : 101
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 1880393026
Category : Language Arts & Disciplines
Languages : en
Pages : 101
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Figurative Language and Thought
Author: Albert N. Katz
Publisher: Oxford University Press
ISBN: 0198026951
Category : Psychology
Languages : en
Pages : 204
Book Description
Our understanding of the nature and processing of figurative language is central to several important issues in cognitive science, including the relationship of language and thought, how we process language, and how we comprehend abstract meaning. Over the past fifteen years, traditional approaches to these issues have been challenged by experimental psychologists, linguists, and other cognitive scientists interested in the structures of the mind and the processes that operate on them. In Figurative Language and Thought, internationally recognized experts in the field of figurative language, Albert Katz, Mark Turner, Raymond W. Gibbs Jr., and Cristina Cacciari, provide a coherent and focused debate on the subject. The book's authors discuss a variety of fundamental questions, including: What can figures of speech tell us about the structure of the conceptual system? If and how should we distinguish the literal from the nonliteral in our theories of language and thought? Are we primarily figurative thinkers and consequently figurative language users or the other way around? Why do we prefer to speak metaphorically in everyday conversation, when literal options may be available for use? Is metaphor the only vehicle through which we can understand abstract concepts? What role do cultural and social factors play in our comprehension of figurative language? These and related questions are raised and argued in an integrative look at the role of nonliteral language in cognition. This volume, a part of Counterpoints series, will be thought-provoking reading for a wide range of cognitive psychologists, linguists, and philosophers.
Publisher: Oxford University Press
ISBN: 0198026951
Category : Psychology
Languages : en
Pages : 204
Book Description
Our understanding of the nature and processing of figurative language is central to several important issues in cognitive science, including the relationship of language and thought, how we process language, and how we comprehend abstract meaning. Over the past fifteen years, traditional approaches to these issues have been challenged by experimental psychologists, linguists, and other cognitive scientists interested in the structures of the mind and the processes that operate on them. In Figurative Language and Thought, internationally recognized experts in the field of figurative language, Albert Katz, Mark Turner, Raymond W. Gibbs Jr., and Cristina Cacciari, provide a coherent and focused debate on the subject. The book's authors discuss a variety of fundamental questions, including: What can figures of speech tell us about the structure of the conceptual system? If and how should we distinguish the literal from the nonliteral in our theories of language and thought? Are we primarily figurative thinkers and consequently figurative language users or the other way around? Why do we prefer to speak metaphorically in everyday conversation, when literal options may be available for use? Is metaphor the only vehicle through which we can understand abstract concepts? What role do cultural and social factors play in our comprehension of figurative language? These and related questions are raised and argued in an integrative look at the role of nonliteral language in cognition. This volume, a part of Counterpoints series, will be thought-provoking reading for a wide range of cognitive psychologists, linguists, and philosophers.
Figures of Speech
Author: Gloria Ferrari
Publisher: University of Chicago Press
ISBN: 0226244369
Category : Art
Languages : en
Pages : 361
Book Description
Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender. Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferrari's examinations of the many representations of women working wool reveal that these images constitute powerful metaphors—metaphors, she argues, which both reflect and construct Greek conceptions of the ideal woman and her ideal behavior. From this perspective, Ferrari studies a number of icons representing blameless femininity and ideal masculinity to reevaluate the rites of passage by which girls are made ready for marriage and boys become men. Representations of the nude male body in Archaic statues known as kouroi, for example, symbolize manhood itself and shed new light on the much-discussed institution of paiderastia. And, in Ferrari's hands, imagery equating maidens with arable land and buried treasure provides a fresh view of Greek ideas of matrimony. Innovative, thought-provoking, and insightful throughout, Figures of Speech is a powerful demonstration of how the study of visual images as well as texts can reshape our understanding of ancient Greek culture.
Publisher: University of Chicago Press
ISBN: 0226244369
Category : Art
Languages : en
Pages : 361
Book Description
Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender. Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferrari's examinations of the many representations of women working wool reveal that these images constitute powerful metaphors—metaphors, she argues, which both reflect and construct Greek conceptions of the ideal woman and her ideal behavior. From this perspective, Ferrari studies a number of icons representing blameless femininity and ideal masculinity to reevaluate the rites of passage by which girls are made ready for marriage and boys become men. Representations of the nude male body in Archaic statues known as kouroi, for example, symbolize manhood itself and shed new light on the much-discussed institution of paiderastia. And, in Ferrari's hands, imagery equating maidens with arable land and buried treasure provides a fresh view of Greek ideas of matrimony. Innovative, thought-provoking, and insightful throughout, Figures of Speech is a powerful demonstration of how the study of visual images as well as texts can reshape our understanding of ancient Greek culture.
Figures of Thought in Roman Poetry
Author: Gordon Willis Williams
Publisher:
ISBN: 9780300024562
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet to say one thing and mean another. Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers assumed by the poet to have a special access to the poet's process of thought. This access presupposed similarities of education, social position, and sympathetic understanding.Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.
Publisher:
ISBN: 9780300024562
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet to say one thing and mean another. Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers assumed by the poet to have a special access to the poet's process of thought. This access presupposed similarities of education, social position, and sympathetic understanding.Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.
Renaissance Figures of Speech
Author: Sylvia Adamson
Publisher: Cambridge University Press
ISBN: 1107782686
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading.
Publisher: Cambridge University Press
ISBN: 1107782686
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading.
Handbook of Literary Rhetoric
Author: Heinrich Lausberg
Publisher: BRILL
ISBN: 9004663215
Category : Religion
Languages : en
Pages : 953
Book Description
Lausberg's Handbook of Literary Rhetoric, here made available for the first time in English, received high critical acclaim on its first publication in 1963. It is a monumental work of extraordinary erudition, organisation and comprehensiveness, and enjoys unrivalled authority in its formal description of rhetorical techniques. The present edition is a translation of the second edition of 1973, which was reprinted in 1990. The Handbook has for many years been a standard reference work for all engaged in the study of literature and rhetoric. This translation will ensure its accessibility to a new generation of students of rhetoric.
Publisher: BRILL
ISBN: 9004663215
Category : Religion
Languages : en
Pages : 953
Book Description
Lausberg's Handbook of Literary Rhetoric, here made available for the first time in English, received high critical acclaim on its first publication in 1963. It is a monumental work of extraordinary erudition, organisation and comprehensiveness, and enjoys unrivalled authority in its formal description of rhetorical techniques. The present edition is a translation of the second edition of 1973, which was reprinted in 1990. The Handbook has for many years been a standard reference work for all engaged in the study of literature and rhetoric. This translation will ensure its accessibility to a new generation of students of rhetoric.