Figured Harmony at the Keyboard PDF Download
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Author: Reginald Owen Morris
Publisher: London : Oxford University Press
ISBN:
Category : Continuo
Languages : en
Pages : 88
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Book Description
Author: Reginald Owen Morris
Publisher: London : Oxford University Press
ISBN:
Category : Continuo
Languages : en
Pages : 88
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Book Description
Author: Sol Berkowitz
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
Author: George Frideric Handel
Publisher: Clarendon Press
ISBN: 9780193184336
Category : Music
Languages : en
Pages : 116
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Book Description
This book is an edition, with commentary, of Handel's exercises for continuo playing, which he wrote for the daughters of George II. The exercises, which until now have not been readily available, are supplemented by clear and concise commentary. Remaining faithful to his source, Ledbetter, who lectures in keyboard studies, has prepared an edition that will prove invaluable to students and performers of the music of Handel and his contemporaries.
Author: Anne Marsden Thomas
Publisher: Oxford University Press, USA
ISBN: 9780193411937
Category :
Languages : en
Pages : 64
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Book Description
Graded Keyboard Musicianship provides graded and integrated exercises for developing five core skills at the keyboard: figured bass, score-reading, transposition, harmonization, and improvisation. Book 1 assumes keyboard ability of Grade 1 ABRSM standard and covers up to Grade 5, while Book 2 covers Grades 6 to 8.
Author: Frederick Stocken
Publisher:
ISBN: 9780193411944
Category :
Languages : en
Pages : 48
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Book Description
Graded Keyboard Musicianship provides graded and integrated exercises for developing five core skills at the keyboard: figured bass, score-reading, transposition, harmonization, and improvisation. Book 1 assumes keyboard ability of Grade 1 ABRSM standard and covers up to Grade 5, while Book 2 covers Grades 6 to 8.
Author: John Freckleton Burrowes
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 124
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Book Description
Author: Michael Ellis
Publisher: Lulu.com
ISBN: 0578012316
Category : Music
Languages : en
Pages : 58
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Book Description
This REVOLUTIONARY, NEW method teaches you how to understand chord titles so you can make piano chords without previous music experience, without note reading, without months of study. Start playing songs on piano today. Just read the chord names in songbooks and play the songs. This is the easiest, most direct method of chord theory in the world. All of the necessary tools are there, while all of the information that you don't need and will never use has been eliminated. Memorization is kept to an absolute minimum, but by the end of this book, you will have the knowledge needed to make over 5,000 chords on the piano, easily and logically. This book is a "must-have" especially for keyboard players who want to play and perform like the pro's really do.
Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449
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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment
Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Author: Lars Edlund
Publisher:
ISBN: 9780846441571
Category : Sight-singing
Languages : en
Pages : 0
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Book Description
