Figure Painting in Oil

Figure Painting in Oil PDF Author: Douglas R. Graves
Publisher: Courier Corporation
ISBN: 9780486293226
Category : Art
Languages : en
Pages : 162

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Book Description
Handy, well-illustrated guide shows how to paint the nude figure in easy-to-follow series of 24 fully illustrated projects. Materials and equipment; anatomy; hues, tones and values; focus on painting major body parts. Over 190 illus., 33 in full color.

Figure Painting in Oil

Figure Painting in Oil PDF Author: Douglas R. Graves
Publisher: Courier Corporation
ISBN: 9780486293226
Category : Art
Languages : en
Pages : 162

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Book Description
Handy, well-illustrated guide shows how to paint the nude figure in easy-to-follow series of 24 fully illustrated projects. Materials and equipment; anatomy; hues, tones and values; focus on painting major body parts. Over 190 illus., 33 in full color.

Traditional Oil Painting

Traditional Oil Painting PDF Author: Virgil Elliott
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0

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Book Description
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.

The Practice of Oil Painting and of Drawing as Associated with it

The Practice of Oil Painting and of Drawing as Associated with it PDF Author: Solomon Joseph Solomon
Publisher:
ISBN:
Category : Figure drawing
Languages : en
Pages : 404

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Book Description


The Human Figure

The Human Figure PDF Author: John Henry Vanderpoel
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 184

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Book Description


Portrait Painting Atelier

Portrait Painting Atelier PDF Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210

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Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

Foundations of Classical Oil Painting

Foundations of Classical Oil Painting PDF Author: Lea Wight
Publisher: Penguin
ISBN: 1440352526
Category : Art
Languages : en
Pages : 144

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Book Description
Professional painting instructor Lea Colie Wight demystifies the formulaic process of oil painting into a simple approach to help you paint confidently and accurately in full color. Develop a core foundational skill set to develop your paintings and discover a signature way of working from life that can be applied to figure painting, portraits, landscapes and still life. Though the focus is on oils, the methods in this book can be applied to all painting mediums including as acrylic, pastel and watercolor. • Informative lessons and simple exercises help to build confidence and lay the foundations for successful oil painting • Learn a straightforward system for painting realistically with a focus on accurate color. • 4 full-length step-by-step demonstrations show how to paint a figure, a portrait, a still life and a landscape

Oil Painting Essentials

Oil Painting Essentials PDF Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 0804185441
Category : Art
Languages : en
Pages : 162

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Book Description
An essential guide to the oil painting techniques that will allow artists to master a variety of subjects, including figures, portraits, still life, landscapes, and interiors. Many painters limit themselves to one type of subject matter, but in Oil Painting Essentials, artist and art instructor Gregg Kreutz shows how a multi-genre approach can dramatically improve your painting skills. Arranged by category, each chapter covers both the essentials specific to that subject matter and those that apply to all genres. Through step-by-step lessons and examples from his own oil paintings, Kreutz shows how you can strengthen your skillset for one genre by painting in another. This comprehensive exploration of the conceptual and practical issues behind oil painting provides all of the tools and encouragement you need to successfully take on any type of oil painting.

Composition of Outdoor Painting

Composition of Outdoor Painting PDF Author: Edgar Alwin Payne
Publisher:
ISBN: 9780939370115
Category : Composition (Art)
Languages : en
Pages : 170

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Book Description
7th Edition, 8th printing of the original 1941 publication, many added color plates and addenda by Evelyn Payne Hatcher, the artist/author's daughter. A must for art collectors, artists, teachers and art dealers.

Figure Painting in Watercolor

Figure Painting in Watercolor PDF Author: Charles Reid
Publisher: Watson-Guptill
ISBN:
Category : Art
Languages : en
Pages : 166

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Book Description
""The fluid, spontaneous, often unpredictable medium of watercolor is always a challenge--and for the watercolorist, the human form is the most challenging of all. This book shows how to paint nude and clothed figures in an easy to follow series of projects, from the first preliminary lines to the finishing touches of a completed watercolor. Direct language, clewar and specific step-by-step demonstrations, and over 170 illustrations, 56 of them in full color, combine to offer the reader a stimulating guide to painting the figure in watercolor."--Jacket.

Problem Solving for Oil Painters

Problem Solving for Oil Painters PDF Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 9780823040971
Category : Art
Languages : en
Pages : 148

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Book Description
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?