Author: Charlotte Benton
Publisher: Routledge
ISBN: 1351567039
Category : Art
Languages : en
Pages : 537
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Book Description
The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offers a number of alternative readings, and demonstrates strategic uses of figuration and abstraction across East and West. Encompassing sites of memory (including war memorials and Holocaust memorials), state, civic and corporate sculpture, as well as temporary and unexecuted projects, the book shows that persuasive advocates of figuration were to be found in the West, while in the East imaginative experiments in abstraction were proposed in the name of Social Realism. Presenting fresh insights into sculptural practice in the period between 1945 and 1968, this book brings together a wide range of authors, some of whom have never before been published in English. Their essays are complemented by extracts from documentary texts, which give a flavour of contemporary debates, and a biographical section includes entries on many sculptors who will be unfamiliar to an English-speaking audience.
Author: Charlotte Benton
Publisher: Routledge
ISBN: 1351567047
Category : Art
Languages : en
Pages : 356
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Book Description
The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offers a number of alternative readings, and demonstrates strategic uses of figuration and abstraction across East and West. Encompassing sites of memory (including war memorials and Holocaust memorials), state, civic and corporate sculpture, as well as temporary and unexecuted projects, the book shows that persuasive advocates of figuration were to be found in the West, while in the East imaginative experiments in abstraction were proposed in the name of Social Realism. Presenting fresh insights into sculptural practice in the period between 1945 and 1968, this book brings together a wide range of authors, some of whom have never before been published in English. Their essays are complemented by extracts from documentary texts, which give a flavour of contemporary debates, and a biographical section includes entries on many sculptors who will be unfamiliar to an English-speaking audience.
Author: Ronald Paulson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 338
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Book Description
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Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 1788036433
Category : Art
Languages : en
Pages : 284
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Book Description
John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.
Author: Seibu Bijutsukan
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
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Book Description
Author: María Amalia García
Publisher: University of California Press
ISBN: 0520302192
Category : Art
Languages : en
Pages : 320
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Book Description
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
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Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author: Frank Stella
Publisher: Harvard University Press
ISBN: 9780674959613
Category : Painting, Abstract
Languages : en
Pages : 200
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Book Description
Caravaggio -- The Madonna of the Rosary -- Annibale Carracci -- Picasso -- A common complaint -- The Dutch savannah.
Author: Krešimir Purgar
Publisher: Routledge
ISBN: 0429557574
Category : Art
Languages : en
Pages : 246
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Book Description
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author: Piet Mondrian
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
"Herbert Henkels provides an overview of Mondrian's transition from figuration to non-figurative art and recreates the cultural and intellectual background against which Mondrian's career and sense of mission as an artist unfolded. Copiously illustrated with archive photographs of Mondrian, his family, friends and studios, with pages from his sketchbooks and numerous reproductions of his works, the book also includes Mondrian's important essay Plastic Art and pure Art, published in the English Constructivist group's book Circle in 1937. The 116 colour plates which form the heart of the volume are accompanied by selected quotations from Mondrian's essay Dialogue and Trialogue of Neo-Plasticism (published in De Stijl, 1918-1920). Three interviews with the artist, an illustrated chronology with excerpts from Mondrian's letters, and a select bibliography complete this handsome volume."--back cover.
