Author: George Samuel Schuyler
Publisher:
ISBN:
Category : African American press
Languages : en
Pages : 26
Book Description
Fifty Years of Progress in Negro Journalism
Author: George Samuel Schuyler
Publisher:
ISBN:
Category : African American press
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : African American press
Languages : en
Pages : 26
Book Description
Fifty Years of Segregation
Author: John A. Hardin
Publisher: University Press of Kentucky
ISBN: 9780813132716
Category : Education
Languages : en
Pages : 206
Book Description
This book examines the history of 20th century racial segregation in Kentucky higher education, the last state in the South to enact legislation banning interracial education in private schools and the first to remove it. In five chapters and an epilogue, the book traces the growth of racism, the period of acceptance of racism, the black community's efforts for reform, the stresses of "separate and unequal," and the unrelenting pressure to desegregate Kentucky schools. Different tactics, ranging from community and religious organization support to legislative and legal measures, that were used for specific campaigns are described in detail. The final chapters of the book describe the struggles of college presidents faced with student turmoil, persistent societal resistance from whites (both locally and legislatively), and changing expectations, after the 1954 Supreme Court decision in "Brown V. Board of Education" broadened desegregation to all public schools and the responsibility for desegregation shifted from politically driven state legislators or governors to college governing boards. Appendices contain tabular data on demographics, state appropriations, and admissions to public and private colleges and universities in Kentucky. (Contains approximately 550 notes and bibliographic references.) (Bf).
Publisher: University Press of Kentucky
ISBN: 9780813132716
Category : Education
Languages : en
Pages : 206
Book Description
This book examines the history of 20th century racial segregation in Kentucky higher education, the last state in the South to enact legislation banning interracial education in private schools and the first to remove it. In five chapters and an epilogue, the book traces the growth of racism, the period of acceptance of racism, the black community's efforts for reform, the stresses of "separate and unequal," and the unrelenting pressure to desegregate Kentucky schools. Different tactics, ranging from community and religious organization support to legislative and legal measures, that were used for specific campaigns are described in detail. The final chapters of the book describe the struggles of college presidents faced with student turmoil, persistent societal resistance from whites (both locally and legislatively), and changing expectations, after the 1954 Supreme Court decision in "Brown V. Board of Education" broadened desegregation to all public schools and the responsibility for desegregation shifted from politically driven state legislators or governors to college governing boards. Appendices contain tabular data on demographics, state appropriations, and admissions to public and private colleges and universities in Kentucky. (Contains approximately 550 notes and bibliographic references.) (Bf).
The Negro's Progress in Fifty Years
Author: American Academy of Political and Social Science
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 280
Book Description
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 280
Book Description
Jackson, 1964
Author: Calvin Trillin
Publisher:
ISBN: 0399588248
Category : African Americans
Languages : en
Pages : 305
Book Description
An anthology of previously uncollected essays, originally published in "The New Yorker," reflects the work of the eminent journalist's early career and traces his witness to the fledgling years of desegregation in Georgia.
Publisher:
ISBN: 0399588248
Category : African Americans
Languages : en
Pages : 305
Book Description
An anthology of previously uncollected essays, originally published in "The New Yorker," reflects the work of the eminent journalist's early career and traces his witness to the fledgling years of desegregation in Georgia.
The New Negro
Author: Alain Locke
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
George S. Schuyler
Author: Oscar Renal Williams
Publisher: Univ. of Tennessee Press
ISBN: 9781572335813
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
George S. Schuyler was a journalist and cultural critic whose writings appeared in such diverse publications as Crisis, Nation, Negro Digest, American Mercury, and National Review. In the 1920s, Schuyler was a member of the American Socialist Party and espoused liberal views. By the 1950s, he had become an ardent supporter of U.S. Sen. Joseph P. McCarthy and touted himself as an American patriot, believing that communism was a threat to African Americans. In the 1960s, Schuyler was one of the few African Americans who openly characterized the civil rights movement as a communist-inspired plot to destroy America. Although Schuyler was a prolific writer and an outspoken commentator during his fifty-four-year career, historians of twentieth-century African American history have paid scant attention to his literary endeavors and have overlooked his conservative views. George S. Schuyler: Portrait of a Black Conservative is the first full biography of Schuyler and traces his transformation from a socialist to a conservative by examining his childhood, his career as a journalist and writer, his opinions about race and class, and his desire for professional notoriety. The book is divided into three parts. Part I discusses Schuyler's early life prior to his arrival in Harlem and his becoming a writer for the Messenger, an African American socialist magazine edited by A. Philip Randolph and Chandler Owen. Part II chronicles his career as a journalist, novelist, satirist, and critic from the Harlem Renaissance of the 1920s through World War II. Part III reviews his post-World War II career from the late 1940s until his death in 1977. While Schuyler's career took many turns, his writings reveal surprising continuities and the stamp of a true American iconoclast, not unlike his mentor and hero, H. L. Mencken.
Publisher: Univ. of Tennessee Press
ISBN: 9781572335813
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
George S. Schuyler was a journalist and cultural critic whose writings appeared in such diverse publications as Crisis, Nation, Negro Digest, American Mercury, and National Review. In the 1920s, Schuyler was a member of the American Socialist Party and espoused liberal views. By the 1950s, he had become an ardent supporter of U.S. Sen. Joseph P. McCarthy and touted himself as an American patriot, believing that communism was a threat to African Americans. In the 1960s, Schuyler was one of the few African Americans who openly characterized the civil rights movement as a communist-inspired plot to destroy America. Although Schuyler was a prolific writer and an outspoken commentator during his fifty-four-year career, historians of twentieth-century African American history have paid scant attention to his literary endeavors and have overlooked his conservative views. George S. Schuyler: Portrait of a Black Conservative is the first full biography of Schuyler and traces his transformation from a socialist to a conservative by examining his childhood, his career as a journalist and writer, his opinions about race and class, and his desire for professional notoriety. The book is divided into three parts. Part I discusses Schuyler's early life prior to his arrival in Harlem and his becoming a writer for the Messenger, an African American socialist magazine edited by A. Philip Randolph and Chandler Owen. Part II chronicles his career as a journalist, novelist, satirist, and critic from the Harlem Renaissance of the 1920s through World War II. Part III reviews his post-World War II career from the late 1940s until his death in 1977. While Schuyler's career took many turns, his writings reveal surprising continuities and the stamp of a true American iconoclast, not unlike his mentor and hero, H. L. Mencken.
Let Us Make Men
Author: D'Weston Haywood
Publisher: UNC Press Books
ISBN: 1469643405
Category : Social Science
Languages : en
Pages : 353
Book Description
During its golden years, the twentieth-century black press was a tool of black men's leadership, public voice, and gender and identity formation. Those at the helm of black newspapers used their platforms to wage a fight for racial justice and black manhood. In a story that stretches from the turn of the twentieth century to the rise of the Black Power movement, D'Weston Haywood argues that black people's ideas, rhetoric, and protest strategies for racial advancement grew out of the quest for manhood led by black newspapers. This history departs from standard narratives of black protest, black men, and the black press by positioning newspapers at the intersections of gender, ideology, race, class, identity, urbanization, the public sphere, and black institutional life. Shedding crucial new light on the deep roots of African Americans' mobilizations around issues of rights and racial justice during the twentieth century, Let Us Make Men reveals the critical, complex role black male publishers played in grounding those issues in a quest to redeem black manhood.
Publisher: UNC Press Books
ISBN: 1469643405
Category : Social Science
Languages : en
Pages : 353
Book Description
During its golden years, the twentieth-century black press was a tool of black men's leadership, public voice, and gender and identity formation. Those at the helm of black newspapers used their platforms to wage a fight for racial justice and black manhood. In a story that stretches from the turn of the twentieth century to the rise of the Black Power movement, D'Weston Haywood argues that black people's ideas, rhetoric, and protest strategies for racial advancement grew out of the quest for manhood led by black newspapers. This history departs from standard narratives of black protest, black men, and the black press by positioning newspapers at the intersections of gender, ideology, race, class, identity, urbanization, the public sphere, and black institutional life. Shedding crucial new light on the deep roots of African Americans' mobilizations around issues of rights and racial justice during the twentieth century, Let Us Make Men reveals the critical, complex role black male publishers played in grounding those issues in a quest to redeem black manhood.
Dictionary Catalog of the Arthur B. Spingarn Collection of Negro Authors
Author: Howard University. Libraries
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 706
Book Description
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 706
Book Description
The African American Newspaper
Author: Patrick S. Washburn
Publisher: Northwestern University Press
ISBN: 0810122901
Category : History
Languages : en
Pages : 281
Book Description
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
Publisher: Northwestern University Press
ISBN: 0810122901
Category : History
Languages : en
Pages : 281
Book Description
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
Harlem Renaissance
Author: Ella O Williams
Publisher: AuthorHouse
ISBN: 145203057X
Category : History
Languages : en
Pages : 238
Book Description
“PRIOR TO THE HARLEM RENAISSANCE, BLACKS PORTRAY THEMSELVES AS STRANGS OBJECTS, ALIENATED FROM OTHERS IN THE SOCIETY.” The social activities in literature, art, theatre and entertainment in Harlem Renaissanc: a Handbook are documented for the period 1910-1940. A few intellectuals, specifically James Weldon Johnson, W E B DuBois, Charles Johnson and Alain Locke perceive that they, themselves, are the “New Negro.” Thus they produce and record the visual arts, literature and music they personally create as well as that of younger literary artists: Langston Hughes, Arna Bontemps, Countee Cullen and Roland Hayes. The literature, scholarship and criticism created among these intellectuals are mainly responsible for bringing about a renaissance. What is so unique about the Harlem Renaissance is that it is totally perceived and criticized by white American literary standards. At no time in African American history has there been an era wherein self-proclaimed intellectuals record their own literary activities as they are being created. That single concept is the focus of the research in Harlem Renaissance: a Handbook. Identifying each Major and Other Figures of the Harlem Renaissance permits the reader to experience the life and time of the era. The influx of African American literature requires the need to study the artists and to document the literary and creative arts of the Harlem Renaissance. View the photos and read the biography of the intellectuals as they live through an era devoted to illuminating Negro life as it actually exists in America. Most helpful to the reader is the Chronology of literary arts and corresponding activities of the Harlem Renaissance. During the years 1910-1940 the titles of articles, theatrical productions, books, poetry, music, visual arts and literature created during this period have been documented. The items chosen for the Chronology are not exhaustive, but they represent nearly all the literature and activities created during the Harlem Renaissance. Harlem Renaissance, a Handbook is a journey through time wherein literary and artistic history is documented as it occurs. With the aid of local New York Publishing companies, intellectuals encourage younger literary artists to publish only Negro folk life and culture as it actually exists.
Publisher: AuthorHouse
ISBN: 145203057X
Category : History
Languages : en
Pages : 238
Book Description
“PRIOR TO THE HARLEM RENAISSANCE, BLACKS PORTRAY THEMSELVES AS STRANGS OBJECTS, ALIENATED FROM OTHERS IN THE SOCIETY.” The social activities in literature, art, theatre and entertainment in Harlem Renaissanc: a Handbook are documented for the period 1910-1940. A few intellectuals, specifically James Weldon Johnson, W E B DuBois, Charles Johnson and Alain Locke perceive that they, themselves, are the “New Negro.” Thus they produce and record the visual arts, literature and music they personally create as well as that of younger literary artists: Langston Hughes, Arna Bontemps, Countee Cullen and Roland Hayes. The literature, scholarship and criticism created among these intellectuals are mainly responsible for bringing about a renaissance. What is so unique about the Harlem Renaissance is that it is totally perceived and criticized by white American literary standards. At no time in African American history has there been an era wherein self-proclaimed intellectuals record their own literary activities as they are being created. That single concept is the focus of the research in Harlem Renaissance: a Handbook. Identifying each Major and Other Figures of the Harlem Renaissance permits the reader to experience the life and time of the era. The influx of African American literature requires the need to study the artists and to document the literary and creative arts of the Harlem Renaissance. View the photos and read the biography of the intellectuals as they live through an era devoted to illuminating Negro life as it actually exists in America. Most helpful to the reader is the Chronology of literary arts and corresponding activities of the Harlem Renaissance. During the years 1910-1940 the titles of articles, theatrical productions, books, poetry, music, visual arts and literature created during this period have been documented. The items chosen for the Chronology are not exhaustive, but they represent nearly all the literature and activities created during the Harlem Renaissance. Harlem Renaissance, a Handbook is a journey through time wherein literary and artistic history is documented as it occurs. With the aid of local New York Publishing companies, intellectuals encourage younger literary artists to publish only Negro folk life and culture as it actually exists.