Painting and Experience in Fifteenth Century Italy PDF Download
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Author: Michael Baxandall
Publisher: Oxford Paperbacks
ISBN: 9780192821447
Category : Art
Languages : en
Pages : 200
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Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author: Michael Baxandall
Publisher: Oxford Paperbacks
ISBN: 9780192821447
Category : Art
Languages : en
Pages : 200
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Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
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Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Adrian W. B. Randolph
Publisher:
ISBN: 9780300204780
Category : ART
Languages : en
Pages : 0
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Book Description
This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300079814
Category : Art
Languages : en
Pages : 14
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Book Description
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
Author: Charles Dempsey
Publisher: UNC Press Books
ISBN: 9780807826164
Category : Art
Languages : en
Pages : 316
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Book Description
The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good
Author:
Publisher: Penn State Press
ISBN: 9780271048307
Category : Art, Early Renaissance
Languages : en
Pages : 348
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Book Description
Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356
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Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
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Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Author: Musée du Louvre. Cabinet des dessins
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 222
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Book Description
Author: Paula Nuttall
Publisher:
ISBN: 9780300102444
Category : Art
Languages : en
Pages : 307
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Book Description
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
