The Art of Sculpture in Fifteenth-Century Italy PDF Download
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Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
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Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
Get Book Here
Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Adrian W. B. Randolph
Publisher:
ISBN: 9780300204780
Category : ART
Languages : en
Pages : 0
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Book Description
This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.
Author: Sarah Blake Wilk
Publisher: Hall
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
Although fifteenth-century Central Italian sculpture is one of the best studied fields in art history, there is very little primary literature about sculpture from the period.
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: Aimee Ng
Publisher: Giles
ISBN: 9781911282433
Category : Art
Languages : en
Pages : 0
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Book Description
Renaissance sculptor Bertoldo di Giovanni was a student of Donatello, a teacher of Michelangelo, and a favorite of Lorenzo de' Medici "il Magnifico," his principal patron. Bertoldo was one of the first sculptors to create statuettes in bronze. With an overview of the artist's entire oeuvre, this major scholarly catalogue is the most substantial text on Bertoldo ever produced.
Author: DavidJ. Drogin
Publisher: Routledge
ISBN: 1351554883
Category : Art
Languages : en
Pages : 474
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Book Description
The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894683053
Category : Painting
Languages : en
Pages : 0
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Book Description
The National Gallery of Art collection of Italian fifteenth-century paintings, the finest in any American museum, has not been published in its entirety since the 1979 Catalogue of Italian Paintings by Fern Rusk Shapley. Among the altarpieces, devotional works, portraits, and allegorical scenes are many world-famous masterpieces. In addition to Leonardo's Ginevra de' Benci and the Adoration of the Magi by Fra Angelico and Fra Filippo Lippi, paintings by Domenico Veneziano, Castagno, Sassetta, Mantegna, Giovanni Bellini, Perugino, Botticelli, and Ghirlandaio make this a book of major masters of the Renaissance.
Author: Paula Nuttall
Publisher:
ISBN: 9780300102444
Category : Art
Languages : en
Pages : 307
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Book Description
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393968
Category : Sculpture
Languages : en
Pages : 370
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Book Description
"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.
Author: Andrew Butterfield
Publisher: Princeton University Press
ISBN: 069123308X
Category : Art
Languages : en
Pages : 385
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Book Description
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
