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Author: James Chandler
Publisher: Field Day Publications
ISBN: 0946755515
Category : Authors, Irish
Languages : en
Pages : 280
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Book Description
Irish Studies essays from the best academics in the field
Author: James Chandler
Publisher: Field Day Publications
ISBN: 0946755515
Category : Authors, Irish
Languages : en
Pages : 280
Get Book Here
Book Description
Irish Studies essays from the best academics in the field
Author:
Publisher: University of Toronto Press
ISBN: 1487537751
Category : Literary Criticism
Languages : en
Pages : 735
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Book Description
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Author: Mary Ellen Snodgrass
Publisher: McFarland
ISBN: 1476627819
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Surveying the life, work and accolades of Irish playwright Brian Friel, this literary companion investigates his personal and professional relationships and his literary topics and themes, such as belonging, violence, patriarchy and hypocrisy. Character summaries describe his most significant figures, particularly St. Columba, the victims of Derry's Bloody Sunday, and Hugh O'Neill, the Lord of Tyrone. Entries analyze Friel's style in detail, from his column in the Irish Times and his short fiction in the New Yorker to his most recent plays, Philadelphia, Here I Come!, Translations, and Dancing at Lughnasa.
Author: Paul A. BovŽ
Publisher: UPNE
ISBN: 161168370X
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
An intervention toward understanding the recent dark political and intellectual days
Author: Shaun Richards
Publisher: Taylor & Francis
ISBN: 1000631273
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Author: John Gibney
Publisher: University of Wisconsin Pres
ISBN: 0299289532
Category : History
Languages : en
Pages : 245
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Book Description
In October 1641 a rebellion broke out in Ireland. Dispossessed Irish Catholics rose up against British Protestant settlers whom they held responsible for their plight. This uprising, the first significant sectarian rebellion in Irish history, gave rise to a decade of war that would culminate in the brutal re-conquest of Ireland by Oliver Cromwell. It also set in motion one of the most enduring and acrimonious debates in Irish history. Was the 1641 rebellion a justified response to dispossession and repression? Or was it an unprovoked attempt at sectarian genocide? John Gibney comprehensively examines three centuries of this debate. The struggle to establish and interpret the facts of the past was also a struggle over the present: if Protestants had been slaughtered by vicious Catholics, this provided an ideal justification for maintaining Protestant privilege. If, on the other hand, Protestant propaganda had inflated a few deaths into a vast and brutal “massacre,” this justification was groundless. Gibney shows how politicians, historians, and polemicists have represented (and misrepresented) 1641 over the centuries, making a sectarian understanding of Irish history the dominant paradigm in the consciousness of the Irish Protestant and Catholic communities alike.
Author: Lawrence P. Jackson
Publisher: JHU Press
ISBN: 1421444127
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
How did the American western feature film genre rebrand itself in the late seventies and respond to the fury of global and domestic political affairs? In Hold It Real Still, Lawrence Jackson examines Clint Eastwood's influence on the western film while also exploring how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism. Jackson argues that the western genre pivoted from an initial doctrine of racial liberalism, albeit a clumsy one, during the John Wayne years to a motile agenda of substitution, exclusion, and false equivalency during the Clint Eastwood period. The book traces how Eastwood, an actor first associated with the avant-garde, anti-colonialist discourse of "spaghetti" western cinema, reversed himself in the second half of the 1970s with The Outlaw Josey Wales—a film that had at its heart the fantasy of Black erasure from American life. Jackson situates Eastwood's work as a response to massive social and political upheavals in America: defeat in Vietnam, riots in northern cities, the civil rights movement and associated legislation, and the Great Migration, which made possible a degree of mixed-race public interaction that was impossible even as late as the 1960s. Hinged by a close reading of four blockbuster films which continue to shape discourses in cinematic arts, American liberalism, the westerns, and race relations today—The Good, the Bad and the Ugly, Josey Wales, Ride with the Devil, and Django Unchained—Jackson's unique critique flashes on the contradictory symbolic structures at work in these masterpieces. Juxtaposing the films' motifs, tropes, and hidden Black figures with historicist readings lays bare the containment strategies of the 1970s and beyond used to stymie civil rights progress and racial equity in the United States. Tackling the rise of neoracism and the domestic apparatus of surveillance, control, and erasure, Hold It Real Still offers an astonishing revision of what audiences and critics thought they understood about a uniquely American genre of film.
Author: Paul A. Bové
Publisher: Harvard University Press
ISBN: 0674977157
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love. Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if, instead, we dared to love poetry, to choose comedy over Hamlet’s tragedy, or to pursue romance over Benjamin’s suicide on the edge of France, of Europe, and of civilization itself? Paul A. Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschews self-consciousness. The first step is to choose poetry. There has been since the time of Plato a battle between philosophy and poetry. Philosophy has championed misogyny, while poetry has championed women, like Shakespeare’s Rosalind. Philosophy is ever so stringent; try instead the sober cheerfulness of Wallace Stevens. Bové’s second step is to choose the essay. He praises Benjamin’s great friend and sometime antagonist Theodor Adorno, who gloried in writing essays, not dissertations and treatises. The third step is to choose love. If you want a Baroque hero, make that hero Rembrandt, who brought lovers to life in his paintings. Putting aside passivity and cynicism would amount to a revolution in literary studies. Bové seeks nothing less, and he has a program for achieving it.
Author: R. Purcell
Publisher: Springer
ISBN: 1137313846
Category : Political Science
Languages : en
Pages : 208
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Book Description
While the arms race of the post-war period has been widely discussed, Purcell explores the under-acknowledged but critical role another kind of 'race' – that is, race as a biological and sociological concept – played within the global and cultural Cold War.
Author: Colum Kenny
Publisher: University of Missouri Press
ISBN: 0826273203
Category : History
Languages : en
Pages : 310
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Book Description
The O’Shaughnessy brothers’ story takes place between 1860 and 1950 in Illinois, Missouri, New York, and Ireland. They were the children of an impoverished immigrant who fled the famine in Ireland and his Irish-American wife.An Irish-American Odysseyis the tale of this first-generation immigrant family’s struggle to assimilate into American society, highlighting their perseverance and determination to seize opportunities and surmount obstacles, all the while establishing a legacy for their own descendants in American art, advertising, journalism, and public service. TIME magazine called James O’Shaughnessy “the best in the business” of advertising, and he became the first chief executive of the American Association of Advertising Agencies. Earlier, he was a “star” reporter at the Chicago Tribune, and James and Francis were centrally involved in founding and maintaining the Irish Fellowship Club. Francis was also the first graduate of the University of Notre Dame to be invited to deliver its annual commencement address, while Martin was the first captain of Notre Dame’s official basketball team. An attorney, John represented the alleged victim in a notorious “white slavery” case. Thomas (“Gus”) became the leading Gaelic Revival artist in America as well as a promoter of Italian-American heritage, campaigning successfully to have Columbus Day enacted a public holiday. The remarkable rise of the O’Shaughnessy brothers proves the American dream is attainable.
