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Author:
Publisher: Field Day Publications
ISBN: 0946755388
Category : Arts
Languages : en
Pages : 332
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Book Description
Author:
Publisher: Field Day Publications
ISBN: 0946755388
Category : Arts
Languages : en
Pages : 332
Get Book Here
Book Description
Author: Sarah Monks
Publisher: Routledge
ISBN: 1351559966
Category : Art
Languages : en
Pages : 278
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Book Description
Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.
Author: Margaret Haverty
Publisher: Springer Nature
ISBN: 3031652118
Category :
Languages : en
Pages : 366
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Book Description
Author: Fintan Cullen
Publisher: Routledge
ISBN: 1351562118
Category : Art
Languages : en
Pages : 408
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Book Description
Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
Author: Marguérite Corporaal
Publisher: Springer
ISBN: 3319525271
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan’s Parliament (1782) and World War I (1914). This was a period marked by an increasing physical and cultural mobility of Irish throughout Britain, Continental Europe, the Americas, and the Pacific. Travel was undertaken for a variety of reasons: during the Romantic period, the ‘Grand Tour’ and what is now sometimes referred to as medical tourism brought Irish artists and intellectuals to Europe, where cultural exchanges with other writers, artists, and thinkers inspired them to introduce novel ideas and cultural forms to their Irish audiences. Showing this impact of the nineteenth-century Irish across national borders and their engagement with global cultural and linguistic traditions, the volume will provide novel insights into the transcultural spheres of the arts, literature, politics, and translation in which they were active.
Author: Professor John Barrell
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409403180
Category : Art
Languages : en
Pages : 282
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Book Description
Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.
Author: Patrick Griffin
Publisher: University of Virginia Press
ISBN: 0813946026
Category : History
Languages : en
Pages : 432
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Book Description
Looking at America through the Irish prism and employing a comparative approach, leading and emerging scholars of early American and Atlantic history interrogate anew the relationship between imperial reform and revolution in Ireland and America, offering fascinating insights into the imperial whole of which both places were a part. Revolution would eventually stem from the ways the Irish and Americans looked to each other to make sense of imperial crisis wrought by reform, only to ultimately create two expanding empires in the nineteenth century in which the Irish would play critical roles. Contributors Rachel Banke, Illinois Mathematics and Science Academy * T. H. Breen, University of Vermont * Trevor Burnard, University of Hull * Nicholas Canny, National University of Ireland, Galway * Christa Dierksheide, University of Virginia * Matthew P. Dziennik, United States Naval Academy * S. Max Edelson, University of Virginia * Annette Gordon-Reed, Harvard University * Eliga Gould, University of New Hampshire * Robert G. Ingram, Ohio University * Peter S. Onuf, University of Virginia * Andrew J. O’Shaughnessy, International Center for Jefferson Studies at Monticello * Jessica Choppin Roney, Temple University * Gordon S. Wood, Brown University
Author: Joachim Grage
Publisher: Cambridge Scholars Publishing
ISBN: 1527500438
Category : Language Arts & Disciplines
Languages : en
Pages : 230
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Book Description
Comparative philology was one of the most prolific fields of knowledge in the humanities during the 19th century. Based on the discovery of the Indo-European language family, it seemed to admit the reconstruction of a common history of European languages, and even mythologies, literatures, and people. However, it also represented a way to establish geographies of belonging and difference in the context of 19th century nation-building and identity politics. In spite of a widely acknowledged consensus about the principles and methods of comparative philology, the results depended on local conditions and practices. If Scandinavians were considered to be Germanic or not, for example, was up to identity politics that differed in Berlin, Strasbourg, Copenhagen and Paris. The contributors here elaborate these dynamics through analyses of the changing and conflicting versions of imaginative geographies that the actors of comparative philology evoked by using Scandinavian literatures and cultures. They also show how these seemingly delocalized scientific models depended on ever-different local needs and practices. Through this, the book represents the first distinctly transnational dynamic geography and history of the philological knowledge of the North – not only as a history of a scientific discourse, but also as a result of doing and performing scientific work.
Author: Ian Delahanty
Publisher: Fordham Univ Press
ISBN: 1531506895
Category : History
Languages : en
Pages : 339
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Book Description
Challenges conventional narratives of the Civil War era that emphasize Irish Americans’ unceasing opposition to Black freedom Embracing Emancipation tackles a perennial question in scholarship on the Civil War era: Why did Irish Americans, who claimed to have been oppressed in Ireland, so vehemently opposed the antislavery movement in the United States? Challenging conventional answers to this question that focus on the cultural, political, and economic circumstances of the Irish in America, Embracing Emancipation locates the origins of Irish American opposition to antislavery in famine-era Ireland. There, a distinctively Irish critique of abolitionism emerged during the 1840s, one that was adopted and adapted by Irish Americans during the sectional crisis. The Irish critique of abolitionism meshed with Irish Americans’ belief that the American Union would uplift Irish people on both sides of the Atlantic—if only it could be saved from the forces of disunion. Whereas conventional accounts of the Civil War itself emphasize Irish immigrants’ involvement in the New York City draft riots as a brutal coda to their unflinching opposition to emancipation, Delahanty uncovers a history of Irish Americans who embraced emancipation. Irish American soldiers realized that aiding Black southerners’ attempts at self-liberation would help to subdue the Confederate rebellion. Wartime developments in the United States and Ireland affirmed Irish American Unionists’ belief that the perpetuity of their adopted country was vital to the economic and political prospects of current and future immigrants and to their hopes for Ireland’s independence. Even as some Irish immigrants evinced their disdain for emancipation by lashing out against Union authorities and African Americans in northern cities, many others argued that their transatlantic interests in restoring the Union now aligned with slavery’s demise. While myriad Irish Americans ultimately abandoned their hostility to antislavery, their backgrounds in and continuously renewed connections with Ireland remained consistent influences on how the Irish in America took part in debate over the future of American slavery.
Author: W. Caleb McDaniel
Publisher: LSU Press
ISBN: 0807150207
Category : History
Languages : en
Pages : 471
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Book Description
In The Problem of Democracy in the Age of Slavery, W. Caleb McDaniel sets forth a new interpretation of the Garrisonian abolitionists, stressing their deep ties to reformers and liberal thinkers in Great Britain and Europe. The group of American reformers known as "Garrisonians" included, at various times, some of the most significant and familiar figures in the history of the antebellum struggle over slavery: Wendell Phillips, Frederick Douglass, and William Lloyd Garrison himself. Between 1830 and 1870, American abolitionists led by Garrison developed extensive networks of friendship, correspondence, and intellectual exchange with a wide range of European reformers -- Chartists, free trade advocates, Irish nationalists, and European revolutionaries. Garrison signaled the importance of these ties to his movement with the well-known cosmopolitan motto he printed on every issue of his famous newspaper, The Liberator: "Our Country is the World -- Our Countrymen are All Mankind." That motto serves as an impetus for McDaniel's study, which shows that Garrison and his movement must be placed squarely within the context of transatlantic mid-nineteenth-century reform. Through exposure to contemporary European thinkers -- such as Alexis de Tocqueville, Giuseppe Mazzini, and John Stuart Mill -- Garrisonian abolitionists came to understand their own movement not only as an effort to mold public opinion about slavery but also as a measure to defend democracy in an Atlantic World still dominated by aristocracy and monarchy. While convinced that democracy offered the best form of government, Garrisonians recognized that the persistence of slavery in the United States revealed problems with the political system. They identified the participation of minority agitators as part of the process in a healthy democratic society. Ultimately, Garrisonians' transatlantic activities reveal their deep patriotism, their interest in using public opinion to affect American politics, and their similarities to other antislavery groups. By following Garrisonian abolitionists across the Atlantic Ocean and exhaustively documenting their international networks, McDaniel challenges many of the timeworn stereotypes that still cling to their movement. He argues for a new image of Garrison's band as politically savvy, intellectually sophisticated liberal reformers, who were well informed about transatlantic debates regarding the problem of democracy.
