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Author: Renzo Baas
Publisher: African Books Collective
ISBN: 3906927091
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the dream of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to dream Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvres city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibias first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
Author: Renzo Baas
Publisher: African Books Collective
ISBN: 3906927091
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the dream of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to dream Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvres city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibias first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
Author: Nicola Brandt
Publisher: Routledge
ISBN: 1000211592
Category : Photography
Languages : en
Pages : 283
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Book Description
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.
Author: Sarala Krishnamurthy
Publisher: BASLER AFRIKA BIBLIOGRAPHIEN
ISBN: 3906927415
Category :
Languages : en
Pages : 379
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Book Description
A rich collection of captivating and remarkable chapters, Writing Namibia Coming of Age presents research of senior academics as well as emerging scholars from Namibia. The book includes wide ranging topics in literature written in English and other Namibian languages, such as German, Afrikaans and Oshiwambo. Almost thirty years after independence, Namibia literature has come of age with new writers experimenting with different genres and varied aspects of literature. As an aesthetic object and social phenomenon, Namibian literature still fulfils the function of social conscience and as new writers emerge, there is ample demonstration that, pluri-vocal as they are, Namibian literary texts relate in a complex manner to the socio-historical trends shaping the country. The Namibian literary-critical tradition continues to paint some versions of Namibia and what we find in this new and highly welcome volume is a canvas of rich voices and perspectives that demonstrate an intricate diversity in terms of culture, language, and themes.
Author: Luregn Lenggenhager
Publisher: transcript Verlag
ISBN: 3839466393
Category : Social Science
Languages : en
Pages : 327
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Book Description
The Lower !Garib, or Orange River, flows through the historical Namaqualand and since 1990 has formed the international border between Namibia and South Africa. The contributors to this volume focus on this hardly discussed stretch of the Orange River to understand the region's social history, geography, and economy. This book brings together scholars from Namibia, South Africa, and overseas, as well as the knowledge and analysis from people living in the region. In concise chapters and short portraits, they discuss the region's past and present from a variety of perspectives.
Author: Daniel Poch
Publisher: Columbia University Press
ISBN: 0231550464
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.
Author: Krishnamurthy, Sarala
Publisher: University of Namibia Press
ISBN: 9991642331
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, women’s writing, subaltern studies, literature in German, Ju|’hoansi and Otjiherero, children’s literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the book’s strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.
Author: Gillian Cross
Publisher: Oxford University Press, USA
ISBN: 9780192751515
Category : Juvenile Fiction
Languages : en
Pages : 260
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Book Description
Paula is thrilled when her explorer father pulls her out of school to climb the mountains of Peru. But as they penetrate the jungle, her father's decisions no longer seem sound, and their native guide dies as a result. Why won't he turn back?
Author: Renzo Baas
Publisher: BASLER AFRIKA BIBLIOGRAPHIEN
ISBN: 3906927083
Category : History
Languages : en
Pages : 295
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Book Description
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the ‘dream’ of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to ‘dream’ Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvre’s city–countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibia’s first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
Author: Sanusi, Ramonu
Publisher: Graduke Publishers
ISBN: 9785041425
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
The late 1960s witnessed the emergence of African women writers on the African literary space earlier dominated by African men. African women’s writings largely focus on deconstructing the patriarchal order, religious prescription and cultural mores in order to tear women’s veil of invisibility. The topics covered in the book are comprehensive and include among others: The Francophone African Novel; Religious and cultural constructs of African women; The poetic constructs of African women; Fictional constructs of subaltern African women; Marriage and the subordination of women; Physical and sexual exploitation of women; Women and Polygamy in men’s fiction; African women writers and the utilitarian function of their art; Female protagonists in fiction by African women; Discourse on the oppressors and the oppressed; African feminism/Western Feminism.
Author: Wolfram Hartmann
Publisher: Juta and Company Ltd
ISBN: 9781919713229
Category : History
Languages : en
Pages : 238
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Book Description
Richly illustrated with black and white photographs, this book brings together provocative and exciting new material on Namibia's colonial past. An eight-page colour section looks at how present day Namibians view themselves. It includes contributions from the editors, Wolfram Hartman, Jeremy Silvester and Patricia Hayes, as well as Michel Bollig, Jan Bart Gewald, Robert Gordon, Brent Harris, Paul Landau, Rick Rohde, Margo Timm and Marion Wallace.
