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Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110628783
Category : Foreign Language Study
Languages : en
Pages : 251
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Book Description
The information overload produced by the printing press and the new forms of the structuring of knowledge are echoed in fictional works. The essays assembled in this book study the textualization of problematic forms of knowledge in medieval and early modern Spanish literature. Literary Works like the Libro buen amor, La Lozana Andaluza, or the Guzmán de Alfarache are read against the backdrop of scientific developments of their times.
Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110628783
Category : Foreign Language Study
Languages : en
Pages : 251
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Book Description
The information overload produced by the printing press and the new forms of the structuring of knowledge are echoed in fictional works. The essays assembled in this book study the textualization of problematic forms of knowledge in medieval and early modern Spanish literature. Literary Works like the Libro buen amor, La Lozana Andaluza, or the Guzmán de Alfarache are read against the backdrop of scientific developments of their times.
Author: Mackenzie Cooley
Publisher: University of Chicago Press
ISBN: 0226822281
Category : History
Languages : en
Pages : 370
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Book Description
"The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but, as Mackenzie Cooley uncovers in this timely book, there is a dark parallel to this fãeted era. Those same men and women who were offering profound advancements in our understanding of the human condition-and laying the foundations of the Scientific Revolution-were also obsessed with controlling that condition and the wider natural world. Cooley traces how the Renaissance world, from the Mediterranean to Mexico City to the high mountains of the Andes, was marked by a lingering fascination with breeding. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. 'Race,' Cooley explains, first referred to animal stock honed through breeding. And, to those who invented the concept, race was not inflexible but the fragile result of reproductive work. She follows these early modern breeders' work with Italian horses, Mesoamerican dogs, Andean camelids, and other creatures, discussing it in tandem with natural philosophers' efforts to make sense of inheritance, modification, and the new concept of race. In doing so, she shows how, as the Spanish empire expanded, the concept of race moved from nonhuman to human animals"
Author: Massimo Ciavolella
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111240673
Category : History
Languages : en
Pages : 348
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Book Description
The essays examine how the study of facial features or expressions as indicative of character or ethnicity, has evolved from the crossroad of magic, religion and primitive medicine to present-day cultural concern for wellness and beauty. In this context, the discoveries of cranio-facial neurophysiology and psychology and the practice of cosmetic and reconstructive surgery have a centuries-old relationship with physiognomy. As the study of outward appearances evolved from its classical roots and self-representations through 18th- and 19th-century adaptations in fiction and travelogues, it gradually became a scientific discipline. Along the way, physiognomy was associated with phrenology and craniology and promoted eugenic policies. Tainted with racial bigotry and biological determinism, it was trapped within questions of delinquency, monstrosity and posthumanism. Throughout its history, physiognomy played both positive and negative roles in the evolution of significant aspects of the socio-cultural order in the West that merit update and in-depth study. The contributions follow a chronological and intertwining sequence to encompass physiognomic expressions in art, literature, spirituality, science, philosophy and cultural studies.
Author: Edward H. Friedman
Publisher: Boydell & Brewer
ISBN: 1855663678
Category : Picaresque literature, Spanish
Languages : en
Pages : 240
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Book Description
Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.
Author: Damien Tricoire
Publisher: Taylor & Francis
ISBN: 1000624994
Category : History
Languages : en
Pages : 366
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Book Description
Eschatology played a central role in both politics and society throughout the early modern period. It inspired people to strive for social and political change, including sometimes by violent means, and prompted in return strong reactions against their religious activism. From the fifteenth to the eighteenth century, numerous apocalyptical and messianic movements came to the fore across Eurasia and North Africa, raising questions about possible interconnections. Why were eschatological movements so pervasive in early modern times? This volume provides some answers to this question by exploring the interconnected histories of confessions and religions from Moscow to Cusco. It offers a broad picture of Christian and, to a lesser extent, Jewish and Islamic eschatological movements from the fifteenth to the eighteenth century, thereby bridging important and long-standing gaps in the historiography. Apocalypse Now will appeal to both researchers and students of the history of early modern religion and politics in the Christian, Jewish and Islamic worlds. By exploring connections between numerous eschatological movements, it gives a fresh insight into one of the most promising fields of European and global history.
Author: Matthias Heiduk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110498472
Category : History
Languages : en
Pages : 1162
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Book Description
Two opposing views of the future in the Middle Ages dominate recent historical scholarship. According to one opinion, medieval societies were expecting the near end of the world and therefore had no concept of the future. According to the other opinion, the expectation of the near end created a drive to change the world for the better and thus for innovation. Close inspection of the history of prognostication reveals the continuous attempts and multifold methods to recognize and interpret God’s will, the prodigies of nature, and the patterns of time. That proves, on the one hand, the constant human uncertainty facing the contingencies of the future. On the other hand, it demonstrates the firm believe during the Middle Ages in a future which could be shaped and even manipulated. The handbook provides the first overview of current historical research on medieval prognostication. It considers the entangled influences and transmissions between Christian, Jewish, Islamic, and non-monotheistic societies during the period from a wide range of perspectives. An international team of 63 renowned authors from about a dozen different academic disciplines contributed to this comprehensive overview.
Author: S. Kelen
Publisher: Springer
ISBN: 0230608760
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book uses the methodologies of cultural studies and the history of the book to show how editors and readers of the Sixteenth through the early Nineteenth century successively remade Piers Plowman and its author according to their own ideologies of the Middle Ages.
Author: Catherine Brown
Publisher: Stanford University Press
ISBN: 0804765146
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language. The book begins by exploring Christian exegesis, in which biblical contradiction is the textual incarnation of a Truth that is at once and paradoxically singular and multiple. Exegesis teaches us of the possibility of maintaining the truth in one biblical proposition and, equally and simultaneously, in its apparent opposite. Under the aegis of dialectic and the Aristotelian rule of non-contradiction, however, we are next taught to read either/or, and to resolve contradiction not through suspension and multiplicity, as in exegesis, but rather through a judgment that favors either one proposition or the other. The writers studied here are John of Salisbury, whose Metalogicon is an ostensibly moderating critique of the intellectual extremism of the School of Paris logicians, and Peter Abelard, in whose life and writing the forces of contradiction work with maiming and illuminating violence. The book then considers the teaching-textuality of two great secular works of the Middle Ages, formed under the double instruction of the master disciplines of monastic exegesis and dialectic and under the tutelage of Ovid. Calling simultaneously on the both-and of exegesis and the either/or of dialectic, the teaching of these two texts is both biblical and worldly—impossibly, both at once, always in motion. The De Amore of Andreas Capellanus teaches two opposite propositions and commands that either one or the other must be chosen, yet in practice shows each proposition to be deeply embedded in the other. The concluding chapter turns from the Latin to the vernacular tradition to study one of the lesser-known examples of contradictory teaching, the fourteenth-century Libro de Buen Amor of Juan Ruiz, whose titular "good love" conflates the contrary things of spiritual and carnal love, while reminding readers that the difference between the two is urgently consequential.
Author: Joseph Brooker
Publisher: Univ of Wisconsin Press
ISBN: 9780299196042
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Joseph Brooker's synthesis lucidly summarizes more than seventy years of Joyce criticism. This is the first broad study of how James Joyce's work was received in the Anglophone world, accessibly written for both academic and lay readers. Brooker shows how the reading of Joyce's work has moved through different critical paradigms, periods, and places, and how Joyce's writing has given generations of readers a way to discuss the major issues of the modern world.
Author: Ronald Paulson
Publisher: JHU Press
ISBN: 1421430967
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange. Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
