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Author: Stefano Predelli
Publisher:
ISBN: 0198854129
Category : Language Arts & Disciplines
Languages : en
Pages : 193
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Book Description
Stefano Predelli presents a novel approach to fictional discourse: Radical Fictionalist Semantics. Combining the insight of linguistic and philosophical semantics with the study of fictional language, he discusses narrative time, unreliability, closure, and the distinction between storyworlds and narrative peripheries, among other topics.
Author: Stefano Predelli
Publisher:
ISBN: 0198854129
Category : Language Arts & Disciplines
Languages : en
Pages : 193
Get Book Here
Book Description
Stefano Predelli presents a novel approach to fictional discourse: Radical Fictionalist Semantics. Combining the insight of linguistic and philosophical semantics with the study of fictional language, he discusses narrative time, unreliability, closure, and the distinction between storyworlds and narrative peripheries, among other topics.
Author: Hans J. Lind
Publisher: Routledge
ISBN: 0429887612
Category : Law
Languages : en
Pages : 244
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Book Description
Drawing on insights from literary theory and analytical philosophy, this book analyzes the intersection of law and literature from the distinct and unique perspective of fictional discourse. Pursuing an empirical approach, and using examples that range from Victorian literature to the current judicial treatment of rap music, the volume challenges the prevailing fact–fiction dichotomy in legal theory and practice by providing a better understanding of the peculiarities of legal fictionality, while also contributing further material to fictional theory’s endeavor to find a transdisciplinary valid criterion for a definition of fictional discourse. Following the basic presumptions of the early law-as-literature movement, past approaches have mainly focused on textuality and narrativity as the common denominators of law and literature, and have largely ignored the topic of fictionality. This volume provides a much needed analysis of this gap. The book will be of interest to scholars of legal theory, jurisprudence and legal writing, along with literature scholars and students of literature and the humanities.
Author: Silke Braselmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110647621
Category : Literary Criticism
Languages : en
Pages : 623
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Book Description
Ever since the 1990s, school shootings have shocked the public in their brutality, their suddenness, and their inexplicability. While film and literature have played a role in the heated debates about so-called copycat crimes, the growing body of fictionalizations of school shootings has been neglected thus far. However, in a discourse in which the boundaries between fiction and reality are increasingly blurred, this book shows how fiction shapes and structures, challenges and disrupts cultural processes of meaning-making. Hence, for a better understanding of the school shooting phenomenon, the relevance of fiction on all levels of discourse construction requires thorough analysis. This book therefore develops a new approach to the role of fiction for contemporary forms of excessive violence. By combining narrative theory with insights from sociology and other disciplines, it provides the means for apprehending and describing the relevance of fiction for contemporary discourses. Furthermore, it provides exemplary analyses of more specific functions of literary and filmic fictionalizations of school shootings between 2000 and 2016.
Author: Emar Maier
Publisher: Oxford University Press
ISBN: 0198846371
Category : Language Arts & Disciplines
Languages : en
Pages : 417
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Book Description
This volume brings together new research on fiction from the fields of philosophy and linguistics. Following a detailed introduction to the field, the book's 14 chapters examine long-standing issues in fiction research from a perspective that is informed both by philosophy and linguistic theory.
Author: Ruth Ronen
Publisher: Cambridge University Press
ISBN: 9780521456487
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
Author: Saul A. Kripke
Publisher: Oxford University Press
ISBN: 0190660619
Category : Mathematics
Languages : en
Pages : 185
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Book Description
This work can be read as a sequel to Kripke's classic Naming and Necessity, confronting important issues left open in that work and developing a novel approach to questions concerning empty names and existence. It provides along the way novel treatments of fictional and mythological discourse, the pragmatics of definite and indefinite descriptions and the language of sense data.
Author: Timothy Bewes
Publisher: Columbia University Press
ISBN: 0231549474
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls “free indirect,” in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.
Author: Stuart Brock
Publisher: OUP Oxford
ISBN: 0191054526
Category : Philosophy
Languages : en
Pages : 308
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Book Description
Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language.
Author: Victoria Saramago
Publisher: Northwestern University Press
ISBN: 0810142619
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Finalist, 2022 ASLE Ecocritical Book Award Fictional Environments: Mimesis, Deforestation, and Development in Latin America investigates how fictional works have become sites for the production of knowledge, imagination, and intervention in Latin American environments. It investigates the dynamic relationship between fictional images and real places, as the lasting representations of forests, rural areas, and deserts in novels clash with collective perceptions of changes like deforestation and urbanization. From the backlands of Brazil to a developing Rio de Janeiro, and from the rainforests of Venezuela and Peru to the Mexican countryside, rapid deforestation took place in Latin America in the second half of the twentieth century. How do fictional works and other cultural objects dramatize, resist, and intervene in these ecological transformations? Through analyses of work by João Guimarães Rosa, Alejo Carpentier, Juan Rulfo, Clarice Lispector, and Mario Vargas Llosa, Victoria Saramago shows how novels have inspired conservationist initiatives and offered counterpoints to developmentalist policies, and how environmental concerns have informed the agendas of novelists as essayists, politicians, and public intellectuals. This book seeks to understand the role of literary representation, or mimesis, in shaping, sustaining, and negotiating environmental imaginaries during the deep, ongoing transformations that have taken place from the 1950s to the present.
Author: J. J. A. Mooij
Publisher: John Benjamins Publishing
ISBN: 9027222185
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This book is a study of the role of the imagination. It focuses on the imaginative use of language in literature (poetry and narrative prose); but it also touches on some more comprehensive issues, for the questions it discusses are questions regarding the relationship between mind, reality and unreality. The first two chapters survey the thinking about the imagination in the history of philosophy. The main trends and the main problems are discussed, particularly in respect of the (positive or negative) evaluation of imagination. The subsequent chapters investigate the role of the imagination from a closer point of view. How is it that imagination appears in literary art? Central topics of discussion are the nature of narrativity, of fictional discourse and fictional objects, of realistic fiction, of symbolism and metaphor. Moreover, the similarities (both real and imagined) between literature and the other arts are explored. In all chapters attention is paid to the problem of the value of art and literary imagination. The last chapter addresses this issue head-on. In particular, it attempts to define the value of literature in relation to science.
