Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 23

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Author: Société d'histoire de la pharmacie (France).
Publisher:
ISBN:
Category :
Languages : fr
Pages : 23

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Author: Sans Auteur
Publisher:
ISBN: 9782014073232
Category :
Languages : fr
Pages :

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Author: Michael Cotter
Publisher: Boston : G. K. Hall
ISBN:
Category : Reference
Languages : vi
Pages : 296

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Author: Leonard Forrer
Publisher:
ISBN:
Category : Medalists
Languages : en
Pages : 750

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Author:
Publisher:
ISBN:
Category : Computer network resources
Languages : en
Pages : 6

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Author: Ludo De Witte
Publisher: Verso Books
ISBN: 1839767928
Category : Biography & Autobiography
Languages : en
Pages : 398

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Book Description
The Assassination of Lumumba unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the 1961 assassination of Patrice Lumumba—the first prime minister of the Republic of Congo and a pioneer of African unity—since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Patrice Lumumba’s personal strength and his quest for African unity emerges in stark contrast with one of the murkiest episodes in twentieth-century politics.

Author:
Publisher:
ISBN:
Category : Biodiversity
Languages : en
Pages : 172

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Author: Jacalyn Duffin
Publisher: Princeton University Press
ISBN: 1400864674
Category : Medical
Languages : en
Pages : 473

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Book Description
René Théophile Hyacinthe Laennec (1781-1826) is best known for his invention of the stethoscope, one of medicine's most powerful symbols. Histories, novels, and films have cloaked his life in hagiography and legend. Jacalyn Duffin's fascinating new biography relies on a vastly expanded foundation of primary source material, including thousands of pages of handwritten patient records, lecture notes, unpublished essays, and letters. She situates Laennec, the scientist and teacher, within the broader social and intellectual currents of post-Revolutionary France. Her work uncovers a complex character who participated actively in the dramatic changes of his time. Laennec's famous Treatise on Mediate Auscultation was his only published book, but two lesser known works were left in manuscript: an early treatise on pathological anatomy and a later set of lectures on disease. The three parts of Duffin's biography correspond to these books. First, she examines Laennec's student research on the emerging science of pathological anatomy, the background for his major achievement. Second, she uses his clinical records to trace the discovery and development of "mediate auscultation" (listening through an instrument, or mediator, to sounds within the human body). The stethoscope allowed clinicians to "see" the organic alterations inside their living patients' bodies. Finally, she explores the impact of auscultation on diagnostic practice and on concepts of disease. Analyzed here for the first time in their entirety, Laennec's Collége de France lectures reveal his criticism of over-enthusiastic extrapolations of his own method at the expense of the patient's story. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Bob W. White
Publisher: Duke University Press
ISBN: 0822389266
Category : History
Languages : en
Pages : 327

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Book Description
Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying “happy are those who sing and dance,” and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaïroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent’s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country’s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa’s popular music scene mirrored the charismatic authoritarianism of Mobutu’s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu’s Zaire.