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Author: Nathaniel Moore Banta
Publisher:
ISBN:
Category : Children's plays
Languages : en
Pages : 200
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Book Description
Author: Rick Steves
Publisher: Rick Steves
ISBN: 163121800X
Category : Travel
Languages : en
Pages : 461
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Book Description
It's party time in Europe! Bestselling author Rick Steves explores the best festivals in Europe, from the Running of the Bulls in Spain to Carnival in Venice. There will be no museums! And no art galleries! Just Europeans having lots of fun. Across Europe, festival traditions go back centuries and are filled with time honored pageantry and ritual. Entire communities hurl themselves with abandon into the craziness. We'll careen all over Europe: the Palio horse races in Siena, the Highland games near Edinburgh, the colorful masquerade of Carnival in Venice, Slovenia, and Luzern, Easter festivities in Andalucía, Tuscany, and Greece, the springtime April Fair in Sevilla, Bastille Day in Paris, the Running of the Bulls in Pamplona, Oktoberfest in Munich, and Christmas markets and traditions in Nurnberg and Switzerland. With fascinating insights, rich history, and vivid photos, this great gift book captures the spirit of Europe's rich and fun-loving heritage. Hang on to your party hats!
Author: Nathaniel Moore Banta
Publisher:
ISBN:
Category : Children's plays
Languages : en
Pages : 200
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Book Description
Author: Masashi Fukaya
Publisher: Archaeopress Publishing Ltd
ISBN: 1789695961
Category : History
Languages : en
Pages : 307
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Book Description
This volume compares the religious and social functions of the Ancient Egyptian festivals of Opet, the Valley, and the New Year. Until now, detailed study of the New Year Festival has only been carried out with reference to the Greco-Roman period; this study turns its attention to the New Kingdom.
Author: Erin Franziska Högerle
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110696657
Category : Social Science
Languages : en
Pages : 364
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Book Description
Responding to a lack of studies on the film festival’s role in the production of cultural memory, this book explores different parameters through which film festivals shape our reception and memories of films. By focusing on two Asian American film festivals, this book analyzes the frames of memory that festivals create for their films, constructed through and circulated by the various festival media. It further establishes that festival locations—both cities and screening venues—play a significant role in shaping our experience of films. Finally, it shows that festivals produce performances which help guide audiences towards certain readings and direct the film’s role as a memory object. Bringing together film festival studies and memory studies, 'Asian American Film Festivals' offers a mixed-methods approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of frames, locations, and performances shaping the festival’s memory practices. It also draws attention to the understudied genre of Asian American film festivals, showing how these festivals actively engage in constructing and performing a minority group’s collective identity and memory.
Author: Jared Mackley-Crump
Publisher: University of Hawaii Press
ISBN: 0824838726
Category : Social Science
Languages : en
Pages : 234
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Book Description
With a history now stretching back four decades, Pacific festivals of Aotearoa assert a multicultural identity of New Zealand and situate the country squarely within a sea of islands. In this volume, Jared Mackley-Crump gives a provocative look at the changing demographics and cultural landscape of a place frequently viewed through a bicultural lens, Pākehā and Māori. Taking the post–World War II migrations of Pacific peoples to New Zealand as its starting point, the story begins in 1972 with the inaugural Polynesian Festival, an event that was primarily designed as a Māori festival, now known as Te Matatini, the largest Māori performing arts event in the world. Two major moments of festivalization are considered: the birth of Polyfest in 1976 and the inaugural Pasifika Festival of 1993. Both began in Auckland, the home of the largest Pacific communities in New Zealand, and both have spawned a series of events that follow the models they successfully established. While Polyfests focus primarily on the transmission of performance traditions from culture bearers to the young, largely New Zealand–born generations, Pasifika festivals are highly public community events, in which diverse displays of material culture are offered up for consumption by both cultural tourists and Pacific communities alike. Both models have experienced a significant period of growth since 1993, and here, the author presents a thought-provoking and wide-ranging analysis to explain the phenomenon that has been called a “Pacific renaissance.” Written from an ethnomusicological perspective, The Pacific Festivals of Aotearoa New Zealand incorporates lively first-person observations as well as interviews with festival organizers, performers, and other important historical figures. The second half of the book delves into the festival space, uncovering new meanings about the function and role of music performance and public festivity. The author skillfully challenges accounts that label festivals as inauthentic recreations of culture for tourist audiences and gives both observers and participants an uplifting new approach to understand these events as meaningful and symbolic extensions of the ways diasporic Pacific communities operate in New Zealand.
Author: Francisco Rodríguez Adrados
Publisher: Brill Archive
ISBN: 9789004043138
Category : Drama
Languages : en
Pages : 486
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Book Description
Author: Charles Webster Leadbeater
Publisher:
ISBN:
Category : California
Languages : en
Pages : 520
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Book Description
Author: Marijke de Valck
Publisher: Springer Nature
ISBN: 3031141717
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.
Author: Nicoleta Cinpoes
Publisher: Bloomsbury Publishing
ISBN: 1350140171
Category : Drama
Languages : en
Pages : 257
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Book Description
From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at continental European festivals. It examines the role these festivals play in European socio-cultural exchanges, and the impact festivals make on the wider production and circulation of staged Shakespeare across the continent. This collection offers authoritative, lively and informed accounts of the production of Shakespeare at the following festivals: the Avignon Festival and Le Printemps des comédiens in Montpellier (France), the Almagro festival (Spain), Shakespeare at Four Castles (Czech Republic and Slovakia), the International Shakespeare Festival in Craiova (Romania), the Shakespeare festivals in Elsinore (Denmark), Gdansk (Poland), Gyula (Hungary), Itaka (Serbia), Neuss (Germany), Patalenitsa (Bulgaria), Rome and Verona (Italy). Shakespeare on European Festival Stages is essential reading for students, scholars and practitioners interested in Shakespeare in performance, in translation and in a post-national Shakespeare that knows no borders and belongs to all of Europe.
Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009886
Category : Music
Languages : en
Pages : 261
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Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
