Guernica and Other Plays

Guernica and Other Plays PDF Author: Fernando Arrabal
Publisher: Grove Press
ISBN: 9780802151223
Category : Drama
Languages : en
Pages : 400

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Book Description
The celebrated Spanish playwright Fernando Arrabal, who lived in Madrid under the oppression of the Franco regime, writes passionately of human atrocity and of hope. This collection of plays embodies Arrabal's "theatre of panic," named after the god Pan. The homme panique is a man who refuses to take risks, who avoids danger and therefore heroism, who avoids the irreparable act, but who, ironically, is caught up in a world of chance that forces him to make choices. The collection includes Guernica, an earthy verbal re-creation of Picasso's famous painting, in which an old Basque couple is caught in the air raids; And They Put Handcuffs on the Flowers, a violent protest against the Franco regime; the ingenious and poetic The Architect and the Emperor of Assyria; and Garden of Delights, which explores the lesbian tendencies of strong adoles-cent attachments and the sadomasochistic experience of adult love. Includes: 'Guernica' 'And They Put Handcuffs on the Flowers' 'The Architect and the Emperor of Assyria' 'Garden of Delights'

El Teatro Pánico de Fernando Arrabal

El Teatro Pánico de Fernando Arrabal PDF Author: Diego Santos Sánchez
Publisher: Boydell & Brewer Ltd
ISBN: 1855662418
Category : Drama
Languages : en
Pages : 212

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Book Description
Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.

The Festive Play of Fernando Arrabal

The Festive Play of Fernando Arrabal PDF Author: Luis Oscar Arata
Publisher: University Press of Kentucky
ISBN: 0813194334
Category : Literary Criticism
Languages : en
Pages : 128

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Book Description
Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes. With this view of Arrabal's work, Luis Arata explores the nature of play in art in the light of Jean Piaget's psychology. He thus offers a new way to approach festive and playful art.

The Compass Stone

The Compass Stone PDF Author: Fernando Arrabal
Publisher: New York : Grove Press
ISBN: 9780802100023
Category : Degeneration
Languages : en
Pages : 165

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Book Description


Cult Epics

Cult Epics PDF Author: Nico B
Publisher: SCB Distributors
ISBN: 0999862715
Category : Performing Arts
Languages : en
Pages : 548

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Book Description
Celebrating the 25th anniversary of Cult Epics – the controversial arthouse, horror and erotica video label – this commemorative hardcover book covers essential releases from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger, Walerian Borowcyzk, Jean Genet, Abel Ferrara, George Barry, Rene Daalder, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, Nico B, Irving Klaw, and pinup legend Bettie Page. Includes in-depth reviews of films, interviews, and essays on directors by film critics Nathaniel Thompson, Mark R. Hasan, Michael den Boer, Ian Jane, Stephen Thrower, Marcus Stiglegger, Heather Drain and others – fully illustrated in color with rare photos, poster art, and memorabilia.

Baal Babylon

Baal Babylon PDF Author: Fernando Arrabal
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 120

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Book Description


The Architect and the Emperor of Assyria

The Architect and the Emperor of Assyria PDF Author: Fernando Arrabal
Publisher: New York : Grove Press
ISBN: 9780394173641
Category : French drama
Languages : en
Pages : 93

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Book Description


Seven Dada Manifestos and Lampisteries

Seven Dada Manifestos and Lampisteries PDF Author: Tristan Tzara
Publisher: Alma Books
ISBN: 0714545686
Category : Literary Collections
Languages : en
Pages : 129

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Book Description
This volume contains Tristan Tzara's famous manifestos, which first appeared between 1916 and 1921 and became essential texts of the modern movement and models for Breton's Surrealist manifestos. Art for Tzara was both deadly serious and a game, and the playfulness of his character is apparent not only in his polemic, which often uses dadaist typography, but in the delightful drawings contributed by Francis Picabia.In addition, this volume also contains Tzara's Lampisteries - articles that throw light on various art forms contemporary with his own work, at a time when art, weary of the old certainties, turned into subjective and often abstract forms, favouring the reality of the mind over that of the senses.

And They Put Handcuffs on the Flowers

And They Put Handcuffs on the Flowers PDF Author: Fernando Arrabal
Publisher:
ISBN:
Category : Erotic drama, French
Languages : en
Pages : 104

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Book Description


Reception and Renewal in Modern Spanish Theatre, 1939-1963

Reception and Renewal in Modern Spanish Theatre, 1939-1963 PDF Author: John London
Publisher: MHRA
ISBN: 9780901286833
Category : Art
Languages : en
Pages : 300

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Book Description
The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.