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Author: Michel Draguet
Publisher: Agrarian Studies
ISBN: 9780300246506
Category : Art, Belgian
Languages : en
Pages : 0
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Book Description
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds
Author: Michel Draguet
Publisher: Agrarian Studies
ISBN: 9780300246506
Category : Art, Belgian
Languages : en
Pages : 0
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Book Description
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds
Author: Georges Rodenbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
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Book Description
Author:
Publisher: BRILL
ISBN: 9004459987
Category : Literary Criticism
Languages : en
Pages : 469
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Book Description
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
Author: Michel Draguet
Publisher:
ISBN:
Category : Symbolism (Art movement)
Languages : es
Pages : 0
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Book Description
El artista, ilustrador, escultor y fotógrafo belga Fernand Khnopff (1858–1921) se convirtió en un popular retratista de la sociedad en la década de 1880, utilizando elementos que le habían servido como pintor simbolista de vanguardia: realismo visual y un ambiente de silencio, aislamiento y ensueño. Como en el provocativo, pero fascinantemente hermoso, Retrato de Jeanne Kéfer, con frecuencia posaba a sus modelos apoyados contra una puerta cerrada, allanando el espacio, dando como resultado una imagen meditativa y herméticamente cerrada. Jeanne Kéfer era hija de una compositora amiga del artista, y Khnopff captura hábilmente la vulnerabilidad de la niña al mundo exterior en el pequeño gesto de su pequeño pulgar que atrapa el borde de su lazo. El libro coloca esta pintura en el contexto histórico de los tiempos y el entorno social de Khnopff y rastrea el Simbolismo como un movimiento literario y artístico. El análisis del retrato en sí está respaldado por una impresionante variedad de pinturas, detalles y fotografías técnicas relacionadas. Finalmente, el autor utiliza los retratos de Khnopff como punto de partida para una discusión más amplia del arte simbolista.
Author: Austin O. Spare
Publisher: CreateSpace
ISBN: 9781477614518
Category : Body, Mind & Spirit
Languages : en
Pages : 32
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Book Description
A richly illustrated book of images. Some of Spare's techniques, particularly the use of sigils and the creation of an "alphabet of desire" were adopted, adapted and popularized by Peter J. Carroll in the work Liber Null & Psychonaut. Carroll and other writers such as Ray Sherwin are seen as key figures in the emergence of some of Spare's ideas and techniques as a part of a magical movement loosely referred to as chaos magic. Zos Kia Cultus is a term coined by Kenneth Grant, with different meanings for different people. One interpretation is that it is a form, style, or school of magic inspired by Spare. It focuses on one's individual universe and the influence of the magician's will on it. While the Zos Kia Cultus has very few adherents today, it is widely considered an important influence on the rise of chaos magic.
Author: Ralph Gleis
Publisher: Hirmer Verlag GmbH
ISBN: 9783777435244
Category : Art, Belgian
Languages : en
Pages : 0
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Book Description
"Enigmatic magic, erotic sensuality and dark dreamworlds all characterise Symbolism, which evolved as an art current from the 1880s on - with Brussels advancing to become a centre of activity in the development of European art. The tendency towards the morbid and the decadent was most pronounced in Belgian Symbolism. Many of the impulses for this avant-garde came from Belgian artists, such as the disreputable Félicien Rops, the subtle Fernand Khnopff, the occult Jean Delville and the eccentric Léon Spilliaert and James Ensor."--back cover.
Author: Katharine Jordan Lochnan
Publisher: DelMonico Books
ISBN: 9783791356006
Category : Landscape painting, American
Languages : en
Pages : 0
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Book Description
This richly illustrated volume explores mystical themes in European, Scandinavian, and North American landscape paintings from the late 1800s to the early 1900s. This book features works by Emily Carr, Marc Chagall, Arthur Dove, Paul Gauguin, Lawren Harris, Wassily Kandinsky, Gustav Klimt, Piet Mondrian, Claude Monet, Edvard Munch, Georgia O'Keeffe, Vincent van Gogh and James McNeill Whistler, among others. Common to their work is the expression of the spiritual crisis that arose in society and the arts in reaction to the disillusionments of the modern age, and against the malaise that resulted in the Great War. Many artists turned their backs on institutional religion, searching for truth in universal spiritual philosophies. This book includes essays investigating mystical landscape genres and their migration from Scandinavia to North America, with a focus upon the Group of Seven and their Canadian and American counterparts. Accompanying an exhibition at the Art Gallery of Ontario and the Musée d'Orsay, this book offers a penetrating look at the Symbolist influence on the landscape genre.
Author: Andrea Zanatelli
Publisher: Andrews McMeel Publishing
ISBN: 1524876399
Category : Poetry
Languages : en
Pages : 204
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Book Description
In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Elizabeth Dickinson, Percy Shelley, and many more. Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics, and allegorical illustrations mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.
Author: Francine-Claire Legrand
Publisher:
ISBN:
Category : Art, Belgian
Languages : en
Pages : 290
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Book Description
Author: Michelle Facos
Publisher:
ISBN: 9780415780704
Category : Art
Languages : en
Pages : 435
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Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
