Fenimore Cooper ́s Literary Offences PDF Download
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Author: Mark Twain
Publisher: BoD – Books on Demand
ISBN: 3732638154
Category : Fiction
Languages : en
Pages : 18
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Book Description
Reproduction of the original: Fenimore Cooper ́s Literary Offences by Mark Twain
Author: Mark Twain
Publisher: BoD – Books on Demand
ISBN: 3732638154
Category : Fiction
Languages : en
Pages : 18
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Book Description
Reproduction of the original: Fenimore Cooper ́s Literary Offences by Mark Twain
Author: Mark Twain
Publisher: The Floating Press
ISBN: 1776530276
Category : Literary Criticism
Languages : en
Pages : 20
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Book Description
In this literary smackdown, one giant of American literature thoroughly demolishes the literary output of another. With his trademark plainspoken wit, Mark Twain presents a catalog of everything he hates about the work of James Fenimore Cooper, author of such classics as The Last of the Mohicans. Whether you're Team Twain or Team Fenimore Cooper, you're sure to be entertained by this cutting takedown.
Author: Mark Twain
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723583339
Category :
Languages : en
Pages : 34
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Book Description
"Fenimore Cooper's Literary Offenses" is an 1895 essay by Mark Twain, written as a satire and criticism of the writings of James Fenimore Cooper. Drawing on examples from The Deerslayer and The Pathfinder from Cooper's Leatherstocking Tales, the essay claims Cooper is guilty of verbose writing, poor plotting, glaring inconsistencies, overused clichés, cardboard characterizations, and a host of similar "offenses." The essay is characteristic of Twain's biting, derisive and highly satirical style of literary criticism, a form he also used to deride such authors as Oliver Goldsmith, George Eliot, Jane Austen, and Robert Louis Stevenson.
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author: Mark Twain
Publisher: CreateSpace
ISBN: 9781496185334
Category : Literary Collections
Languages : en
Pages : 28
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Book Description
It seems to me that it was far from right for the Professor of English Literature in Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper's literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper. Cooper's art has some defects. In one place in 'Deerslayer, ' and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks the record.
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 57
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Book Description
Fenimore Cooper's Literary Offenses by Mark Twain
Author: Nora Rawn
Publisher: Dover Publications
ISBN: 0486826759
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
In "The Critic as Artist," Oscar Wilde declares that the critic's artistic capabilities are as important as those of the artist. Wilde's passionate defense of the aesthetics of art criticism is among the wide-ranging and thought-provoking essays of this original collection, in which noted writers discuss the role of criticism in English and American literature. Contents include Edgar Allan Poe's "The Philosophy of Composition," in which the author draws upon his most famous poem, "The Raven," to illustrate his theories on writing; Matthew Arnold's "The Study of Poetry"; and commentaries on Shakespeare's plays by Samuel Johnson and Wordsworth's poetry by William Hazlitt. Walter Pater, whose work was highly influential on the writers of the Aesthetic Movement, is represented by an essay on style. Other selections include Mark Twain's satirical "Fenimore Cooper's Literary Offences" and the "Preface to Leaves of Grass" by Walt Whitman. Brief introductory notes accompany each essay.
Author: Марк Твен
Publisher: Litres
ISBN: 5041788642
Category : Fiction
Languages : en
Pages : 21
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Book Description
Author: Mark Twain
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986243094
Category :
Languages : en
Pages : 28
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Book Description
It seems to me that it was far from right for the Professor of English Literature in Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper's literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper. Cooper's art has some defects. In one place in 'Deerslayer, ' and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks the record
Author: John Cyril Barton
Publisher: JHU Press
ISBN: 1421413329
Category : Law
Languages : en
Pages : 345
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Book Description
"In Literary Executions, John Barton analyzes nineteenth-century representations of, responses to, and arguments for and against the death penalty in the United States. The author creates a generative dialogue between artistic relics and legal history. Novels, short stories, poems, and creative nonfiction engage with legislative reports, trial transcripts, legal documents, newspaper and journal articles, treatises, and popular books (like The Record of Crimes and The Gallows, the Prison, and the Poor House), all of which participated in the debate over capital punishment. Barton focuses on several canonical figures--James Fenimore Cooper, Nathaniel Hawthorne, Lydia Maria Child, Walt Whitman, Herman Melville, and Theodore Dreiser--and offers new readings of their work in light of the death penalty controversy. Barton also gives close attention to a host of then-popular-but-now-forgotten writers--particularly John Neal, Slidell MacKenzie, William Gilmore Simms, Sylvester Judd, and George Lippard--whose work helped shape or was in turn shaped by the influential anti-gallows movement. As illustrated in the book's epigraph by Samuel Johnson -- "Depend upon it Sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully" -- Barton argues that the high stakes of capital punishment dramatize the confrontation between the citizen-subject and sovereign authority. In bringing together the social and the aesthetic, Barton traces the emergence of the modern State's administration of lawful death. The book is intended primarily for literary scholars, but cultural and legal historians will also find value in it, as will anyone interested in the intersections among law, culture, and the humanities"--
