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Author: Kwasi Ampene
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
Nnwonkoro is a genre of women's song found among the Akan-speaking peoples of Ghana. It has become a hybrid musical form, incorporating songs and dance movements based on traditional practices alongside others reflecting Christian influence. Nnwonkoro groups perform regularly at funerals, on state occasions, for entertainment, and even in church. In common with other Akan musical traditions, nnwonkoro is transmitted orally and aurally. Based on extensive fieldwork in the Asante and Bono Ahafo regions, and featuring many transcriptions of songs, this book investigates the nature of composition in oral culture, together with issues such as the scope of the poetic imagination and the transformation processes that accompany modernization. This study illuminates the musical style of nnwonkoro in a way which, it is hoped, will facilitate future comparative study of African songs. A CD recording is included.
Author: Kwasi Ampene
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 274
Get Book
Book Description
Nnwonkoro is a genre of women's song found among the Akan-speaking peoples of Ghana. It has become a hybrid musical form, incorporating songs and dance movements based on traditional practices alongside others reflecting Christian influence. Nnwonkoro groups perform regularly at funerals, on state occasions, for entertainment, and even in church. In common with other Akan musical traditions, nnwonkoro is transmitted orally and aurally. Based on extensive fieldwork in the Asante and Bono Ahafo regions, and featuring many transcriptions of songs, this book investigates the nature of composition in oral culture, together with issues such as the scope of the poetic imagination and the transformation processes that accompany modernization. This study illuminates the musical style of nnwonkoro in a way which, it is hoped, will facilitate future comparative study of African songs. A CD recording is included.
Author: James Burns
Publisher: Routledge
ISBN: 1351567152
Category : Music
Languages : en
Pages : 300
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Book Description
Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes a DVD documentary.
Author: Nana Abena Amoah-Ramey
Publisher: Rowman & Littlefield
ISBN: 1498564674
Category : Political Science
Languages : en
Pages : 191
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Book Description
This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana.
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
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Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Author: Joseph S.Kaminski
Publisher: Routledge
ISBN: 1351956868
Category : Music
Languages : en
Pages : 221
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Book Description
Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.
Author: Karin Pendle
Publisher: Routledge
ISBN: 1135848130
Category : Music
Languages : en
Pages : 870
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Book Description
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Author: Kwasi Ampene
Publisher: Routledge
ISBN: 1000060322
Category : Music
Languages : en
Pages : 281
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Book Description
Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets, and a cane flute, the book includes a critical assembly of ancient song texts, the poetry of bards (kwadwom), and referential poetry performed by members of the constabulary (apae). The focus is on the intersections between lived experience, music, and values, and refers to musical examples drawn from court ceremonies, rituals, festivals, as well as casual performances elicited in the course of fieldwork. For the Asante, the performing arts are complex sites for recording and storing personal experiences, and they have done so for centuries with remarkable consistency and self-consciousness. This book draws on archaeological, archival, historical, ethnographical and analytical sources to craft a view of the Asante experience as manifested in its musical and allied arts. Its goal is to privilege the voices of the Asante and how they express their history, religious philosophy, social values, economic, and political experiences through the musical and allied arts. The author’s theoretical formulation includes the concept of value, referring to ideas, worldview concepts, beliefs, and social relationships that inform musical practices and choices in Asante.
Author: David Owusu-Ansah
Publisher: Rowman & Littlefield
ISBN: 0810875004
Category : History
Languages : en
Pages : 515
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Book Description
Ghana, the former British colony of the Gold Coast, is historically known for being the first country to the south of the Sahara to attain political independence from colonial rule. It is known for its exports of cocoa and a variety of minerals, especially gold, and it is now an oil exporting country. But Ghana’s importance to the African continent is not only seen in its natural resources or its potential to expand its agricultural output. Rather the nation’s political history of nationalism, the history of military engagement in politics, record of economic depression and the ability to rise from the ashes of political and economic decay is the most unique character of the country. This fourth edition of Historical Dictionary of Ghana covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Ghana.
Author: Agawu
Publisher: Oxford University Press
ISBN: 0197664067
Category : Music
Languages : en
Pages : 233
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Book Description
Written by one of the best-known academic writers on African music, On African Music is a collection of seven essays addressing various techniques, influences, and scholarly approaches to African music. After a concise introduction spelling out the rationale for the book, successive chapters develop answers to questions such as: How does a "minimalist impulse" animate creativity in Africa, and does "Western minimalism" differ from "African minimalism"? How do we explain the prevalence of iconic effects in African expressive forms? How has (European) tonality functioned as a "colonizing force" in African music? Why is the (written) art music of the continent talked about so little when it has been in existence since the middle of the nineteenth century? How might the discipline of music theory be rejuvenated by "aid" from Africa? What are the strengths and limitations of ethnotheory as a methodology? Who is who in theorizations of African rhythm, and how might we explain the shape of the existing archive? This book thus deals with analytical and interpretive issues, the politics of scholarship, and salient features of African music. Laced with provocative viewpoints on each page, On African Music should appeal not only to readers curious about the structural underpinnings of African music but also to those who wish to reflect critically and philosophically on how we study and write about the music of the continent, how we might approach its global status with a firm understanding from the inside, and what our priorities might be in promoting an empowering cosmopolitan discourse.
Author: Lewis Asimeng-Boahene
Publisher: IAP
ISBN: 1641132531
Category : Social Science
Languages : en
Pages : 227
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Book Description
This book, the second in the series, is a distinct exploration of how educational policy makers, curriculum developers, educators, learners and social activists can utilize the hitherto untapped rich resource of African traditional oral literature and visual cultures. These are epistemological reservoirs and invaluable pedagogical tools in the delivery of content in the classrooms of the present global village, most of whom contain diverse student populations from varying backgrounds. The content of the book is thus designed to help expand educators’ repertoire of understanding beyond the hitherto “conventional wisdom”, most of which are either outdated or are colonial impositions on former colonial entities. Our motivation for pulling together this anthology was due to the fact scholars, educators and educational policy makers have hitherto paid little attention to the epistemological and pedagogical value of Traditional Indigenous Knowledge systems (TIKS). Our objective has been largely achieved by this anthology in the sense that the research perspectives of the contributors to this effort have enhanced the hitherto limited exposure and knowledge about traditional oral literature and visual cultures in Africa. The torch that has been lighted from this endeavor heightens the epistemological and pedagogical implications of TIKS. In launching this book, we are extending a clarion call to researchers and disciples of Indigenous Knowledge systems in Africa and elsewhere to seize this opportunity and interest generated by this endeavor to undertake more studies in this area. Our current efforts were focused mainly on Africa TIKS systems, but we strongly believe that there are similar and equally powerful and important TIKS systems in other parts of the world, Asia, the Far East, Central and Southern America as well as the Caribbean that are longing for exploration and exposition. It is therefore our fervent hope that exploration and dissemination of knowledge in this field will continue with the flame lighted from this endeavor. We believe that these efforts will greatly enhance awareness an otherwise neglected and almost forgotten, but important aspects of knowledge creation and dissemination, especially about traditional and hitherto unwritten histories and knowledge systems around the world. These undertakings will help to broaden the conceptualization of what constitutes global knowledge within the current reality of globalization.
