Author: Rick Schmidt
Publisher: Viking Adult
ISBN: 9780670822645
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Independent producer and director Schmidt discusses the techniques of creating and financing low-budget feature films. Since for him the low-budget level hovers around $6,000 his advice is well-directed to both students and beginning professionals who want to test their filmmaking skills. Schmidt starts with the most basic element--the concept of the film itself--and shows how the idea is developed from scripts and other reproduction aspects to actual filming. Editing is discussed along with other post-production activities before the promotional elements of filmmaking are explained. Throughout, Schmidt balances technical considerations and aesthetic issues. A final chapter is devoted to the video format. ISBN 0-670-82264-7: $18.95.
Feature Filmmaking at Used-car Prices
Author: Rick Schmidt
Publisher: Viking Adult
ISBN: 9780670822645
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Independent producer and director Schmidt discusses the techniques of creating and financing low-budget feature films. Since for him the low-budget level hovers around $6,000 his advice is well-directed to both students and beginning professionals who want to test their filmmaking skills. Schmidt starts with the most basic element--the concept of the film itself--and shows how the idea is developed from scripts and other reproduction aspects to actual filming. Editing is discussed along with other post-production activities before the promotional elements of filmmaking are explained. Throughout, Schmidt balances technical considerations and aesthetic issues. A final chapter is devoted to the video format. ISBN 0-670-82264-7: $18.95.
Publisher: Viking Adult
ISBN: 9780670822645
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Independent producer and director Schmidt discusses the techniques of creating and financing low-budget feature films. Since for him the low-budget level hovers around $6,000 his advice is well-directed to both students and beginning professionals who want to test their filmmaking skills. Schmidt starts with the most basic element--the concept of the film itself--and shows how the idea is developed from scripts and other reproduction aspects to actual filming. Editing is discussed along with other post-production activities before the promotional elements of filmmaking are explained. Throughout, Schmidt balances technical considerations and aesthetic issues. A final chapter is devoted to the video format. ISBN 0-670-82264-7: $18.95.
Feature Filmmaking at Used-car Prices
Author: Rick Schmidt
Publisher: Penguin Group
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Offers advice on making an inexpensive feature film; and explains how to select and write a story, assemble a filmmaking team, shoot and edit, market the finished product, deal with agents, and how the Internet and digital technology has revolutionized the film industry.
Publisher: Penguin Group
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Offers advice on making an inexpensive feature film; and explains how to select and write a story, assemble a filmmaking team, shoot and edit, market the finished product, deal with agents, and how the Internet and digital technology has revolutionized the film industry.
Extreme DV at Used-car Prices
Author: Rick Schmidt
Publisher: Penguin
ISBN: 9780142004357
Category : Performing Arts
Languages : en
Pages : 404
Book Description
An award-winning independent filmmaker explains how to create high-quality, inexpensive films with digital video, offering up-to-date information on equipment and software, filmmaking techniques, new experimental effects, and more. Original.
Publisher: Penguin
ISBN: 9780142004357
Category : Performing Arts
Languages : en
Pages : 404
Book Description
An award-winning independent filmmaker explains how to create high-quality, inexpensive films with digital video, offering up-to-date information on equipment and software, filmmaking techniques, new experimental effects, and more. Original.
43 Ways to Finance Your Feature Film
Author: John W. Cones
Publisher: SIU Press
ISBN: 9780809322022
Category : Business & Economics
Languages : en
Pages : 212
Book Description
On film finance
Publisher: SIU Press
ISBN: 9780809322022
Category : Business & Economics
Languages : en
Pages : 212
Book Description
On film finance
The IFILM Digital Video Filmmaker's Handbook
Author: Maxie D. Collier
Publisher: Lone Eagle Publishing Company, LLC
ISBN: 9781580650311
Category : Computers
Languages : en
Pages : 290
Book Description
On digital video
Publisher: Lone Eagle Publishing Company, LLC
ISBN: 9781580650311
Category : Computers
Languages : en
Pages : 290
Book Description
On digital video
Writing the Character-Centered Screenplay, Updated and Expanded edition
Author: Andrew Horton
Publisher: Univ of California Press
ISBN: 9780520924178
Category : Performing Arts
Languages : en
Pages : 260
Book Description
"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
Publisher: Univ of California Press
ISBN: 9780520924178
Category : Performing Arts
Languages : en
Pages : 260
Book Description
"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
Secrets of Clay Animation Revealed
Author: Marc Spess
Publisher: Lulu.com
ISBN: 9298910169
Category : Animation (Cinematography)
Languages : en
Pages : 223
Book Description
Publisher: Lulu.com
ISBN: 9298910169
Category : Animation (Cinematography)
Languages : en
Pages : 223
Book Description
Dogme Uncut
Author: Jack Stevenson
Publisher: Santa Monica Press
ISBN: 1595807632
Category : Performing Arts
Languages : en
Pages : 223
Book Description
In 1995, Danish filmmaker Lars von Trier (Breaking the Waves, Dancer in the Dark, Dogville) and three fellow Danish directors swore allegiance to a “vow of chastity” aimed at jolting filmmakers around the world who had become stuck in the mire of slick, emotionally manipulative, high-concept, and bombastic movie productions. They named their philosophy “Dogme95,” and its tenets demanded a return to the basic core of filmmaking: the use of natural lighting and a hand-held camera, and the refusal to use special effects, a soundtrack of any kind (only natural sounds found on location were acceptable), and movie sets (all shooting was to take place on location). Like the French New Wave and 1960s American Underground film movements, Dogme had a profound affect on filmmaking around the world, including the sacred cow known as “Hollywood.” In part because of the proliferation of relatively inexpensive digital cameras and technology, the movement resonated with young and independent filmmakers, creating a surge in back-to-the-basics, guerilla filmmaking. It also had a profound influence on everything from Hollywood filmmakers to dance choreographers to computer game manufacturers. The list of films and filmmakers to come out of the Dogme movement reads like a who’s who of art-house cinema from the late-1990s and early-2000s: the aforementioned Lars von Trier, Thomas Vinterberg (The Celebration), Harmony Korine (Julien Donkey-Boy), Lone Scherfig (Italian for Beginners), and Susanne Bier (Open Hearts), among many others. Dogme Uncut is written by film journalist and historian Jack Stevenson, who, while living in Demark for the past decade, has had a true insider’s view of the Dogme movement from its conception to its early triumphs to its current incarnation. With a good deal of humor and fascinating insights, Stevenson brings a mixture of history, analysis, and reportage to bear on the eight-year-old film movement, examining the subject from multiple perspectives. Dogme’s debt to previous film “waves” is explored, as is the impact Dogme itself has had on current trends in cinema and on today’s young filmmakers. Penned in a lively, accessible, and jargon-free style, Dogme Uncut is a richly illustrated survey of the entire Dogme canon that is both entertaining and hugely informative.
Publisher: Santa Monica Press
ISBN: 1595807632
Category : Performing Arts
Languages : en
Pages : 223
Book Description
In 1995, Danish filmmaker Lars von Trier (Breaking the Waves, Dancer in the Dark, Dogville) and three fellow Danish directors swore allegiance to a “vow of chastity” aimed at jolting filmmakers around the world who had become stuck in the mire of slick, emotionally manipulative, high-concept, and bombastic movie productions. They named their philosophy “Dogme95,” and its tenets demanded a return to the basic core of filmmaking: the use of natural lighting and a hand-held camera, and the refusal to use special effects, a soundtrack of any kind (only natural sounds found on location were acceptable), and movie sets (all shooting was to take place on location). Like the French New Wave and 1960s American Underground film movements, Dogme had a profound affect on filmmaking around the world, including the sacred cow known as “Hollywood.” In part because of the proliferation of relatively inexpensive digital cameras and technology, the movement resonated with young and independent filmmakers, creating a surge in back-to-the-basics, guerilla filmmaking. It also had a profound influence on everything from Hollywood filmmakers to dance choreographers to computer game manufacturers. The list of films and filmmakers to come out of the Dogme movement reads like a who’s who of art-house cinema from the late-1990s and early-2000s: the aforementioned Lars von Trier, Thomas Vinterberg (The Celebration), Harmony Korine (Julien Donkey-Boy), Lone Scherfig (Italian for Beginners), and Susanne Bier (Open Hearts), among many others. Dogme Uncut is written by film journalist and historian Jack Stevenson, who, while living in Demark for the past decade, has had a true insider’s view of the Dogme movement from its conception to its early triumphs to its current incarnation. With a good deal of humor and fascinating insights, Stevenson brings a mixture of history, analysis, and reportage to bear on the eight-year-old film movement, examining the subject from multiple perspectives. Dogme’s debt to previous film “waves” is explored, as is the impact Dogme itself has had on current trends in cinema and on today’s young filmmakers. Penned in a lively, accessible, and jargon-free style, Dogme Uncut is a richly illustrated survey of the entire Dogme canon that is both entertaining and hugely informative.
Breakfast with Sharks
Author: Michael Lent
Publisher: Crown Archetype
ISBN: 0307419967
Category : Performing Arts
Languages : en
Pages : 306
Book Description
What They Didn’t Teach You in Your Screenwriting Course Screenwriters, listen up! Breakfast with Sharks is not a book about the craft of screenwriting. This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system. Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today. Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no. Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.
Publisher: Crown Archetype
ISBN: 0307419967
Category : Performing Arts
Languages : en
Pages : 306
Book Description
What They Didn’t Teach You in Your Screenwriting Course Screenwriters, listen up! Breakfast with Sharks is not a book about the craft of screenwriting. This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system. Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today. Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no. Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.
The Everything Filmmaking Book
Author: Barb Karg
Publisher: Simon and Schuster
ISBN: 1605502898
Category : Performing Arts
Languages : en
Pages : 372
Book Description
Filmmaking is a notoriously difficult field to break into—a script’s chance of making it to production is a staggering 1 in every 140,000. But the millions of aspiring filmmakers can up their odds with The Everything Filmmaking Book. This engaging, easy-to-follow guide takes readers step-by-step through the filmmaking process, including: -Writing a marketable script -Understanding all aspects of pre-production -Shooting on location -Working with the cast -Editing and post-production -Distributing the finished film The Everything Filmmaking Book is the perfect guide for future Spielbergs everywhere!
Publisher: Simon and Schuster
ISBN: 1605502898
Category : Performing Arts
Languages : en
Pages : 372
Book Description
Filmmaking is a notoriously difficult field to break into—a script’s chance of making it to production is a staggering 1 in every 140,000. But the millions of aspiring filmmakers can up their odds with The Everything Filmmaking Book. This engaging, easy-to-follow guide takes readers step-by-step through the filmmaking process, including: -Writing a marketable script -Understanding all aspects of pre-production -Shooting on location -Working with the cast -Editing and post-production -Distributing the finished film The Everything Filmmaking Book is the perfect guide for future Spielbergs everywhere!