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Author: William Empson
Publisher: Oxford, UK ; New York, NY, USA : B. Blackwell
ISBN: 9780631156758
Category : Literary Collections
Languages : en
Pages : 226
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Book Description
Analyzes Marlowe's Doctor Faustus, argues that the original text was subjected to religious censorship, and speculates on the original theme of the play
Author: William Empson
Publisher: Oxford, UK ; New York, NY, USA : B. Blackwell
ISBN: 9780631156758
Category : Literary Collections
Languages : en
Pages : 226
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Book Description
Analyzes Marlowe's Doctor Faustus, argues that the original text was subjected to religious censorship, and speculates on the original theme of the play
Author: E. A. Bucchianeri
Publisher: AuthorHouse
ISBN: 1434390608
Category :
Languages : en
Pages : 438
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Book Description
A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who lived to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his brother-in-law. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussions on Christopher Marlowes famous drama and his atheistic rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessings unfinished Faust drama. Volume II features: A unique, in-depth account of Johann Wolfgang von Goethes masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed explanations of Goethes hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations.
Author: Christa Knellwolf King
Publisher: Routledge
ISBN: 1351936913
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Having identified the literary origins of the Faustus legend in the German Faust Book (1587) and its English translation (1592), this book argues that these works transformed a simple rogue's tale into an incisive study of morality and beliefs. The chapbooks' contrastive portrayal of an imaginary experience of hell and a pseudo-scientific journey through the cosmos is interpreted as an unconventional approach to the questions of an inquiring mind. This study offers the first analysis of the chapbooks as literary works in their own right, as opposed to simply being sources for Christopher Marlowe's play. It is also the first study to describe the Faustus typology as a vehicle by which uncompromising thinkers of early modernity and the Enlightenment questioned contemporary views about religion, morality and the possibility of experiencing transcendence. While arguing that Marlowe's Doctor Faustus primarily examines the imaginary foundations of religious rules and standards, the author suggests that the 1616 version of the play revived the chapbooks' accounts of spiritual ravishment and intellectual ecstasy. Imaginary explorations of cosmic space became popular in the seventeenth century and gave rise to strongly diverging works of literature, embracing the arcane spirituality of Milton's Paradise Lost as well as Fontenelle's sociable but essentially secular fantasy of cosmic travel. This book shows that contemporary responses to early modern science also tended to address the most urgent concerns of the Faustus legend, explaining the re-emergence of the typology in Mountfort's late seventeenth-century farcical Faustus play and early eighteenth-century harlequinades about Doctor Faustus
Author: Neil Rhodes
Publisher: Palgrave Macmillan
ISBN: 9780312084219
Category : History
Languages : en
Pages : 262
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Book Description
This book is an ambitious critical investigation of the idea of eloquence as it informs classical and Renaissance thinking about literature.
Author: Sara Munson Deats
Publisher: Routledge
ISBN: 1317166477
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
There has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classical influences on Marlowe and the ways in which Marlowe has interacted with other contemporary writers, including his influence on those who came after him. The volume has appeal not only to students and scholars of Marlowe but to anyone interested in Renaissance drama and poetry. Moreover, the significance for readers lies in the contributors’ approaches as well as in their content. Interest in the biography of Christopher Marlowe and in his works has bourgeoned since the turn of the century. It therefore seems especially appropriate at this time to present a comprehensive assessment of past and present traditional and innovative lines of inquiry and to look forward to future developments.
Author: Emily C. Bartels
Publisher: University of Pennsylvania Press
ISBN: 1512801003
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Selected by Choice magazine as an Outstanding Academic Title Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use—and subversion—of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society.
Author: Maggie Vinter
Publisher: Fordham Univ Press
ISBN: 082328428X
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Last Acts argues that the Elizabethan and Jacobean theater offered playwrights, actors, and audiences important opportunities to practice arts of dying. Psychoanalytic and new historicist scholars have exhaustively documented the methods that early modern dramatic texts and performances use to memorialize the dead, at times even asserting that theater itself constitutes a form of mourning. But early modern plays also engage with devotional traditions that understand death less as an occasion for suffering or grief than as an action to be performed, well or badly. Active deaths belie narratives of helplessness and loss through which mortality is too often read and instead suggest how marginalized and constrained subjects might participate in the political, social, and economic management of life. Some early modern strategies for dying resonate with descriptions of politicized biological life in the recent work of Giorgio Agamben and Roberto Esposito, or with ecclesiastical forms. Yet the art of dying is not solely a discipline imposed upon recalcitrant subjects. Since it offers suffering individuals a way to enact their deaths on their own terms, it discloses both political and dramatic action in their most minimal manifestations. Rather than mournfully marking what we cannot recover, the practice of dying reveals what we can do, even in death. By analyzing representations of dying in plays by Marlowe, Shakespeare, and Jonson, alongside devotional texts and contemporary biopolitical theory, Last Acts shows how theater reflects, enables, and contests the politicization of life and death.
Author: Anannya Dasgupta
Publisher: Routledge
ISBN: 1000417484
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Author: Sukanta Chaudhuri
Publisher: Anthem Press
ISBN: 1843318202
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
Arun Kumar Das Gupta taught English literature for over 40 years, first at Presidency College, Kolkata, and then at the University of Calcutta. His interpretations of Western literature and thought, particularly of the Renaissance, shaped a whole generation of students. Some of them have produced this volume of essays in tribute to their mentor. Two essays directly address the intellectual milieu of the European Renaissance. Sukanta Chaudhuri examines the unusual merger of modes and registers in Renaissance philosophic discourse, while Niranjan Goswami looks at a particular example of Ramist practice. The other pieces relate to English writers and works, notably Shakespeare and Milton, in a wider perspective of Renaissance concerns and general critical issues. Abhijit Sen analyses the stage and verbal imagery in Macbeth. Supriya Chaudhuri and Paromita Chakraborty take King Lear as their point of departure. Chaudhuri brings out the full conceptual implications of the Dover Cliff scene, while Chakraborty dissects the play’s sexual imagery. Swapan Chakravorty takes in a wide range of dramatic and non-dramatic texts in his survey of reading on the Early Modern stage. Amlan Das Gupta studies the Miltonic simile, specifically in Paradise Lost Book IV. Finally, Malabika Sarkar reads Samson Agonistes in a context of magic and alchemy to draw out some implications deeply relevant at the present time.
Author: Michael Mitchell
Publisher: Rodopi
ISBN: 9042021101
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the 'scientific' world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how Doctor Faustus reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition informs the work of 'Magus' figures such as Pico della Mirandola, Marcilio Ficino, Trithemius, Johannes Reuchlin, Agrippa of Nettesheim, Paracelsus and John Dee, who are reflected in the Faust tradition and in Prospero in Shakespeare's The Tempest. The second part investigates the dual legacy of the Magus. A counterpoint between a law-governed objective material world and an occult visionary pursuit of the divine potential of the human imagination is traced through the examples of Johan Kepler, Robert Fludd, Isaac Newton, William Blake, Rudyard Kipling, Aleister Crowley, W.B. Yeats, Wolfgang Pauli and C.G. Jung. In the third part, textual analysis reveals how attention to these Faustian themes opens new and exciting critical perspectives in appreciating the works of postcolonial writers, in particular Dimetos by Athol Fugard, Disappearance by David Dabydeen, Omeros by Derek Walcott, and the novels of Wilson Harris.
