Faulkner and the Craft of Fiction PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Faulkner and the Craft of Fiction PDF full book. Access full book title Faulkner and the Craft of Fiction by Doreen Fowler. Download full books in PDF and EPUB format.
Author: Doreen Fowler
Publisher: Univ. Press of Mississippi
ISBN: 1628468599
Category : Literary Collections
Languages : en
Pages : 256
Get Book Here
Book Description
In 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “trying to say.” The contributors, authorities on Faulkner's narrative, offer a wide variety of critical approaches to Faulkner's fiction-writing process. Cleanth Brooks, for example, applies the strategies of New Criticism to Faulkner's rendering of the heroic and pastoral modes; Judith L. Sensibar attempts to locate biographical sources for repeated Faulknerian paradigms; and Philip M. Weinstein draws on the theories of the Marxist Althusser and the French psychoanalyst Lacan. The topics examined are similarly wide-ranging.
Author: Doreen Fowler
Publisher: Univ. Press of Mississippi
ISBN: 1628468599
Category : Literary Collections
Languages : en
Pages : 256
Get Book Here
Book Description
In 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “trying to say.” The contributors, authorities on Faulkner's narrative, offer a wide variety of critical approaches to Faulkner's fiction-writing process. Cleanth Brooks, for example, applies the strategies of New Criticism to Faulkner's rendering of the heroic and pastoral modes; Judith L. Sensibar attempts to locate biographical sources for repeated Faulknerian paradigms; and Philip M. Weinstein draws on the theories of the Marxist Althusser and the French psychoanalyst Lacan. The topics examined are similarly wide-ranging.
Author: Peter Lurie
Publisher: JHU Press
ISBN: 0801879299
Category : Literary Criticism
Languages : en
Pages : 254
Get Book Here
Book Description
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
Author: William Faulkner
Publisher:
ISBN:
Category : Fantasy
Languages : en
Pages : 100
Get Book Here
Book Description
A strange boy with red hair leads a birthday-girl and her companions on a hunt for the wishing tree which brings them many suprising and magical adventures.
Author: Gene D. Phillips
Publisher: Univ. of Tennessee Press
ISBN: 9781572331662
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
Noted film historian Gene Phillips (English, Loyola U.-Chicago) traces the successes and frustrations in Faulkner's screenwriting career, exploring parallels between his film work and his career as a novelist. Includes a filmography and bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stefan Solomon
Publisher: University of Georgia Press
ISBN: 0820351148
Category : Performing Arts
Languages : en
Pages : 320
Get Book Here
Book Description
A scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screenwriting process (a craft he never favored or admired), he offers insights into Faulkner’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast “hack writer” but always both at once. Solomon’s study shows that Faulkner’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.
Author: William Faulkner
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 25
Get Book Here
Book Description
Author: Grant Faulkner
Publisher: Chronicle Books
ISBN: 1452161712
Category : Language Arts & Disciplines
Languages : en
Pages : 258
Get Book Here
Book Description
“Will leave you feeling happier, bolder, and ridiculously excited about diving back into your writing projects.” —Chris Baty, author of No Plot? No Problem! and founder of NaNoWriMo Every writer knows that as rewarding as the creative process is, it can often be a bumpy road. Have hope and keep at it! Designed to kick-start creativity, this handbook from the executive director of National Novel Writing Month (NaNoWriMo) gathers a wide range of insights and advice for writers at any stage of their career. From tips about how to finally start that story to helpful ideas about what to do when the words just aren’t quite coming out right, Pep Talks for Writers provides motivation, encouragement, and helpful exercises for writers of all stripes.
Author: James Ferguson
Publisher: Univ. of Tennessee Press
ISBN: 9780870496950
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
This comprehensive overview of William Faulkner's short fiction is a systematic study of this body of work, which Faulkner produced over a period of forty years. The author examines Faulkner's struggle to master the special problems posed by the genre. The book is organized topically. A chronological survey of Faulkner's career as a writer of short fiction is followed by chapters devoted to aspects of Faulkner's craft: thematic patterns, points of view, and other technical and formal patterns. The author offers a frank assessment of Faulkner's failures and successes as a writer of short fiction.
Author: William Faulkner
Publisher:
ISBN:
Category :
Languages : en
Pages : 11
Get Book Here
Book Description
Author: Peter Swiggart
Publisher: University of Texas Press
ISBN: 0292769377
Category : Literary Criticism
Languages : en
Pages : 241
Get Book Here
Book Description
To say that the entirety of human experience can be a novelist’s theme is to voice an absurdity. But, as Peter Swiggart convincingly argues, Faulkner’s work can be viewed as an extraordinary attempt to transform the panorama of man’s social experience into thematic material. Faulkner’s two-dimensional characters, his rhetorical circumlocutions, and his technical experiments are efforts to achieve a dramatic focus upon material too unwieldy, at least in principle, for any kind of fictional condensation. Faulkner makes use of devices of stylization that apply to virtually every aspect of his successful novels. For example, the complex facts of Southern history and culture are reduced to the scale of a simplified and yet grandiose social mythology: the degeneration of the white aristocracy, the rise of Snopesism, and the white Southerner’s gradual recognition of his latent sense of racial guilt. Within Faulkner’s fictional universe, human psychology takes the form of absolute distinctions between puritan and nonpuritan characters, between individuals corrupted by moral rationality and those who are simultaneously free of moral corruption and social involvement. In this way Faulkner is able to create the impression of a comprehensive treatment of important social concerns and universal moral issues. Like Henry James, he makes as much as he can of clearly defined dramatic events, until they seem to echo the potential complexity and depth of situations outside the realm of fiction. When this technique is successful the reader is left with the impression that he knows a Faulkner character far better than he could know an actual person. At the same time, the character retains the atmosphere of complexity and mystery imposed upon it by Faulkner’s handling of style and structure. This method of characterization reflects Faulkner’s simplifications of experience and yet suggests the inadequacy of any rigid interpretation of actual behavior. The reader is supplied with special eyeglasses through which the tragedy of the South, as well as humanity’s general inhumanity to itself, can be viewed in a perspective of simultaneous mystery and symbolic clarity.
