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Author: Doreen Fowler
Publisher: Univ. Press of Mississippi
ISBN: 1628468599
Category : Literary Collections
Languages : en
Pages : 256
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Book Description
In 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “trying to say.” The contributors, authorities on Faulkner's narrative, offer a wide variety of critical approaches to Faulkner's fiction-writing process. Cleanth Brooks, for example, applies the strategies of New Criticism to Faulkner's rendering of the heroic and pastoral modes; Judith L. Sensibar attempts to locate biographical sources for repeated Faulknerian paradigms; and Philip M. Weinstein draws on the theories of the Marxist Althusser and the French psychoanalyst Lacan. The topics examined are similarly wide-ranging.
Author: Doreen Fowler
Publisher: Univ. Press of Mississippi
ISBN: 1628468599
Category : Literary Collections
Languages : en
Pages : 256
Get Book Here
Book Description
In 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “trying to say.” The contributors, authorities on Faulkner's narrative, offer a wide variety of critical approaches to Faulkner's fiction-writing process. Cleanth Brooks, for example, applies the strategies of New Criticism to Faulkner's rendering of the heroic and pastoral modes; Judith L. Sensibar attempts to locate biographical sources for repeated Faulknerian paradigms; and Philip M. Weinstein draws on the theories of the Marxist Althusser and the French psychoanalyst Lacan. The topics examined are similarly wide-ranging.
Author: Stefan Solomon
Publisher:
ISBN: 9780820357898
Category :
Languages : en
Pages : 0
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Book Description
During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for studios, including MGM, 20th Century-Fox, and Warner Bros., and was credited on such classic films as The Big Sleep and To Have and Have Not. The scripts that Faulkner wrote for film--and, later on, television--constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon not only analyzes the majority of these scripts but compares them to the novels and short stories Faulkner was writing at the same time. Solomon's aim is to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner as a screenwriter and Faulkner as a high modernist, Nobel Prize-winning author. Faulkner's Hollywood sojourns took place during a period roughly bounded by the publication of Light in August (1932) and A Fable (1954) and that also saw the publication of Absalom, Absalom!; Go Down, Moses; and Intruder in the Dust. As Solomon shows Faulkner attuning himself to the idiosyncrasies of the screen-writing process (a craft he never favored or admired), he offers insights into Faulkner's compositional practice, thematic preoccupations, and understanding of both classic cinema and the emerging medium of television. In the midst of this complex exchange of media and genres, much of Faulkner's fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author, sensitive to the different demands of each. Faulkner was never simply the southern novelist or the West Coast "hack writer" but always both at once. Solomon's study shows that Faulkner's screenplays are crucial in any consideration of his far more esteemed fiction--and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.
Author: Grant Faulkner
Publisher:
ISBN: 9781941209202
Category : Fiction
Languages : en
Pages : 107
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Book Description
Grant Faulkner's sharply observed, darkly funny, heart-breaking bursts of highly compressed prose offers a startling view of what reality might look like through a funhouse microscope. Fissures pushes the boundaries of flash prose, and thank goodness for that. Sometimes less is so much more. -Dinty W. Moore, author of Dear Mister Essay Writer Guy: Advice and Confessions on Writing, Love, and Cannibals
Author: Richard C. Moreland
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Throughout his career Faulkner retold some of the same stories about some of the same events and characters, but retold them differently. For many years now these rewritings and revisions have been judged failures of craft. But Faulkner knew they were there and defended his discrepancies, associating them with learning about human character. Richard Moreland argues that these revisionary repetitions in fact constitute Faulkner's conscious critique of modernism. Moreland's readings of Absalom! Absalom!, The Hamlet, Go Down, Moses Requiem for a Nun and other works reveal Faulkner's explorations of both the motivations and consequences of modernism in the context of America's dominant discourses of class, race, gender and sexuality.
Author: Peter Lurie
Publisher: Univ. Press of Mississippi
ISBN: 1626743363
Category : Literary Collections
Languages : en
Pages : 371
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Book Description
Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classic Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels—or the ways in which they ask readers to see as well as feel his world—have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.
Author: William Faulkner
Publisher: Modern Library
ISBN: 1588363511
Category : Literary Collections
Languages : en
Pages : 383
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Book Description
An essential collection of William Faulkner’s mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner’s Nobel Prize acceptance speech, a review of Hemingway’s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay “On Criticism” and the beguiling “Note on A Fable.” It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner’s brilliant non-fiction work, and a rare look into the life of an American master.
Author: Frederick Landis Gwynn
Publisher: Rutgers University Press
ISBN: 9780813916125
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
In 1957 and 1958 William Faulkner was Writer-in-Residence at the University of Virginia. During that time he held thirty-seven conferences and answered over two thousand questions on a wide range of concerns, from exegetic problems in his novels to the role of the writer in modern society. Almost every word was recorded on tape, and the result is the classic Faulkner in the University, originally published in 1959 and now available for the first time in a paperback edition. The material collected here offers testimony to some fascinating exchanges between the author and his public and makes up one of the few sourcebooks available on Faulkner's personal views. As the writer himself commented, "These are questions answered without rehearsal or preparation, by a man old enough in the craft of the human heart to have learned that there are no definitive answers to anything, yet still young enough in spirit to believe that truth may still be found provided one seeks enough, tests and discards, and still tries again".
Author: Michael Gorra
Publisher: Liveright Publishing
ISBN: 1631491717
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
A “timely and essential” (New York Times Book Review) reconsideration of William Faulkner’s life and legacy that vitally asks, “How should we read Faulkner today?” With this “rich, complex, and eloquent” (Drew Gilpin Faust, Atlantic) work, Pulitzer Prize finalist Michael Gorra charts the evolution of an author through his most cherished—and contested—novels. Given the undeniable echoes of “Lost Cause” romanticism in William Faulkner’s fiction, as well as his depiction of Black characters and Black speech, Gorra argues convincingly that Faulkner demands a sobering reevaluation. Upending previous critical traditions and interweaving biography, literary criticism, and rich travelogue, the widely acclaimed The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.
Author: Loren C. Eiseley
Publisher: U of Nebraska Press
ISBN: 9780803267398
Category : Science
Languages : en
Pages : 212
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Book Description
Loren Eiseley examines what we as a species have become in the late twentieth century. His illuminating and accessible discussion is a characteristically skilful and compelling synthesis of hard scientific theory, factual evidence, personal anecdotes, haunting reflection, and poetic prose.
Author: William Faulkner
Publisher:
ISBN:
Category : Fantasy
Languages : en
Pages : 100
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Book Description
A strange boy with red hair leads a birthday-girl and her companions on a hunt for the wishing tree which brings them many suprising and magical adventures.
