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Author: Mark Thomas McGee
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 366
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Book Description
History of the AIP studio, famous for its cheap horror films and beach flicks.
Author: Mark Thomas McGee
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 366
Get Book Here
Book Description
History of the AIP studio, famous for its cheap horror films and beach flicks.
Author: Mark Thomas McGee
Publisher: McFarland
ISBN: 9780786467341
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
In 1984 Mr. McGee wrote ("very well"--Choice) the acclaimed Fast and Furious, a history of American International Pictures. But, as McGee wrote us in his out of the blue offer to do a bigger and better, "Because of my unnatural interest, I've never stopped." The result of his ceaseless efforts can be found in this updated and expanded look at AIP. From the time Sam Arkoff and Jim Nicholson founded the company, they dominated the low-budget film market with such teen-oriented movies as Beach Party, The Wild Angels and I Was a Teenage Werewolf. Their movies were frowned on by critics not because they were terrible (which they mostly were) but because they were so shameless in their intent--to make money. This new work includes the most comprehensive AIP filmography ever assembled, as well as many new photographs not included in the earlier work.
Author: Eddie Paul
Publisher: Motorbooks
ISBN: 9780760315514
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Behind-the-scenes photographs profile the cars featured in the movie "The Fast and the Furious" and describe how the stunts were performed.
Author: Kris Palmer
Publisher: Motorbooks
ISBN: 9780760325681
Category : Transportation
Languages : en
Pages : 125
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Book Description
Offers a close-up, detailed look at the cars in "The Fast and the Furious" series and includes descriptions of the stunts, insights into how each car was built and modified for filming, and interviews with directors and stunt coordinators.
Author: Margaret Parrish
Publisher: TickTock Books
ISBN: 9781848988217
Category : Speed record holders
Languages : en
Pages : 95
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Book Description
Discover the world's fastest cars, planes, superbikes and boats, now brought together in one fantastic book. These phenomenal machines are the best of their kind: the biggest, fastest, costliest, thirstiest and most outrageous vehicles on water, in the air and on the open road.With fantastic photography and brilliant eye-catching design, this series is a must-have for fact-hungry readers everywhere.
Author: Jordan Gershowitz
Publisher: Penguin
ISBN: 0593097556
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
Join the cast of Netflix's Fast & Furious: Spy Racers, for hours of high-speed fun! With profiles, statistics, new facts, and bits of information about your favorite racers, this is the perfect introduction to the new Netflix animated series. Get a crash course in all things gears, gadgets, characters, and cars in this introductory handbook, featuring favorite characters from Netflix's original animated series Fast & Furious: Spy Racers, set in the Fast and the Furious world.
Author: Kevin Heffernan
Publisher: Duke University Press
ISBN: 0822385554
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.
Author: Daniel Bernardi
Publisher: Routledge
ISBN: 1135976457
Category : Performing Arts
Languages : en
Pages : 417
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Book Description
The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.
Author: Sharon Powell
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Do you like the franchise Fast and Furious? If yes, then you have come to the right place. For almost two decades, the series has been unwinding before us. With an underlying emphasis on the meaning of family, it is quite engaging. Characters like Dom and Brian speak to everyone on a personal level. Taking inspiration from the movies, this book has the perfect selection of all the experiences and tastes. From soothing beverages to decadent dessert choices, you can explore the variety. It is like a street race but better. You will be able to taste the adrenaline during a high-speed chase, as well as the flavor of winning. It also offers the taste of the east, and the west clubbed together. You will experience the perfect symphony of flavors and condiments. In actual character, cooking and road-rage fired action are not that different. The experience is as important as a result. This book covers a spectrum of recipes, from easy-to-make to effort-demanding, but all of them pack unique flavors. Much like the movies themselves, these recipes are for family consumption. Hopefully, you will be able to bond with these dishes and keep coming back for more.
Author: Helen Wells
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409430896
Category : Technology & Engineering
Languages : en
Pages : 248
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Book Description
The Fast and The Furious: Drivers, Speed Cameras and Control in a Risk Society offers an explanation for the continued debate about one road safety intervention - the speed camera - by situating that debate within contemporary literature about the 'risk society' (Beck, 1992) and more broadly understood experiences of risk faced on a daily basis by drivers. Rather than a focus on risk as something that can be objectively assessed, measured and managed separately from the social context in which it is encountered, it suggests that 'risk' is something that permeates this particular debate from every angle.
