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Author: Maria DiBattista
Publisher: Yale University Press
ISBN: 030013388X
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
Author: Maria DiBattista
Publisher: Yale University Press
ISBN: 030013388X
Category : Performing Arts
Languages : en
Pages : 381
Get Book Here
Book Description
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
Author: Maria DiBattista
Publisher: John Wiley & Sons
ISBN: 1444351559
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Novel Characters offers a fascinating and in-depth history of the novelistic character from the “birth of the novel” in Don Quixote, through the great canonical works of the nineteenth and twentieth centuries, to the most influential international novels of the present day An original study which offers a unique approach to thinking about and discussing character Makes extensive reference to both traditional and more recent and specialized academic studies of the novel Provides a critical vocabulary for understanding how the novelistic conception of character has changed over time. Examines a broad range of novels, cultures, and periods Promotes discussion of how different cultures and times think about human identity, and how the concept of what a character is has changed over time
Author: Glencoe Staff
Publisher:
ISBN: 9780026592307
Category :
Languages : en
Pages :
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Book Description
Witty and brash, the fast-talking dames in film comedies of the 1930s and 1940s offered moviegoers a new, independent version of American womanhood. In this volume, Maria DiBattista paints portraits of the grandest fast-talking dames of the era, including Katharine Hepburn, Irene Dunne and Barbara Stanwyck, and discusses what their films had to say about men, happiness and the power of speech.
Author: Philippa Gates
Publisher: State University of New York Press
ISBN: 1438434065
Category : Performing Arts
Languages : en
Pages : 419
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Book Description
Finalist for the 2012 Edgar Award in the Best Critical/Biographical Category presented by the Mystery Writers of America In this extensive and authoritative study of over 300 films, Philippa Gates explores the "woman detective" figure from her pre-cinematic origins in nineteenth century detective fiction through her many incarnations throughout the history of Hollywood cinema. Through the lens of theories of gender, genre, and stardom and engaging with the critical concepts of performativity, masquerade, and feminism, Detecting Women analyzes constructions of the female investigator in the detective genre and focuses on the evolution of her representation from 1929 to today. While a popular assumption is that images of women have become increasingly positive over this period, Gates argues that the most progressive and feminist models of the female detective exist in mainstream film's more peripheral products such as 1930's B-picture and 1970's Blaxploitation films. Offering revisions and new insights into peripheral forms of mainstream film, Gates explores this space that allows a fantasy of resolution of social anxieties about crime and, more interestingly, gender, in the 20th and early 21st centuries. The author's innovative, engaging, and capacious approach to this important figure within feminist film history breaks new ground in the field of gender and film studies.
Author: Heidi Wilkins
Publisher: Edinburgh University Press
ISBN: 1474406904
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
Author: Christina Rice
Publisher: University Press of Kentucky
ISBN: 0813144396
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
The forgotten screen legend who made Hollywood history by challenging the all-powerful studio system is revealed in this first full-length biography. Seemingly destined for A-list fame, Ann Dvorak was touted as “Hollywood’s New Cinderella” after film mogul Howard Hughes cast her in the 1932 gangster film Scarface. But Dvorak’s journey to superstardom was derailed when she walked out on her contractual obligations to Warner Bros. for an extended honeymoon. Ann Dvorak: Hollywood’s Forgotten Rebel explores the life and career of one of the first individuals who dared to challenge the studio system. Dvorak reached her pinnacle during the early 1930s, when the film industry was relatively uncensored and free to produce movies with more daring storylines. She played several female leads in films including The Strange Love of Molly Louvain, Three on a Match, and Heat Lightning, but after her walk-out, Warner Bros retaliated by casting her in less significant roles. Following the casting conflicts and illness, Dvorak filed a lawsuit against the Warner Bros. studio, setting a precedent for other stars who eventually followed suit. In this insightful memoir, Christina Rice explores the spirited rebellion of a talented actress whose promising career fell victim to the studio empire.
Author: Sandra Scoppettone
Publisher: Ballantine Books
ISBN: 0345484584
Category : Fiction
Languages : en
Pages : 284
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Book Description
"I didn’t start out to be a private eye. I thought I was gonna be a secretary–get my boss his java in the morning, take letters, and so on. Hell, I didn’t get my degree in steno to put my life on the line. It was true I wanted an interesting job, but that I’d end up a PI myself . . . it never entered my mind." New York, 1943. Almost anything in pants has gone to serve Uncle Sam in the war–including Woody Mason, the head of a detective agency in midtown Manhattan. Left to run the show is his secretary, Faye Quick, who signed on to be a steno, not a shamus. At twenty-six and five foot four, there’s not much to Faye, but she’s got moxie–which she’ll need when she stumbles over a dead girl in the street and takes on her first murder case. This victim wasn’t any ordinary girl. Claudette West was a student at NYU and the daughter of a Park Avenue family. Faye, who lives in bohemian Greenwich Village–where no one cares how you look–ventures uptown, where people care enough about money to kill for it. Claudette’s father is convinced greed was the motive, and that Claudette’s working-class boyfriend, Richard Cotten, killed the girl because she threw him off the gravy train. Faye, however, isn’t so sure, not when she learns about all the other men Claudette was secretly seeing–from her lecherous literature professor to an apparent con artist. For Faye, there are more shocking surprises in store than turns and dips in the Coney Island Cyclone. Going after the bad guys and fighting a good fight on the home front, Faye is as scrappy and endearing as any character Sandra Scoppettone has ever created, and This Dame for Hire’s period setting is rendered so real you can hear the big band music, see the nylons and fedoras, and feel the rumble of the Third Avenue El. When it comes to an irresistible detective and a riveting new series, you must remember this: Here’s looking at Faye Quick.
Author: Lauren Graham
Publisher: Ballantine Books
ISBN: 0425285189
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
NEW YORK TIMES BESTSELLER • In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood—along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again. With a new bonus chapter In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, “Did you, um, make it?” She opens up about the challenges of being single in Hollywood (“Strangers were worried about me; that’s how long I was single!”), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway (“It’s like I had a fashion-induced blackout”). In “What It Was Like, Part One,” Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay “What It Was Like, Part Two” reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she’s aware that meeting guys at awards shows has its pitfalls (“If you’re meeting someone for the first time after three hours of hair, makeup, and styling, you’ve already set the bar too high”), and she’s a card-carrying REI shopper (“My bungee cords now earn points!”). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and—of course—talking as fast as you can.
Author: Catherine Keyser
Publisher: Rutgers University Press
ISBN: 0813547865
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
"With a sense of humor and style, and a smartness of her own, Keyser takes up the cause and the career of a `smart' set of women writers who made a distinct mark on modern American culture."---Maria DiBattista, author of Fast-Talking Dames --
Author: Maria DiBattista
Publisher: Princeton University Press
ISBN: 0691138125
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Answers the question, 'how does one read an author', by undertaking an experiment in critical biography. This book provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers
