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Author: Janine Hatter
Publisher: New Paths in Victorian Literature and Culture
ISBN: 9781912224685
Category : Clothing and dress
Languages : en
Pages : 0
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Book Description
This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life. The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes. This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture. As an aesthetic medium, fashion expresses a person's life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved. Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext. Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume's multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress. The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion's multiple performances as depicted in text, image and design. Part 1, 'Fashion and Hierarchies of Knowledge' examines how periodicals, journalism and couture established 'fashion' as a discipline. Part 2's 'Artistic Engagement with Fashion's Material Culture' focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity. Part 3, 'Conduct and Clothing', considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour. Part 4, 'Consumption and Fashionable Performance', examines periodicals, genres and drama as performative in their own right.
Author: Janine Hatter
Publisher: New Paths in Victorian Literature and Culture
ISBN: 9781912224685
Category : Clothing and dress
Languages : en
Pages : 0
Get Book Here
Book Description
This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life. The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes. This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture. As an aesthetic medium, fashion expresses a person's life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved. Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext. Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume's multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress. The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion's multiple performances as depicted in text, image and design. Part 1, 'Fashion and Hierarchies of Knowledge' examines how periodicals, journalism and couture established 'fashion' as a discipline. Part 2's 'Artistic Engagement with Fashion's Material Culture' focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity. Part 3, 'Conduct and Clothing', considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour. Part 4, 'Consumption and Fashionable Performance', examines periodicals, genres and drama as performative in their own right.
Author: Tatiana Kontou
Publisher: Routledge
ISBN: 1315399962
Category : Business & Economics
Languages : en
Pages : 388
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Book Description
From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This collection brings together a range of primary sources on Victorian material and culture. This volume, ‘Fashionable Things’, will focus on Victorian fads and fashions ranging from chatelains to insect jewellery.
Author: Dr Christine Bayles Kortsch
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475492
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
Author: Amanda Ford
Publisher: Taylor & Francis
ISBN: 100081629X
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Elizabeth Gaskell’s writings abound in references to a cultural materiality encompassing different types of fabric, stuffs, calicoes, chintzes and fine-point lace. These are not merely the motifs of the Realist genre but reveal a complex polysemy. Utilizing a metonymic examination of these tropes, this volume exposes the dramatic structural and socio-economic upheaval generated by industrialization, urbanization and the widening sphere of empire. The material evidence testifies to the technological and production innovations evolving diachronically for the period, and the evolution of Manchester as the industrial ‘Cottonpolis’ that clothed the world by the 1840s. This volume analyses Gaskell’s manipulation of the materiality, arguing its firm roots lie in the quotidian of women’s domestic and provincial life within the growing ranks of the middle classes. Exploring Gaskell’s tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses, emotions and memories, whereby worn fabrics and even the absence of previous textile treasures, is poignant, recreating layers of recollection. This book aims to restore the pulsating, dynamic context of ordinary women’s dressed lives and presents innovative interpretations of Gaskell’s texts.
Author: Ruth Goodman
Publisher: Penguin UK
ISBN: 0241958342
Category : History
Languages : en
Pages : 470
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Book Description
TRAVEL BACK IN TIME WITH THE BBC'S RUTH GOODMAN We know what life was like for Victoria and Albert. But what was it like for a commoner - like you or me? How did it feel to cook with coal and wash with tea leaves? Drink beer for breakfast and clean your teeth with cuttlefish? Catch the omnibus to work and do the laundry in your corset? How to be a Victorian is a radical new approach to history; a journey back in time more personal than anything before, illuminating the overlapping worlds of health, sex, fashion, food, school, work and play. Surviving everyday life came down to the gritty details, the small necessities and tricks of living and this book will show you how. ______________________ 'Goodman skilfully creates a portrait of daily Victorian life with accessible, compelling, and deeply sensory prose' Erin Entrada Kelly 'We're lucky to have such a knowledgeable cicerone as Ruth Goodman . . . Revelatory' Alexandra Kimball 'Goodman's research is impeccable . . . taking the reader through an average day and presenting the oddities of life without condescension' Patricia Hagen
Author: Adelene Buckland
Publisher: Routledge
ISBN: 131540012X
Category : Business & Economics
Languages : en
Pages : 423
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Book Description
From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. The fourth volume will look at raw materials that were handled and used by Victorians including blubber and coal.
Author: Sibylle Baumbach
Publisher: Springer Nature
ISBN: 3030753972
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products ‘as they are’ and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces. This is an open access book.
Author: Galia Ofek
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661610
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Examining a wide range of historical, artistic, literary, and theoretical works, Galia Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century. Her innovative study reveals the Victorians' well-developed awareness of fetishism and their cognizance of hair's symbolic resonance and commercial value.
Author: Gemma Almond-Brown
Publisher: Manchester University Press
ISBN: 1526161362
Category : History
Languages : en
Pages : 212
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Book Description
This is the first full-length study of spectacles in the Victorian period. It examines how the Victorians shaped our understanding of functional visual capacity and the concept of 20:20 vision. Demonstrating how this unique assistive device can connect the histories of medicine, technology and disability, it charts how technology has influenced our understanding of sensory perception, both through the diagnostic methods used to measure visual impairment and the utility of spectacles to ameliorate its effects. Taking a material culture approach, the book assesses how the design of spectacles thwarted ophthalmologists’ attempts to medicalise their distribution and use, as well as creating a mainstream marketable device on the high street.
Author: Aileen Ribeiro
Publisher: Yale University Press
ISBN: 0300109997
Category : Design
Languages : en
Pages : 412
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Book Description
Relatively few garments survive from before the eighteenth century, and the history of costume in the preceding centuries must therefore rely to a great extent on literary and visual evidence. This book, the first of its kind, examines Stuart England through the mirror of dress. It argues that both artistic and literary sources can be read and decoded for important information on dress and the way it was perceived in a period of immense political, social, and cultural change. Focusing on the rich visual culture of the seventeenth century, including portraits, engravings, fashion plates, and sculpture, and on literary sources--poetry, drama, essays, sermons--the distinguished historian of dress Aileen Ribeiro creates a fascinating account of Stuart dress and how it both reflected and influenced society. Supported by a wealth of illustrative images, she explores such varied themes as court costumes, the masque, the ways in which political and religious ideologies could be expressed in dress, and the importance of London as a fashion center. This beautiful book is an indispensable and authoritative account of what people wore and how it related to Stuart England’s cultural climate.
