Author: Catherine E. Paul
Publisher:
ISBN: 9781781384053
Category : Fascism
Languages : en
Pages :
Book Description
By bringing Italian primary sources and approaches to the cultural project of Mussolini's regime to bear on Ezra Pound's prose work (including unpublished material from the Pound Papers and untranslated periodical contributions), this work shows how Pound's modernism changed as a result of involvement in Italian politics and culture.
Fascist Directive
Author: Catherine E. Paul
Publisher:
ISBN: 9781781384053
Category : Fascism
Languages : en
Pages :
Book Description
By bringing Italian primary sources and approaches to the cultural project of Mussolini's regime to bear on Ezra Pound's prose work (including unpublished material from the Pound Papers and untranslated periodical contributions), this work shows how Pound's modernism changed as a result of involvement in Italian politics and culture.
Publisher:
ISBN: 9781781384053
Category : Fascism
Languages : en
Pages :
Book Description
By bringing Italian primary sources and approaches to the cultural project of Mussolini's regime to bear on Ezra Pound's prose work (including unpublished material from the Pound Papers and untranslated periodical contributions), this work shows how Pound's modernism changed as a result of involvement in Italian politics and culture.
Fascist Directive
Author: Catherine E. Paul
Publisher: Clemson University Press
ISBN: 9781942954729
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Fascist Directive reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build the modern Fascist state. Drawing on archival material and periodical contributions, Catherine E. Paul delves into the work of the most notorious American in Italy in the 1930s and 1940s.
Publisher: Clemson University Press
ISBN: 9781942954729
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Fascist Directive reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build the modern Fascist state. Drawing on archival material and periodical contributions, Catherine E. Paul delves into the work of the most notorious American in Italy in the 1930s and 1940s.
Fascist Directive: Ezra Pound and Italian Cultural Nationalism
Author: Catherine E. Paul
Publisher: Liverpool University Press
ISBN: 1942954069
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.
Publisher: Liverpool University Press
ISBN: 1942954069
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.
The New Ezra Pound Studies
Author: Mark Byron
Publisher: Cambridge University Press
ISBN: 1108499015
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
Publisher: Cambridge University Press
ISBN: 1108499015
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
The Poets of Rapallo
Author: Lauren Arrington
Publisher: Oxford University Press
ISBN: 0192585665
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
A new story about the relationships between major twentieth-century English-language poets. Why did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini's regime? These writers were—or became—some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? The Poets of Rapallo is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches, and photographs, this book shows how the backdrop of the Italian fascist regime is essential to their writing about their home countries and their ideas about modern art and poetry. It also explores their interconnectedness as poets and shows how these connections were erased as their work was polished for publication. Focusing on the years between 1928 and 1935, when Pound and Yeats hosted an array of visiting writers, this book shows how the literary culture of Rapallo forged the lifelong friendships of Richard Aldington and Thomas MacGreevy—both veterans of the First World War—and of Louis Zukofsky and Basil Bunting, who imagined a new kind of "democratic" poetry for the twentieth century. In the wake of the Second World War, these four poets all downplayed their relationship to Ezra Pound and avoided discussing how important Rapallo was to their development as poets. But how did these "democratic" poets respond to the fascist context in which they worked during their time in Rapallo? The Poets of Rapallo discusses their collaboration with Pound, their awareness of the rising tide of fascism, and even—in some cases—their complicity in the activities of the fascist regime. The Poets of Rapallo charts the new direction for modernist writing that these writers imagined, and in the process, it exposes the dark underbelly of some of the most lauded poetry in the English language.
Publisher: Oxford University Press
ISBN: 0192585665
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
A new story about the relationships between major twentieth-century English-language poets. Why did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini's regime? These writers were—or became—some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? The Poets of Rapallo is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches, and photographs, this book shows how the backdrop of the Italian fascist regime is essential to their writing about their home countries and their ideas about modern art and poetry. It also explores their interconnectedness as poets and shows how these connections were erased as their work was polished for publication. Focusing on the years between 1928 and 1935, when Pound and Yeats hosted an array of visiting writers, this book shows how the literary culture of Rapallo forged the lifelong friendships of Richard Aldington and Thomas MacGreevy—both veterans of the First World War—and of Louis Zukofsky and Basil Bunting, who imagined a new kind of "democratic" poetry for the twentieth century. In the wake of the Second World War, these four poets all downplayed their relationship to Ezra Pound and avoided discussing how important Rapallo was to their development as poets. But how did these "democratic" poets respond to the fascist context in which they worked during their time in Rapallo? The Poets of Rapallo discusses their collaboration with Pound, their awareness of the rising tide of fascism, and even—in some cases—their complicity in the activities of the fascist regime. The Poets of Rapallo charts the new direction for modernist writing that these writers imagined, and in the process, it exposes the dark underbelly of some of the most lauded poetry in the English language.
Cross-Cultural Ezra Pound
Author: Walter Baumann
Publisher: Liverpool University Press
ISBN: 1949979814
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
This volume offers new interpretations of Pound’s poetics, as well as new perspectives on his critical reception globally. It covers Pound’s work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.
Publisher: Liverpool University Press
ISBN: 1949979814
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
This volume offers new interpretations of Pound’s poetics, as well as new perspectives on his critical reception globally. It covers Pound’s work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.
Ezra Pound, Italy, and the Cantos
Author: Massimo Bacigalupo
Publisher: Liverpool University Press
ISBN: 1949979016
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
Publisher: Liverpool University Press
ISBN: 1949979016
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
Cultures of Currencies
Author: Joan Ramon Resina
Publisher: Routledge
ISBN: 100054320X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This book’s premise is not only the commonly accepted cultural relativity of economic concepts, but also the observation that the current shift in the meaning of concepts like “market,” “currency,” “exchange,” and “money” suggests that culture is undergoing a change with unpredictable economic and political consequences. The essays in the book raise basic questions concerning exchange – what is exchanged, who exchanges and how, which kind of currency is used, and indeed what is money and how does it convey and retain value over time. These issues are all classical objects of economic theory, but less often have they been approached from a cultural perspective. Works treating economic and monetary issues from a cultural perspective are few and far apart, and this book aims to contribute to such a perspective with a variety of approaches.
Publisher: Routledge
ISBN: 100054320X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This book’s premise is not only the commonly accepted cultural relativity of economic concepts, but also the observation that the current shift in the meaning of concepts like “market,” “currency,” “exchange,” and “money” suggests that culture is undergoing a change with unpredictable economic and political consequences. The essays in the book raise basic questions concerning exchange – what is exchanged, who exchanges and how, which kind of currency is used, and indeed what is money and how does it convey and retain value over time. These issues are all classical objects of economic theory, but less often have they been approached from a cultural perspective. Works treating economic and monetary issues from a cultural perspective are few and far apart, and this book aims to contribute to such a perspective with a variety of approaches.
Pound and Pasolini
Author: Sean Mark
Publisher: Springer Nature
ISBN: 303091948X
Category : Literary Criticism
Languages : en
Pages : 441
Book Description
In October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
Publisher: Springer Nature
ISBN: 303091948X
Category : Literary Criticism
Languages : en
Pages : 441
Book Description
In October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
Historicizing Modernists
Author: Matthew Feldman
Publisher: Bloomsbury Publishing
ISBN: 1350215066
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.
Publisher: Bloomsbury Publishing
ISBN: 1350215066
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.