Farnace. Drama da rappresentarsi nel Regio Teatro di Hay-Market, etc. [By Lorenzo Morari, with a dedication signed: Giovanni Bononcini.] Ital. & Eng PDF Download
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Languages : en
Pages : 80
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![Farnace. Drama da rappresentarsi nel Regio Teatro di Hay-Market, etc. [By Lorenzo Morari, with a dedication signed: Giovanni Bononcini.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/Jw5XAAAAcAAJ?fife=w80-h100)
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Languages : en
Pages : 80
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Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
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Author: Robert Freeman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
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Author: Melania Bucciarelli
Publisher: Brepols Publishers
ISBN: 9782503510217
Category : Opera
Languages : en
Pages : 0
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Book Description
What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.
Author: Dene Barnett
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516
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Author: George J. Buelow
Publisher: Univ of California Press
ISBN:
Category : Continuo
Languages : en
Pages : 340
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Book Description
Author: Michael Hawcroft
Publisher: Oxford Modern Languages & Lite
ISBN:
Category : Drama
Languages : en
Pages : 296
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France's greatest tragedian, Jean Racine, is often admired for his poetic and tragic qualities. This book, on the other hand, explores the theatrical qualities of Racine's language and takes as its analytical tool two neglected parts of rhetoric, inventio and dispositio. How does Racine write exciting dialogue? He makes the persuasive interaction of characters a key feature of his dramatic technique and Word as Action shows how he deploys persuasion in well-defined contexts: trials, embassies, and councils; informal oratory as protagonists try to manipulate each other and their confidants in order to make their own views and wishes prevail; self-persuasion in monologues; and narrations, often used by characters with persuasive intent. The book draws illuminating and provocative comparisons with other playwrights and offers a closer and better documented description of the specific nature of Racine's theatrical language than has previously been available in any one study.
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
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'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Author: Cary C Boshamer Distinguished Professor Mark Evan Bonds
Publisher:
ISBN: 9780674733404
Category :
Languages : en
Pages : 248
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Author: Alessandro Scarlatti
Publisher: Sagwan Press
ISBN: 9781377155791
Category : Drama
Languages : en
Pages : 94
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
