Author: King of the Franks PHARAMOND
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Faramondo. Drama per musica da rappresentarsi nel Regio Teatro di Hay-Market. (Pharamond. An opera, etc.) [Altered from Apostolo Zeno.] Ital. & Eng
Author: King of the Franks PHARAMOND
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 982
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 982
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 488
Book Description
Opera Without Drama
Author: Robert Freeman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
Italian Opera and European Theatre, 1680-1720
Author: Melania Bucciarelli
Publisher: Brepols Publishers
ISBN: 9782503510217
Category : Opera
Languages : en
Pages : 0
Book Description
What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.
Publisher: Brepols Publishers
ISBN: 9782503510217
Category : Opera
Languages : en
Pages : 0
Book Description
What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.
The Art of Gesture
Author: Dene Barnett
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516
Book Description
Thorough-bass Accompaniment According to Johann David Heinichen
Author: George J. Buelow
Publisher: Univ of California Press
ISBN:
Category : Continuo
Languages : en
Pages : 340
Book Description
Publisher: Univ of California Press
ISBN:
Category : Continuo
Languages : en
Pages : 340
Book Description
Word as Action
Author: Michael Hawcroft
Publisher: Oxford Modern Languages & Lite
ISBN:
Category : Drama
Languages : en
Pages : 296
Book Description
France's greatest tragedian, Jean Racine, is often admired for his poetic and tragic qualities. This book, on the other hand, explores the theatrical qualities of Racine's language and takes as its analytical tool two neglected parts of rhetoric, inventio and dispositio. How does Racine write exciting dialogue? He makes the persuasive interaction of characters a key feature of his dramatic technique and Word as Action shows how he deploys persuasion in well-defined contexts: trials, embassies, and councils; informal oratory as protagonists try to manipulate each other and their confidants in order to make their own views and wishes prevail; self-persuasion in monologues; and narrations, often used by characters with persuasive intent. The book draws illuminating and provocative comparisons with other playwrights and offers a closer and better documented description of the specific nature of Racine's theatrical language than has previously been available in any one study.
Publisher: Oxford Modern Languages & Lite
ISBN:
Category : Drama
Languages : en
Pages : 296
Book Description
France's greatest tragedian, Jean Racine, is often admired for his poetic and tragic qualities. This book, on the other hand, explores the theatrical qualities of Racine's language and takes as its analytical tool two neglected parts of rhetoric, inventio and dispositio. How does Racine write exciting dialogue? He makes the persuasive interaction of characters a key feature of his dramatic technique and Word as Action shows how he deploys persuasion in well-defined contexts: trials, embassies, and councils; informal oratory as protagonists try to manipulate each other and their confidants in order to make their own views and wishes prevail; self-persuasion in monologues; and narrations, often used by characters with persuasive intent. The book draws illuminating and provocative comparisons with other playwrights and offers a closer and better documented description of the specific nature of Racine's theatrical language than has previously been available in any one study.
Dramma Per Musica
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.