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Author: Thomas Hardy
Publisher: Springer
ISBN: 1349035971
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Author: Thomas Hardy
Publisher: Springer
ISBN: 1349035971
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Author: Rachael Low
Publisher: Routledge
ISBN: 113620606X
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
Author: T. R. Wright
Publisher: Cambridge University Press
ISBN: 0521840813
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
A stimulating collection of essays analysing adaptations of this most cinematic of novelists.
Author: Paul J. Niemeyer
Publisher: McFarland
ISBN: 0786481358
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
"Great authors" are increasingly being encountered by general audiences and critics thanks to films and television programs that have been adapted from their best-known works. Thomas Hardy is one of those authors. His work has inspired filmmakers from the silent age and modern times. This book is the first book-length study in what has become a growing field of interest in film adaptations of Hardy's novels. Part One of this book analyzes the popular image of Hardy and his work, the reproduction of this image in film adaptations, and critical stereotypes about him and his fiction. Part Two juxtaposes Hardy's Far from the Madding Crowd and Schlesinger's adaptation, Hardy's Tess of the d'Urbervilles and Polanski's adaptation, and Hardy's Jude the Obscure and Winterbottom's adaptation. Each discussion of the novel and adaptation in question considers the novel itself, the critical history of the novel, how it has been adapted to film, and how the individual filmmakers have struggled with problems inherent in Hardy's novels. Part Three analyzes adaptations of The Woodlanders, The Scarlet Tunic, and The Claim, all of which have scarcely been seen in the United States or which were not distributed in the United States, and four television movies and miniseries that were based on Hardy's work.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1630
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Book Description
Author: Carroll Atwood Wilson
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 494
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Book Description
Author: Rachael Low
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 372
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Book Description
Author: Rachael Low
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 368
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Book Description
Author: Amy Sargeant
Publisher: Bloomsbury Publishing
ISBN: 1838714766
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.
Author: Grolier Club
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
