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Author: Henry Purcell
Publisher:
ISBN:
Category : Canons, fugues, etc. (Viols (3))
Languages : en
Pages : 34
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Canons, fugues, etc. (Viols (3))
Languages : en
Pages : 34
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Canons, fugues, etc. (Viols (4))
Languages : en
Pages : 108
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 162
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
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Book Description
Author: Alan Howard
Publisher: Cambridge University Press
ISBN: 110700666X
Category : Music
Languages : en
Pages : 315
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Book Description
The first major study to propose an analytical approach to Purcell's music beginning from contemporary compositional aims and techniques.
Author: Henry Purcell
Publisher:
ISBN:
Category : Canons, fugues, etc. (String ensemble)
Languages : en
Pages : 100
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Book Description
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521270786
Category : Music
Languages : en
Pages : 392
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Book Description
These paperback editions makes Peter Williams's influential scholarship available to a wider field of readers, including those with an interest in the ever-expanding discussions of original instrumentation and its implications for modern performance. Professor Williams examines Bach's organ works piece-by-piece, reconstructing for the present-day performer and listener the original context of the work. Form and style are analysed, with abundant musical examples and frequent allusions to the views of other commentators. Each volume contains a preface, calendar, lists of musical sources and references, and an index.
Author: David Grimes
Publisher: Mel Bay Publications
ISBN: 1619116952
Category : Music
Languages : en
Pages : 181
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Book Description
In his quest to compile an anthology of the best pieces by vihuela composers, David Grimes encountered the rich complexity of the music of Luys Milan. He also noticed many discrepancies in fingering and in the notes themselves in various existing transcribed editions. Following a period of exhaustive research the author prepared this authoritative guitar edition of the fifty fantasias in Milan's seminal 1536 book, El Maestro. The resulting edition provides a more accurate sense of the virtuosity of this music. These extraordinary pieces are presented here in standard notation only with extensive historical and performance notes. Of this collection the author writes," It is my sincere hope that this new edition will help bring this glorious repertoire to the attention of more of today's many outstanding performers, and that Milan's fantasias will more often take their deserved place on recital programs, alongside the masterworks of John Dowland and Francesco da Milano."
Author: Pieter Dirksen
Publisher: Routledge
ISBN: 135156398X
Category : Music
Languages : en
Pages : 279
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Book Description
One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Long considered a minor master overshadowed by such figures as his teacher Jan Pieterszoon Sweelinck or his fellow student Samuel Scheidt, a number of major source discoveries made in the second half of the twentieth century - the most important one being the discovery of the Zellerfield tablatures - have gradually raised his stature towards what it should now be, namely that of the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half. Pieter Dirksen, one of the leading scholars on early German keyboard music, shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Jacob and Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist. The sources for Scheidemann are for the most part contemporary and stem from all periods of his career, and beyond that until one or two decades after his death. His keyboard music was never published in his lifetime but circulated widely within professional circles. Dirksen considers the transmission of Scheidemann's music as a whole in Part One, where each source is analyzed individually, and the repertoire itself is examined in Part Two. A number of specialized studies, including a detailed investigation into the background of one of the sources as well as adressing questions of organology (an account of the famous Catharinen organ as it was during Scheidemann's era) and performance practice (a study of the fingering indications and observations on registration practice) form Part Three. A wealth of appendices also detail a relative chronology of the music; a geographic overview of the transmission and two hitherto unpublished, fragmentarily transmitted Scheidemann pieces. The book will therefore a
Author: John Gunn
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
