Author: Matthew William Head
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 298
Book Description
Fantasy in the Instrumental Music of C.P.E. Bach
Author: Matthew William Head
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 298
Book Description
Carl Philipp Emanuel Bach Studies
Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260
Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260
Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.
The Music of Carl Philipp Emanuel Bach
Author: David Schulenberg
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).
Carl Philipp Emanuel Bach
Author: Doris Bosworth Powers
Publisher: Psychology Press
ISBN: 0815321791
Category : Composers
Languages : en
Pages : 308
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 0815321791
Category : Composers
Languages : en
Pages : 308
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
C.P.E. Bach
Author: Doris Powers
Publisher: Routledge
ISBN: 1136799478
Category : Music
Languages : en
Pages : 308
Book Description
Although he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert
Publisher: Routledge
ISBN: 1136799478
Category : Music
Languages : en
Pages : 308
Book Description
Although he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert
C.P.E. Bach
Author: David Schulenberg
Publisher: Routledge
ISBN: 1351572806
Category : History
Languages : en
Pages : 542
Book Description
The second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
Publisher: Routledge
ISBN: 1351572806
Category : History
Languages : en
Pages : 542
Book Description
The second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
The Free Fantasia and the Musical Picturesque
Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 9780521640770
Category : Art
Languages : en
Pages : 278
Book Description
This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven.
Publisher: Cambridge University Press
ISBN: 9780521640770
Category : Art
Languages : en
Pages : 278
Book Description
This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven.
The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
Author: Paul Collins
Publisher: Routledge
ISBN: 1351540211
Category : Music
Languages : en
Pages : 232
Book Description
The concept of stylus phantasticus (or ?fantastic style?) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher?s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.
Publisher: Routledge
ISBN: 1351540211
Category : Music
Languages : en
Pages : 232
Book Description
The concept of stylus phantasticus (or ?fantastic style?) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher?s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.
Sovereign Feminine
Author: Matthew Head
Publisher: Univ of California Press
ISBN: 0520273842
Category : Music
Languages : en
Pages : 350
Book Description
In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.
Publisher: Univ of California Press
ISBN: 0520273842
Category : Music
Languages : en
Pages : 350
Book Description
In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.
The Oxford Handbook of Topic Theory
Author: Danuta Mirka
Publisher: Oxford Handbooks
ISBN: 0199841578
Category : Music
Languages : en
Pages : 719
Book Description
Consolidates the research field of topic theory by clarifying its basic concepts and exploring its historical foundations.
Publisher: Oxford Handbooks
ISBN: 0199841578
Category : Music
Languages : en
Pages : 719
Book Description
Consolidates the research field of topic theory by clarifying its basic concepts and exploring its historical foundations.