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Author: Hector Berlioz
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 330
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Book Description
Author: Hector Berlioz
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 330
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Book Description
Author: Hector Berlioz
Publisher: Courier Corporation
ISBN: 9780486298900
Category : Music
Languages : en
Pages : 162
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Book Description
In this masterpiece of "program" music — a genre invented by the composer — an obsessed musician is overcome by increasingly bizarre visions of his lover. This miniature score version is handy, inexpensive, and perfect for use in the classroom or concert hall.
Author: Julian Rushton
Publisher: Cambridge University Press
ISBN: 1316513831
Category : Music
Languages : en
Pages : 173
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Book Description
Situates Berlioz's Symphonie Fantastique within French Romanticism and considers influences, literary as well as musical, that shaped its conception.
Author: Nicholas Temperley
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Thomas Forrest Kelly
Publisher: Yale University Press
ISBN: 9780300091052
Category : Music
Languages : en
Pages : 420
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Book Description
This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.
Author: Philip Henry Goepp
Publisher:
ISBN:
Category : Symphony
Languages : en
Pages : 514
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Book Description
Author: David Cairns
Publisher: Univ of California Press
ISBN: 9780520240568
Category : Art
Languages : en
Pages : 704
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Book Description
Berlioz, Volume I, previously published only in Britain, is now available to American readers in a revised edition, together with the eagerly awaited, new Volume II. These two volumes together comprise a monumental biographical achievement, sure to stand as the definitive Berlioz biography.
Author: Ethan Mordden
Publisher: Oxford University Press, USA
ISBN: 0195040414
Category : Music appreciation
Languages : en
Pages : 588
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Book Description
This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.
Author: Kent Kennan
Publisher: Taylor & Francis
ISBN: 1000874079
Category : Music
Languages : en
Pages : 419
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Book Description
The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. Updated to reflect developments in instruments and orchestral best practices, this seventh edition features: Copious musical examples spanning the history of the orchestra Detailed descriptions of instruments and their distinctive characteristics Explanations of how to score chords and transcribe piano idioms Discussions on specialized ensembles and scoring techniques New musical examples have been added throughout and listening lists have been revised to include more music by women and composers of color, representing a diverse musical catalogue. Supported by an accompanying workbook of scores and scoring exercises (available separately), as well as a robust listening program keyed to the textbook, The Technique of Orchestration, Seventh Edition, is an accessible, essential, all-in-one resource for the student of orchestration.
Author: Kirsten Gibson
Publisher: Routledge
ISBN: 1351559036
Category : Music
Languages : en
Pages : 350
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Book Description
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc
